I love it! I need all of the instrumentals pronto! I can't handle it no more.

Simply georgeous piece of music, but I must say your voice always just makes it better. Keep working Agnes, I'm already impatient for your next release.

I really love your music. Thank you for sharing it with the world :)

it sux now that u dont get to listen to the full song

great - like the recording story on soundonsound too

course

This year, piano and coffee turns five, and to celebrate, we are releasing our first compilation: Realismo Mágico — a conceptual project featuring unconventional works by new and old friends we have made along the way.

Inspired by magical realism, an artistic genre in which realistic narrative and naturalistic technique are combined with surreal elements of dream or fantasy, this special release presents unheard material by twelve exceptional musicians — from experimental sound artist Martyna Basta to award-winning film composer Alexandra Hamilton-Ayres, and from poly-instrumental duo Brueder Selke to prolific pianist and producer John Hayes.

Each artist has contributed with a new track that invites the listeners to submerge into their very own musical universes, which, at the same time, have been re-shaped by their interpretation of magical realism. We start off on our journey with the delicate nostalgia of Tim Linghaus, passing through Jakob Lindhagen and Vargkvint’s modern take on the story of a Norse mythological creature, followed by the harmonic ambiguity in Simeon Walker’s pleasingly strong dialogue between felted piano and drums. Later on, John Hayes shares with us a chaotic composition born out of samples from an old clock in his parents’ garage and saturated voices, which precedes Lucy Claire’s processed hydrophone recordings of seaweeds and starfishes in Australian waters. Ondes Martenot, pump organ, zither, analogue synthesizers, vocal processing, musical saw, and bowed gongs are some of the unusual elements to be found on this eclectic yet coherently unified record.

Realismo Mágico has been conceptually crafted and musically curated by Peruvian composer Sergio Díaz De Rojas, and beautifully depicted by illustrator Jordan Amy Lee and graphic designer Celia Fernández González.

Simeon Walker - Saturnine

Listen / Purchase: https://lnk.to/alapastel

This album is also part of Lost Tribe Sound's Salt & Gravity Series:
https://losttribesound.bandcamp.com/album/salt-and-gravity-series

‘Ceremony’ is the second album from Slovakian composer Lukáš Bulko, who records under the name Alapastel. Bulko’s 2018 debut album ‘Hidden for the Eyes’ for James Murray’s Slowcraft was met with praise from critics and fans alike. Much like ‘Hidden for the Eyes’, the new album ‘Ceremony’ provides no easy comparisons.

Lost Tribe Sound was introduced to Alapastel by composer William Ryan Fritch in early 2021. Immediately upon listening to the demo it became clear that ‘Ceremony’ was unlike any album we’d heard before.  It’s an album built from mammoth sound objects, carved from organic sources, that feel so palpable that one could reach out and touch them. Often spanning ten + minutes, these expansive compositions are crafted with such intent and intricate detail that they never overstay their welcome.

There’s a purity and a gentleness to Bulko’s musical voice that speaks of connection, mending, of building a better existence. Subjects that are often swallowed up by the noise, the cruelty, and lack of compassion found in modern society… written off as idealistic or naive. Bulko describes the intention of ‘Ceremony’ is to facilitate a transformative experience. Much of ‘Ceremony’ was written to highlight his interest in Indigenous Peoples ability to survive using sustainable methods passed down over thousands of years, making use of techniques that helped to conserve biodiversity for future generations. Bulko’s work with Fairtrade International has nurtured this connection and belief that adopting these ancient practices is the key to continued life on this planet.

cover art by Silvia Bobeková Art

Ceremony

Releaseness

Alapastel - Releaseness (from Ceremony)

Cinematic Orchestra - Regen (feat. Grey Reverend)

Peut être que nous serions heureux

Peut-être que nous serions heureux (with Alma Forrer, recorded live in Austin, TX)

The Things Left Unsaid

from 'The Unified Field Reconstructed' [CD|LP|DIGITAL]
Denovali Records ·  den226
available on all formats at [http://denovali.com/pianointerrupted]

Piano Interrupted, the anglo / french duo formed by Tom Hodge and Franz Kirmann is a musical entity in continuous reinvention, their music constantly evolving and transforming from concert to concert, record to record. Studio compositions are deconstructed for live shows, becoming brand new pieces, which in turn serve as a basis for future new compositions, like a never-ending “mise en abyme”
It was just a question of time then before the pair turned to other producers to ask them to rework their music. Concentrating exclusively on material from their last LP “The Unified Field”, Piano Interrupted invited a handful of artists and producers from Denovali Records' roster including Hidden Orchestra, Floex, Origamibiro, John Lemke, Saffronkeira and Second Moon Of Winter to reinvent some of their compositions. Oscillating between dub, techno, abstract hip hop, ambient and post-classical, each interpretation offers a completely fresh approach to the work, sometimes barely recognisable, and sheds new light on the infinite directions that Piano Interrupted's intricate compositions can be taken.
“The Unified Field Reconstructed” is a reminder of the possibilities and a promise of more exquisite exploration in the duo's 3rd album, scheduled for later this year, based on recordings taking place in Senegal (where Franz spent his childhood) in February 2015.


The Unified Field Reconstructed

Piano Interrupted - Darkly Shining (John Lemke Rework)

This is a track from Gyr we help promote! https://open.spotify.com/playlist/0J7EFptNh6K6Qebrsrcx8d?si=c89d9fdb58934190 

Letters (Piano Rework)

My Piano and Me is a heartfelt journey through sound and silence, a quiet conversation between emotions and keys. Each piece captures a moment of introspection, memory, or gentle longing, woven into melodies that breathe and linger. Soft, sentimental, and soothing, this solo piano album invites listeners to step into a world of calm reflection, where every note is a whisper of something deeply personal.

The Scent of Dusk

Tinush Salehi - Das Tal Der Bunten Seelen

Infinite Remixes

Two Hearts (Kid Francescoli Remix)

NZCA LINES - Two Hearts (Kid Francescoli Remix)

First  issued  over  25  years  ago,  and  now  remastered  from  original tapes. The vinyl edition comes with six high-quality lithograph  art  prints representing  each  of  the  birds  on  the  album by UK  illustrator Hannah Alice. Fully interactive: the cover image is interchangeable with any of the prints, while the deluxe ‘bookback’ CD comes with 20 page book. Out 5th February 2016.

Bert Jansch - Kingfisher

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Co-produced, mixed and mastered by Isaac Barter

Artwork by Matthew Kenneally

Design by Will Devereux

Free Download

Fickle Heart

We haven't done one of these mixes for a long old time!

A collection of tracks forthcoming on the record label and a few personal favs from the past 12 months.

Headphones advisable...

Enjoy 


Off-Key Sessions: Home

here is a version of kissing disease without voice & noises

the version from the album "cerebro spin" is in episode 1 and 3 of "the young pope" tv serie

Citizen of Glass (Instrumental)

Agnes Obel

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