The track 'Fuel To Fire' is taken from Agnes' new album 'Aventine' released 30th September and available to pre-order here: http://www.agnesobel.com

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Aventine

Fuel to Fire

'Dorian' is taken from Agnes Obel's second album 'Aventine'. Available here: http://www.agnesobel.com

Dorian

"In a Bar" from Tango with Lions' debut album "Verba Time", released by InnerEar Records on June 21st 2010

In a Bar

Agnes Obel's new single 'The Curse' is now available from iTunes: http://smarturl.it/thecurseitunes

The track is taken from 'Aventine' the new album out now and available order here: http://www.agnesobel.com

The Curse

Get this song now on itunes: http://smarturl.it/In-The-Seams
Preorder new album: http://po.st/seamsfans (with signed CDs and vinyl)
LIVE co-headline tour with Bill Ryder Jones on sale NOW http://bit.ly/ssbrjtour

'I Remember' Lyrics: 

I remember when we were skin and bone, tough and cruel  
But bruises brown and fade away
Trinkets in a coat pocket stolen from kids at school
Burned a hole and fed a shame

Someone should have told you that you'd always have a place to go
Uh oh I thought you would have known  
Someone should have told you that you'd never find yourself alone
Uh oh, we lost you to the snow  

I remember when we would hang about in hollow trees  
New sounds, sitting smoking leaves
Walking past boarded up windows gets you down
Sh*t town, knew you couldn't breathe  

Someone should have told you that you'd always have a place to go
Uh oh I thought you would have known  
Someone should have told you that you'd never find yourself alone
Uh oh, we lost you to the snow  

Or maybe you climbed out after all  
I didn't wait around to see you fall
Found you on facebook soft and warm
You must have known it. You must have known it
You must have known it. You must have known it

Saint Saviour - I Remember

Gemma Hayes - Palomino - taken from the Album BONES + LONGING 

Link to the album - http://smarturl.it/BonesandLonging

06 Palomino

After "Theater Island," last year's 6-track EP, Sóley returns with her first full-length, an album full of rhythmic makeshift creatures, of handclaps hidden in the undergrowth, tempting us to join in. The 13 tracks are sometimes incredibly catchy; amazingly quirky at other times: think cardigan-folk from the northern hemisphere, an ocean of stained glasses bopping up and down in the shared apartment's dishwater, leeward in limbo. The result is refreshing in its lack of edginess; think Joanna Newsom minus her harp, or the Casady sisters circa 2004, but then clearly better trained, less crooked. In other words: her voice, those loops moving around like wooden toys, and finally the piano – that's the backbone, the essence of her compositions; at least until some unexpected element appears elsewhere, a rhythmic creaking or the lack thereof, like a hidden Rube Goldberg machine, setting off yet another component, thus paving the way across the threshold and on into the next realm of sound. And thus we keep on sinking, deeper and deeper, until we stand on terra firma once again, realizing that somehow, next to us, above us, around us, a beat is laid out, hesitantly moving along at first, then careering… 

Sóley: I'll Drown

AGNES OBEL - Riverside

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Fuel to Fire

Agnes Obel

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