Ingvar Howard Shore Tautra :-) excelletn , my friend !

technical background missing in the description, that would be my only "complaint" !

brilliant work. this really mends the soul

this track gets me on so many levels...totally electrifying <3

Silica Daughter

Inspired by the Dark Ambient live mixes by Neon Rhythms (https://www.youtube.com/channel/UCyP_7g2xV8YUTR47aPiTl0w) I'd like to bring to your attention yet another jam session where I tried to emulate this intricate genre. 

Once again, the speech samples came from the stock audio library for the Eurorack module "Radio Music". Other than that, I used my humble Eurorack and my loop station to layer my sounds and the samples and mangle them in various ways. Also, I used quite a compilation of guitar pedals. 

I incorporated the samples and a vast amount of sounds and settings, and recorded the stereo in Audacity, which I used in post-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

Most of my tracks can be downloaded for free, and I encourage you to use them in your jam sessions and live sets. If you use any of my material, I really would like to know what you could come up with. So drop me a message and please give a shout-out to Mrs. Audio Boy! 

MAB logo by @maxim-lichtenwald, check him out!

I hope you enjoy!

Bleak Soundscapes [Jam session sections: RAW2021 - 7]

Another Dimension

Feel free to whatever transformation or add what you want.
Artwork found here: https://no.pinterest.com/pin/3659243436419500/

Contract with cosmos

Headphones recommended.

Made for Naviar Records' 436th Haiku Challenge, See https://www.naviarrecords.com/2022/05/11/naviarhaiku436-lightning-thunder/ for details.

Voices of the storm [naviarhaiku436]

Specific Sight

Ulrich Langenbach + Trampelfad  
Collaboration 6/2022

c.o
https://soundcloud.com/ulrichlangenbach
https://soundcloud.com/trampelfad

Ulrich Langenbach + Trampelfad  Collaboration 6/2022

A collaboration with Claude 4268

album available here :

https://malady-of-knots.bandcamp.com/album/o-le-d-sert-entend-la-mer



Derrière cette apparence d’être, il y a la trace d’autre chose. Mais Quoi ? Il y a beaucoup de pays dans le pays de la mémoire. Où et quand l’arbre de la parole perdu, l’arbre de la parole retrouvé ? La Mère de vie universelle est l’Introductrice au Royaume. Ce qui est au cœur du très harmonieux, du très pur, du très tendre, c’est la Main de vie maternelle. Mais combien ignorent ou feignent d’ignorer qu’elle était l’esprit de ce qui allait arriver ? Ceux qui arrêtent le voyage sont déliés au lieu d’être reliés. La recherche de l’Autre ou d’autre chose est souvent dévoyée par les longues fatigues de soleils dans le mouvement continu des apparences. Les racines de l’arbre spirituel ont été coupées. L’expérience de renaître nous confronte à une dissémination des rêves de l’origine et nous fait basculer dans une autre étendue intérieure, mais qui est celle de la vérité essentielle qui nous a irrigué depuis la concavité matricielle. La Mère est quelque chose de plus grand que le territoire du Père. C’est Elle qui accueille en premier l’enfant qu’elle vient de mettre au monde. La couleur bleue de la Voie Clarté, de la mer et du cosmos les imbibe et les pénètre.


https://indiciblement.blogspot.com/

Brighid

R2D2 PICASSO

naviarhaiku489

Dividing the autumn sky
Into two
A huge chinquapin tree

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.
Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 24th May 2023
Haiku by Kyoshi Takahama
Picture by Will

Dividing The Autumn (naviarhaiku489)

Improvised music produced entirely on the iOS platform using an iPad Pro.

Escape From A Lost Planet /Take 2

My account is resting. Only occasionally posting or managing the account. I'll be back! 
 Keep the world a sane place and thanks for listening!

And...Putin, go fuck yourself!!!

Contract with cosmos

Ingvar Tautra

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