Leafing through the music pages here .... one sometimes discovers nuggets, like this one ....

Wow 🤗 superb lovely sounds ....blisss 🤗

This track is a collaboration with Synline (Tokyo) on.soundcloud.com/bzQWw

Synline shares ... I thought this song would be suitable for the opening of the album. When I asked SeaShea for guitar, he not only contributed his usual electric guitar but also created some tracks with synthesizers. The song, initially incomplete, reached its completion through his efforts. Collaboration has been a fulfilling experience.
Composition and Sampling collage by Synline
Guitars, Synthesizers and arrangement by SeaShea
We hope you enjoy.

'Into the Underworld' Synline=SeaShea

Screams that say nothing, firecrackers in the parks, shotguns in the fields.
Art with Canva

Above The Noise


Dedicating my piano part in this song to my Dad who lives in Tennessee in The Smoky Mountains. Hell, I guess I'll dedicate my part to his best friend Ronnie too. 
I only play a small part in this song which is the piano, but I will tell you that the folks I'm playing with are really great people and a lot of fun jamming with. 

Cast of Characters:

mistermark-- @user-432503709 -- Lead and harmony vocals, synth guitar intro, auxiliary percussion, mix, arrangement, and production
TexMex Shaman–@texmex-shaman –Stephen– guitar, banjo, and mastering
Llanpsych -- @llanpsych -- Tez – mix and production
J.J. Terrell–@j-j-terrell –piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and vocal harmonies
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, mandolin, and lap steel
This song began when Josh asked the rest of the guys if they'd be willing to put together a couple of songs for his father as a Christmas present. His dad is from West Virginia, and Josh was born there, too. The original version featured Josh's son, Marshall, singing the lead with him, and hearing his grandson sing a song about West Virginia really meant a lot to elder Clary. Of course, everyone was enthusiastically generous in giving their time, effort, and skill to Josh's family for the holiday. This song also has special meaning for JJ and Ken in relation to their fathers, as well. JJ's dad has had a rough year with his health. He also is a musician who inspired and encouraged JJ to play music. His dad also likes this song, so it was fun for him to present it to him, as well. Ken, who's father never really supported his decision to be a rock-and-roller, loves this version of the song we did, and made Ken know how proud of him he is in regard to it, which really meant a lot to Ken, too. Another cool connection Ken has to this song is that whilest attending elementary school, he was in the same school choral cohort with the Maria Carey. He actually sang this song with her when they were kids. Also, we feel like we should acknowledge Artur's dog, even though Artur isn't in on this one, his dog loves country music and responded enthusiastically to this one.
  The story of the song itself is a little convoluted. After Josh asked for everyone's help, Ken laid down a rudimentary beat, to which Josh started the tonal part with the bass. Stephen added the guitar and banjo soon after, and Josh added the mandolin shortly after that. JJ inserted his piano around this time, too. We pretty much had it working enough for Josh and his son to sing it for his dad. Tez mixed that version perfectly suited to the occasion. 
  After presenting Josh's dad with the present, it sat for about a month, until we asked Mark if he'd get in on it, too. Mark not only sang it better the JD, but also arranged it so there is an instrumental break now. He also added the guitar lick at the very beginning. Ken took the opportunity of having Mark's great vocals to sing against to add his cunning harmonies. Then Mark, being the perfectionist that he is, noticed that the slide part was missing from the second verse. So, Josh added it. Mark also mixed this version, with Stephen doing some mastering at the end. 
  We hope you enjoy listening to this as much as we enjoyed putting this personally meaningful piece together.



Country Roads (Eclectic Collective)

Who doesn't know the feeling of being completely burnt out when nothing works anymore? Then I recommend therapy from Dr. Saskia Goethals. 
Thank you for this song Saskia.


Dub Addict feat.Saskia Goethals (remix)

Steep the world in turmoil
Not one eye will notice
It's all at stake in an escapade
By the hopelessly devoted
Find yourself redeeming Seeming
Sinking in the sand
Find your face beating red
Play the marching band
Play the marching band

Celebrate
Your dignified arguments lament
Cemented in your ignorance
You fail to comprehend

I will not be one of them 
Sheep in your field
I graze alone
Living days of hope

I see your due diligence
Oppress and keep us down
Fucking clowns defy my spite
Your walls come crashing down
I cant say a choice I make
Will lead me to a goal
But i fucking know a choice I make
Is a choice I make alone

I keep preaching finding minds
You plan my demise
Fighting through dishonesty
I live amongst your lies
I can finally see
You did all of this
The blood and the ignorance
The micromanaged populous.

I Graze Alone

The Sanctuary Garden is falling asleep as the sun is setting down and a mermaid song is coming from the sea.

DAW:     LogicPro
Master: Ozone 11
Artwork: me and AI

Sunset

Je suis décivilisation 
Je suis l'ensauvagement
Je suis renarde dans votre Eden
Je suis la loi du ventre
Je suis ces invincibles amarantes
Je suis chasseresse de chasseurs
Je suis tétanisation
Je suis alors fulgurance rebelle
Je suis une murmuration féerique à l'heure dorée.
Je suis endêvée par votre passivité
Je suis l'improbable qui te guette
Je suis ainsi l'assise substantielle
Je suis mycorhizes 
Je suis ces sentiers prompts à vous faire saliver
Je suis la spirale de fuites
Je suis aussi incendie désiré
Je suis violette tel l'aconit 
Je suis sagesse car sans sang
Je suis l'évolution par tous ignorée
Je suis la badass à la hache et au cœur de glace
Je suis syntropie
Je suis notre sourire stellaire

Decivilization

This is messy and rough, more like a demo -- it was all done in my scratch pad context (FL Studio), but then again the subject is messy and rough.

Take You Down

I can take you down
I can bring you right down put your face down to it
I can wait around ready for you

you are free to change your mind
you are free to leave this life behind
there's an open door but you don't go through it

I try to get away clean but you got me in a hold
you put your fingers in my head and I loose control
how will I ever be satisfied

I can help with the pain for a little while
cause you know it really just ain't my style
to let you feel what I'm doing when I'm doin it

got what I need and I need it
where does it end now
now that I've paid with my freedom

I just want to be free from all the craving of the night
hey yeah will there ever be a time when I feel it

Take You Down

No Need to Care [DEMO]

Burning Circles

My answer to the 350th week Naviar Haiku Challeng from Naviar Records.
Live recording, so there might be some surprices here and there :D

Flutteringly,
Floating in the breeze,
A single butterfly.

Equipment:
Sequences made with Behringer Crave.
String with Roland D70
Lead synth Roland Gaia
Noise/wind with Roland D10
haiku by Masaoka Shiki https://www.masterpiece-of-japanese-culture.com/literatures-and-poems/haiku/masaoka-shiki-haiku-poems
picture by Marie-Lou Wechsler https://unsplash.com/@wanoum + reworked by me.

Flutteringly Floating Butterfly[Naviarhaiku350]

My account is resting. Only occasionally posting or managing the account. I'll be back! 
 Keep the world a sane place and thanks for listening!

And...Putin, go fuck yourself!!!

Flutteringly Floating Butterfly[Naviarhaiku350]

Ingvar Tautra

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