Magnificent interpretation! An excellent landscape.

Demo songs created using the SP-404MKII's preloaded sound library 

https://www.roland.com/global/products/sp-404mk2/

Roland SP samplers are the bona fide kings of performance-based beatmaking, celebrated for their distinctive sound and ability to create rapid-fire beats anywhere, anytime. Carefully refined through community feedback and extensive research and development, the SP-404MKII is the ultimate SP sampler. It’s faster and better than ever, with a vivid OLED display, expressive new pads, expanded effects, fluid sequencing and sampling, and a massive library of authentic sounds to inspire your music.

SP-404MKII Creative Sampler and Effector - Demo Song 04

Original Track by :
https://soundcloud.com/trampelfad/breve-visite-en-enfer

TRAMPELFÂD - Brève Visite En Enfer (Senglar Waiting Room Rmx)

Nothing Left Behind

Mistletoe

Naviarhaiku-424: 

sunset in snow
is like a letter read
many times

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku
Deadline: 23rd February 2022

haiku by Ryuta Iida https://en.wikipedia.org/wiki/Ryuta_Iida
picture by Cezary Kukowka https://unsplash.com/@czarotg

Music played and made by Ingvar Tautra for the NaviarHaiku society.
Equipment: 
Sequence with Korg SQ-1 driving the CRAVE, 
Background/Lead is Roland D70/Roland Gaia through Midi, selfmade pads. Gaia set to faster attach than D70 so the lead voice are rising faster. Slow release on both.

Like A Letter [naviarhaiku424]

HEMMSCHWELLE

More Human

Initially, I thought Gabber wouldn't be my cup of tea, but archive.org had some really interesting modern Gabber tracks under a Creative Commons License. The song that appealed to me the most was from an Indonesian production (Gabber Modus Operandi - Puxxximaxxx, "Hey Nafsu", https://archive.org/details/yesno091).

Ninety-nine percent of the sounds came from the track. I chopped up the snippets with Voltage Modular, stretched them in Ableton, and maltreated them with long effects chains. To add a bit of Ambient cliche, I added the song of a humpback whale (because, why not – sometimes a track needs a pink fluffy unicorn ribbon).

It still sounds rough around the edges, but maybe there's a genre of noise ambient it fits into. 
___________________________________________________________

Disquiet Junto Project 0556: Gabber Ambient
The Assignment: Field-test a hybrid genre.

Thanks to Sevenism for having proposed this project.

Gabber and ambient music seem like polar opposites. Gabber is typified by a constant distorted kick drum pummelling you at upwards of 200bpm. Ambient, on the other hand, can be deeply immersive or barely noticeable. This project asks the question: is “gabber ambient” possible?

Step 1: Consider what makes gabber gabber and what makes ambient ambient. Where is there crossover?

Step 2: Make a track that could be construed as “gabba ambient.”

Step 3: You’re probably going to want to delete it. Try not to. Save and upload.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0556” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0556” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0556-gabber-ambient/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Deadline: This project’s deadline is the end of the day Monday, August 28, 2022, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, August 25, 2022.

Length: The length is up to you. Does fast mean long or short?

(…)

More on this 556th weekly Disquiet Junto project — Gabber Ambient (The Assignment: Field-test a hybrid genre) — at: https://disquiet.com/0556/

Thanks to Sevenism for having proposed this project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0556-gabber-ambient/

0822 Disquiet Junto 556 Snafu Snafu Hey

g/m:（km:＋Gaapiiiii）Live at space eauuu November 18th, 2022

Help Me

Next to East Village

MELOS is a reminiscence of the archaic roots of sound art - produced with analog modular systems. 
The individual recordings with a length of up to eleven minutes are shortened excerpts from potentially unlimited variations of sound and silence, driven by a generative modular concept.

Cover design by Thomas Breuer, 2020.

MELOS

Melos 1

Available on Bandcamp

My account is resting. Only occasionally posting or managing the account. I'll be back! 
 Keep the world a sane place and thanks for listening!

And...Putin, go fuck yourself!!!

Like A Letter [naviarhaiku424]

Ingvar Tautra

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