Plenty of space in this track for the ideas to evolve--and so they do!!

Good relaxation with the pads and percussive synths...

OOOOOOOOOOOOO!!!!!!!!!!!!!!!!    MY GOODNESSSSSSSSS    WHAT A BEAUTY!!!!  WOW WOW WOW!!!

Nice analog vibes. Always a sucker for old school sequencing.

As I said

a track by Marco Lucchi reworked by Mean Flow

febbraio 2022

Mean Flow & Marco Lucchi - Gloria

If you feel you can add somthing to this pleas do so :D
Sequence: BARP2600 analog synth(two voices) + B960-962-962 sequential controller(each 962 switch serves one voice of two voices on the 2600, one voice with one oscillator and the other with two oscillators)
String: Roland D70+ Roland Gaia.
Picture: https://no.pinterest.com/danpetkanych/_created/

Så Var Det Vel Så Da

Jeff Gburek: zither, fx. Pete SwintonL electronics, fx. 
Produced and woven by Jeff Gburek.  Check out the full album.
https://jeffgburekprojects.bandcamp.com/album/methuzelah-first-album
if you can't believe your ears, here's a review: https://musicyouneedtohear.com/methuzelah-jeff-gburek-pete-swinton-first-album/

Methuzelah 5 (Jeff Gburek & Pete Swinton)

Bl.22.t

This piece is based on the following:  I have long wondered at the percentage of "ambient" sound we suppress: infrastructure noises; highway traffic; fog horns; etc. etc.  That leads me to ponder the cost, if any, of utilizing a portion of our "energy" to continually suppress such sounds.   Finally, that in liberating and "redeeming" said disregarded, suppressed sounds, one can experience beauty and musicality.  This piece was made by my carrying a handheld digital recorder and perambulating a wide swath of my home neighborhood.   Moving through inhabited, to graveyard district industrial, to waterfront, underpass, basketball (that's the ghost of John Cage shooting hoops).  The buildings hum and the birds sing counterpoint.  I have managed, thus far, to suppress an overwhelming urge to start caressing, folding, manipulating, pounding these sounds into something else.  As they stand, however, many of them would be worthy of any electronic ambient composition and I wanted to present them in their natural glory.  Hence, while doing a minimal amount of trimming, snipping and constructing a coherence to the piece, I stayed away from reverb, looping, delay, compressor etc. etc.

A couple of things:  Some of the sounds are church services that I passed by.  I don't know the churches or the singers but I found them to be exceedingly beautiful and of great meaning to me.  It is with profound respect that I offer my thanks.  Similarly, I don't know who took the picture...it looked cool and appropriate, however.  Thank you!  

Hope you enjoy!!

Church of Disregard (How Sweet the Strawberry Mix)

See the visuals at https://youtu.be/DWlAcXFcOQo ...

More on this 585th weekly Disquiet Junto project, Generations (The Assignment: Fast forward an old track to make a new one), at: https://disquiet.com/0585/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0585-f9/

visuals (YouTube)

halF skippinG [disquiet0585]

Emblectysm

Basé sur une séquence cette musique vous fait visiter l'intérieur d'une grotte imaginaire.
Based on a sequence this music makes you visit the interior of an imaginary mysterious cave.

Passage étroit

Slit

O1: mystical tales

My account is resting. Only occasionally posting or managing the account. I'll be back! 
 Keep the world a sane place and thanks for listening!

And...Putin, go fuck yourself!!!

Så Var Det Vel Så Da

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