Music by J.Miyake
arranged and produced by Davide Mastropaolo

Charles Ferris - trombone, trumpet
Antonio Fraioli - percussions
Ron Grieco - double bass, guimbri
Davide Mastropaolo - programming, upright piano
Ernesto Nobili - electric guitar

mixed and mastered by Max Carola at Maxsound Vibes Studio (Castel Volturno - IT)

(C) 2011 Wenders Music GMBH
(P) 2013 Agualoca Records

www.agualocarecords.com
www.facebook.com/pages/Agualoca-Records/386848464700261
https://www.facebook.com/sullerivedeltango?ref=hl

Tango in Vilnius - Lilies Of The Valley

Carnet De Routes - Annobon - Aldo Romano, Louis Sclavis, Henri Texier

Nicolas Jaar — Muse

A one-man quartet :-) ....... Don't we all need a warm glow to heaten up the cold days ?
Entirly my own composition and playing ;-)
Image by Izaqueu Alves Prettu Junior on Pixabay

A fleeting glance

Airelle Besson/Nelson Veras - 'Neige' (Airelle Besson)

« Après 7 albums consacrés indirectement à l'héritage culturel maternel (origines juives de Transylvanie), j’ai conçu « Songs for the Old Man » comme une ré-interprétation de l'exil américain de mon père parti dans les années 50 aux Etats Unis.
Un recueil de folk songs clarinettistiques que je "chante" pour mon père, à mon père, mais aussi à tous  ceux qui passent leur vie sur la route, les nomades, les hobos, les déplacés, les réfugiés, avec l’envie de mélanger mes influences diverses d’Europe de l’Est à « l’americana ».  YOM

02 Everywhere Home

Tied & Tickled Trio - The Long Tomorrow

Alviverde - Jun Miyake

YOUN SUN NAH - JOCKEY FULL OF BOURBON

Momo Wandel Soumah - Felenko Yefe

DEAD  COMBO - Esse Olhar Que Era So Teu

Blossoming out from the fertile soil of Neapolitan independent scene, Agualoca is a record label whose main aim is to promote new musical realities substantially driven by singularity and eclecticism. Junction of seemingly incompatible sounds, that nevertheless find a challenging balance through the ability of catching the spirit faraway cultures have in common.
With its feet well planted in Naples but always looking towards remote latitudes, Agualoca passes through and lets itself be contaminated by any sonority expressing the unrest of contemporary world, from indie rock to psychedelic, from electronic to chamber music, from jazz up to folk dances