Name: Lavinia by Adrienne Herr
Duration: 3 min 34 s
Description: Dog barking, mother speaking, improvised mouth sounds, piano, chimes.

one kiss

Dog barking, mother speaking, improvised mouth sounds, piano, chimes.

Lavinia

Grenade - Now That You're Leaving (edit)

u can download the track here along with the rest of the edits n reworks here. this was part of a live set i have been performing the past couple months. https://benbondy.bandcamp.com/album/edits-and-reworks-vol-1

2much

very limited quantities of cds available this week on daisart.bandcamp.com

2022
@opensecrets
@daffyscanlan
@babykaho1
@jsajsajsa
@user-943265807
@prodiv
@ah_audio

artwork by @user-29348158
mastered by @theodoreschafer

'popcorn'

The World I Want Would Be Celestial, Wet

in swirling clouds of silver lace

☆thank you all for being incredibly sweet and lovely☆

buy closing song 🥀

528479MAGAnglHealingSpellxoxo3

The always-game-changing INDEX:Records feels like the ideal platform for Gi Gi. Over the last year or so, the Texas-based producer has been slowly cultivating his own style of introspective downtempo. Until August, he’d mainly done so by exploring the sound in mixes and teasing us with tracks on a handful of compilations (insert shameless plug of our label). That changed with the release of Sunchoke on Good Morning Tapes, an 8-track collection of blissful beat-based sounds reminiscent of Tranquilizer-era Terre Thaemlitz.

Lamella Pressed follows in the same rhythm-centric footsteps as his recent tape release. Any fan of early ‘00s downtempo labels like City Centre Offices, Elektrolux and theAgriculture will find so much to love here. The album sounds unlike almost anything else you’ll hear right now though, especially “Sinews (feat. Hysterical Love Project)”. Similar to Gi Gi, Brooklyn and Ike bring their own signature brand of 4AD-inspired soulfulness to the track. It’s got to be one of the collaborations of the year, in our very humble opinion.

Gi Gi - Lamella Pressed is out December 2nd on INDEX:Records. You can pre-order the album on Bandcamp.

https://indexrecords.bandcamp.com/album/lamella-pressed
@keptmale
@hystericalloveproject
@indexrecords

Gi Gi – Lamella Pressed

PREMIERE: Gi Gi - Sinews (feat. Hysterical Love Project)

✧ ‘Faded’ out december 9th
https://mu-tate.bandcamp.com/album/faded
https://www.phonicarecords.com/product/mu-tate-faded-pre-order-utter/183994

Mastered and cut by Anne Taegert at D&M
Artwork by AS, center labels by Art Crime, laid out by Alex Egan. 
A special insert designed by Art Crime is also included with physical copies.

Faded

f12 dub

@theodoreschafer

ˋOur Blood For .Sˊ
July 24, 2023

https://daisart.bandcamp.com/album/our-blood-for-s

Expanding from Theodore Cale Schafer’s introverted and veiled personal composition style, ˋOur Blood For .Sˊ sees the musician writing for a trans-american ensemble spanning Chicago, Northern Colorado, Texas, and New York City. Schafer has directed and sourced recordings from instrumentalists Tommy Paslaski ˋCelloˊ , mari rubio ˋviolinˊ , and Matthew Sage ˋclarinetˊ , carefully grafting discrete parts into his own unique fidelity. Across these four works, the musicians’ arterial acoustic performances circulate around Schafer’s emotional core—enchanted by his ability to distill poetic introspection out of dry audio. A careful balance between file-sharing and Schafer’s diaristic approach allow the works to scale into both miniature and empyrean vistas—big skies and small rooms—a moving music where an audio file shot across the plains finds celestial orbit.

Schafer’s music often confronts the tropes of ambient, drone, field recording, and now chamber music to arrive at a kind of “concrete” aesthetic. “Our Blood for .S” is a clear step into a more formal approach for Schafer, hybridising his penchant for documentation and “minor music” with a clear ear for writing for ensembles. Noble and “chapbook-like” in its immediacy, the long-form works on “Our Blood for .S” establish an emotional crossfade between his digital and acoustic orientations—the merchant room in Resident Evil and the court chambers of classical and Gagaku ensembles—the dividing lines that music flows between … “Our Blood.”

- Nick Scavo

Lavinia

Adrienne Herr

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