Over the past few issues, the AHR has begun broadening what it selects for review beyond the confines of the scholarly monograph. In the April 2018 issue, the journal featured a set of film reviews, in June documentary history, in October museums and public history sites—and in the December issue the graphic history, or history in comic book form. In this episode, we speak with the guest editor for that set of graphic history reviews, San Francisco State historian Trevor Getz.

Getz is a historian of gender and slavery in West Africa. His recent work includes the books A Primer for Teaching African History (2018), published by Duke University Press, and, with illustrator Liz Clarke,  Abina and the Important Men: A Graphic History (2011), which is now in its second edition with Oxford University Press.

Trevor Getz on Graphic History

In this episode we speak with Bianca Premo and Yanna Yannakakis about their article “A Court of Sticks and Branches: Indian Jurisdiction in Colonial Mexico and Beyond,” which appears in the February 2019 issue of the AHR as part of a forum titled “Indigenous Agency and Colonial Law.” The forum also features an article by Miranda Johnson from the University of Sydney titled “The Case of the Million-Dollar Duck: A Hunter, His Treaty, and the Bending of the Settler Contract” and an introductory essay by University of Washington historian Joshua L. Reid.

Bianca Premo is Professor of History at Florida International University. Her most recent book is The Enlightenment on Trial: Ordinary Litigants and Colonialism in the Spanish Empire (Oxford University Press, 2017). She is also the author of Children of the Father King: Youth, Authority, and Legal Minority in Colonial Lima (University of North Carolina Press, 2005).

Yanna Yannakakis is Associate Professor of History and currently the Winship Distinguished Research Associate Professor of History at Emory University. She is the author of The Art of Being In-Between: Native Intermediaries, Indian Identity, and Local Rule in Colonial Oaxaca (Duke University Press, 2008). Her current book project is titled “Mexico’s Babel: Native Justice in Oaxaca from Colony to Republic.”

Bianca Premo & Yanna Yannakakis: “A Court of Sticks and Branches"

One of the late-breaking sessions at this year’s AHA Annual Meeting dealt with the devasting fire that engulfed Brazil’s Museu Nacional in September 2018. The session was titled “Archives Burning: The Fire at the National Museum in Rio de Janeiro and Beyond.” We spoke with three of the participants just after the panel concluded: Natalia Sobrevilla Perea, Seth Garfield, and Mariza de Carvalho Soares.

Natalia Sobrevilla Perea is Professor of Latin American History at University of Kent. She is the author of the book The Caudillo of the Andes: Andrés de Santa Cruz, which was published in English by Cambridge University Press in 2011 and in Spanish by the Instituto de Estudios Peruanos in 2015.

Seth Garfield is Professor of History at the University of Texas at Austin. He is the author of the 2001 book Indigenous Struggle at the Heart of Brazil: State Policy, Frontier Expansion, and the Xavante Indians, 1937–1988, and the 2013 In Search of the Amazon: Brazil, the United States, and the Nature of a Region, both published Duke University Press.

Mariza de Carvalho Soares recently retired from her position as Associate Professor of History at the Universidade Federal Fluminense in Rio de Janeiro and has more recently served as the curator of the African collection at the Museu Nacional. She is the author of People of Faith: Slavery and African Catholics in Eighteenth-Century Rio de Janeiro, published in English in 2011 by Duke University Press.

The panel also included Kirsten Weld from Harvard University and the session chair, Bianca Premo from Florida International University.

The Fire at the National Museum in Rio de Janeiro

In this episode we speak with Brandon R. Byrd about his work in African American and African Diaspora intellectual history. His first book, forthcoming from the University of Pennsylvania Press, is titled The Black Republic: African Americans and the Fate of Haiti. Byrd is Assistant Professor of History at Vanderbilt University. He also currently serves as vice president of the African American Intellectual History Society and is a contributor to that organization’s online publication Black Perspectives.

The African American Intellectual History Society is a scholarly organization dedicated to the research, writing, and teaching of Black thought and culture. Founded in 2014 by Christopher Cameron, it has quickly become a hub of cutting edge, cross-disciplinary public scholarship. In addition to publishing Black Perspectives, it offers a range of fellowships, awards, and prizes, and hosts an annual conference, which in March 2019 will be held at the University of Michigan.

Brandon Byrd on African American Intellectual History

In this episode, editor Alex Lichtenstein speaks with Kathryn Olivarius, whose article, “Immunity, Capital, and Power in Antebellum New Orleans,” appears in the April 2019 issue of the AHR. Olivarius is Assistant Professor of History at Stanford University where she focuses on the antebellum South, Greater Caribbean, slavery, and disease. Her book, Necropolis: Disease, Power, and Capitalism in the Cotton Kingdom, is forthcoming from Harvard University Press.

Kathryn Olivarius on Her Article “Immunity, Capital, and Power in Antebellum New Orleans”

In the fall of 2018, Wheaton College historian Kathryn Tomasek made a visit to Indiana University, Bloomington, as a guest of IU’s Institute for Digital Arts and Humanities. AHR Interview producer Daniel Story sat down with her in front of a live audience to discuss historians and digital scholarship.

Kathryn Tomasek is Professor of History at Wheaton College in Norton, Massachusetts, where she teaches nineteenth-century U.S. history, women’s history, and digital history, and is a founding director of the Wheaton College Digital History Project. She has written extensively on both women’s history and digital history and methodology and served as a member of the American Historical Association’s ad hoc Committee on the Professional Evaluation of Digital Publications by Historians. Her current focus includes an ongoing collaborative project to TEI encode historical financial records.

Kathryn Tomasek on Historians and Digital Scholarship

In this episode, AHR editor Alex Lichtenstein speaks with filmmaker Robert Greene about his 2018 film “Bisbee ’17.” In it Greene examines the complex and troubled history of Bisbee, Arizona, a mining town located near the state’s southern border. The film’s central focus is the 1917 illegal removal of more than a thousand striking mine works, and many of their local supporters, by the mining company Phelps Dodge—a scarring event now known simply as the “Bisbee Deportation.” Greene went about the examination, in part, by involving present-day residents of the town in reenacting key aspects of the deportation event, an innovation that effectively transforms the film from a straightforward historical documentary into a far more complex examination of history, memory, and memorialization.

Greene’s other critically-acclaimed films include the Gotham Awards-nominated “Actress” (2014), “Fake It So Real” (2011), and “Kati With An I” (2010). He currently serves as Filmmaker-in-Chief at the Murray Center for Documentary Journalism at the University of Missouri.

“Bisbee ’17” is the subject of an AHR roundtable titled “Re-creating the ‘Bisbee Deportation’ on Film,” which appears in the June 2019 issue.

Robert Greene on His Film "Bisbee '17"

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