classician

If you liked this track, check my other mixes here:
https://www.darkhouseaudio.com/

Mixed and Mastered by Erik Monsonis of Dark House Estudios
https://www.darkhouseaudio.com/

Mixed using TMF Drums and TMF Cabinets:
http://themetalfactorydrums.bigcartel.com/

I own no rights to this music, original by Breaking Benjamin.

Breaking Benjamin - Diary Of Jane - Cover

Buy the album on iTunes: bit.ly/ABAcoustic-iTunes
Buy the Special Edition Book: bit.ly/ABAcoustic-DVD

In the summer of 2013, Above & Beyond performed some of their best-loved songs acoustically as part of a 15-piece band, across four sold out shows at London's famous Porchester Hall which formed the basis of the "Above & Beyond Acoustic" studio album. The album was recorded in the spring and summer of 2013 and features a 24-piece orchestra.

"The acoustic project is a reconnection with the musicians that we were before we met", said Above & Beyond's Tony McGuinness. "The songs have been on an interesting journey to get here because we tend to write in a fairly acoustic way anyway. We don't just stick a bit of vocal over a dance track - that's not how we work. We try to start with a song and it's usually only later down the line that we take certain elements from that song and progress them into a more dancefloor-friendly version".

With Above & Beyond "Acoustic", the group are putting aside their CDJs and lighting rigs to showcase their deeply-rooted musicianship and classical training. A band first and foremost, Above & Beyond are songwriters as much as they are DJs. Working with three singers, a string quartet, harpist, drummer and bassist, Above & Beyond are pushing the boundaries of dance music. Tony McGuinness sings and plays guitar, mandolin and ukulele, Paavo Siljamäki plays the grand piano and cello, and Jono Grant plays the Rhodes piano, guitar and vibraphone.

www.aboveandbeyond.nu
www.facebook.com/aboveandbeyond
www.twitter.com/aboveandbeyond
www.instagram.com/aboveandbeyond 
@aboveandbeyond
plus.google.com/+aboveandbeyond

Buy on iTunes

Above & Beyond - Satellite / Stealing Time (Acoustic)

This cue was used in the trailer for "The Machine."

Re-post & Follow if you're into it!
And join my NEWSLETTER so I can send you exclusive new music!
https://www.dannycocke.com/

WATCH the original trailer here: bit.ly/19hqCia

For licensing visit www.versemanagement.com
Track Listing: 
1)	Acceleration Point
2)	Collider
3)	Reap What We Sow
4)	Displacer
5)	Fall of the Archons


ABOUT THE EP - FROM DANNY:
"The serpent devouring its own tail, the ancient symbol otherwise known as the "Ouroboros" has been used to represent the great cycles, and also infinity, or unity. This symbol came to mind in a different manner of inspiration for me though. Darkness, or the path of evil, is one that will always inevitably consume itself. Much like cancer seeks to live on, mindlessly unaware of the fact that it will destroy its host in its dissonant existence with its environment. Selfishly seeking to thrive at the cost of the body in an out of control and toxic manner. Evil or the forces of decay, entropy, and destruction are overly prevalent in our world today. This album is an inspiration of this observation. I do believe we face this battle within ourselves daily and also in the global mind of humanity. To continue the path of darkness and corruption as a species, is to live dissonantly in our environment, and we truly will become the serpent who devours its own tail and consumes itself."

FOR LICENSING visit www.positionmusic.com

www.dannycocke.com

Leave comments below!

Displacer

Sad Trance Preview

"It is a pitiful beast, feasting on lowly mortals, but in the end it does what it has to to survive. Mortals have tried to slay it but to no avail. So what do they do? They turn to the heavens and ask for help, and those calls are what bring me here to this realm. The Angelic Council had asked for me to stay inconspicuous, and because of that I have no wings. I pass through towns and hear all of these mortals talk about a beast they call Osiris: a being that blocks out the sun. The mortals I observed cared not of others but of themselves. They were quick to subjugate others to their will and if a threat arose, were quick to throw others at the fight. Yet there are a few I have found to be worthy, those that show complete selflessness and those few are what give me hope for mortals. Those humans that see similarities instead of differences will lead the humankind to greatness and will perhaps one day allow them to reach the heavens. My thoughts were cut off as a dark shadow fell over the village I was residing in. The humans started to panic and run in every direction, like fowl with their heads removed. Yet I stood and watched as the beast, a mere dragon, flew overhead, eclipsing the sun. I sighed but ran and leapt from building to building before finally launching myself towards the beast. As I felt the wind race across my face, I crafted my blade from the heavens. Formed from the purest of light, the long katana appeared in my hand and as it solidified, I released the seals that I had placed on my body, allowing for my full power to be utilized. The dragon saw my ascent and turned its fangs away from the humans towards me. The dragon flew towards me at a fast speed, but I simply flew right above its attack. As the dragon's body passed under me, I grabbed onto is scales with my claw-like gauntlet. The dragon, surprised to find itself with an unexpected, and unwanted visitor, started to thrash around violently, eventually caring me towards an open body of water. When we were far away from land, I let go of the dragon and leapt into the air. I turned to face the dragon, which had circled around to attack again, and lifted my katana in an effort to block any attack. I started to feel myself fall, but after only a few seconds, the descent ceased as I called forth my angelic wings. I was in my true form now: A heavenly valkyrie sent to slay a beast that humans could not handle. I drew my second blade, a broadsword and launched myself towards the oncoming beast. As we arrived closer and closer together, I lifted my blades, fitting them together and started to twirl through the air. My blades were no longer just swords, but a drill. As I collided with the beast, my drill pierced through its iron-like scales as if they were nothing more than tissue paper, and not a second later the beast was falling towards the water, drilled cleanly in two. I watched as its lifeless body smacked into the water, seeing only a tiny ripple in the vast expanse, hearing not a sound but the rolling of the waves and the calls of the avian creatures around me. The mortals were safe for now, their fear all but washed away, but if they had seen the view that I had just witnessed, they would realize how small their troubles truly are. I shake my head and think how mortals will never learn unless someone makes them, but that was not my task. For now I return to the heavens to watch and wait. Hoping a time will come when the mortals can finally figure out small truths about their world.﻿"      

- Matt Massaro

Osiris

Free Download

My second track from RSM's release "Cosmogeny" is now available publicly!
I also played cello on this track.

Cosmogeny-RSM - Veiled Forest - Emotional Orchestral

Iron Poetry feat. Kate St. Pierre

Some new sounds on the upcoming Future Heroes album 'Solari'.  More action more hybrid etc.  Hope you enjoy.

Alpha Weapon

Two Steps From Hell - Riders (Amaria)

Album: Volume 15
Composer: John Sponsler / Tom Gire

Brand X Music - Days Of Old

Sad Piano Trance - Sunrise

PLEASE SUPPORT KUSI KAWSAY AND BUY THE SONG!!

„SPIRITS ON EARTH“ Is a special Song which shaped out in collaboration with my dear friend Ivan Torrent and features some of the most talented musicians and friends I know. 

The intention of this musical journey is to support a unique and valuable School project, and I have had the great opportunity to accompany its process over the last years.
Kusi Kawsay is an indigenous pilot school located in the Sacred Valley of the Incas in Pisaq, Peru. Run by a traditional community, the intention is to preserve and recover the immense knowledge and traditions of the Andean Quechua culture and to link it to modern society. The UNESCO awarded Kusi Kawsay as a spiritual world heritage site because of its cultural importance and for protecting a living human legacy.

I want to thank to all the great artistic support I have received for this release!!

Credits:
Female Vocal artists: Aeralie Brighton, Julie Elven, Uyanga Bold
Vox: Ivan Torrent
Violin: Éanán Patterson
Guitar: Alan Jay Reed
Composed by Valentin Boomes - Composer
Arranged and Produced by Ivan Torrent and Valentin Boomes
Mixing/Mastering Post-Production, Lyrics and Artwork by Ivan Torrent

(c) 2015 by Valentin Boomes

Spirits On Earth - Valentin Boomes & Ivan Torrent

Die Antwoord - Enter the Ninja

Untitled [Rise from the Depths]

Helvetios - Coming February 10th (Europe) and February 28, 2012 (North America)


ELUVEITIE - A Rose For Epona

Above & Beyond pres. OceanLab - Satellite (Original Above & Beyond Mix)

From the ELUVEITIE album, Everything Remains As It Never Was

Setlon

ELUVEITIE - Setlon

A Phantom Pain

Anthology Strings is a deep-sampled music software instrument from 8Dio Productions. 

More information: https://8dio.com/instrument/anthology-vst-au-aax-samples-kontakt-instrument/

- - - - - - - - - - - - -

Anthology Strings was crafted by Academy Award, TEC and G.A.N.G Award Winning Composer and Producer, Troels Folmann and Emmy-Nominated Composer and Orchestrator, Colin O’Malley. Anthology is the true reimagination of our original Adagio and Agitato String collections – hand-designed with our favorite 66.500 samples from both collections.

Anthology contains both Ensemble, Divisi and Solo String sections for both Violin(s), Viola(s), Cello(s) and Basse(s). All recorded exclusively with grand Neumann microphones – inside a rare church recording environment. The three sensible microphone positions (Close, Mixed, Far) offers you full mastery over the sound. We developed custom techniques for the close microphones – allowing them to record much closer and intimate than your common church scoring environments. No samples overwhelmed in reverb. Instead a touching and passionate collection of strings. All designed to capture your most beautiful thoughts.

The beating heart of Anthology Strings is its playability, emotion and ease-of-use. A compendium of all principal articulations needed for advanced orchestration – and equally built for fast and expressive string writing. The custom smart browser offers you access to everything. A single click gives access to all articulations. A few clicks and you’ve designed your personal matrix of articulations.

Anthology Strings is symmetry. All String Sections have identical articulations and that goes for all Ensemble, Divisi and Solo Strings in the library. But most importantly Anthology is for you. The composer. The producer. The orchestrator. The person that wants the most expressive virtual strings ever created within a fingers touch.

The person that want complete playability, effortless expression and true emotion in the sound. This library is for you and only you.

More information: https://8dio.com/instrument/anthology-vst-au-aax-samples-kontakt-instrument/

classician

Ahmed Al-shawtari