-describes the way the monotony of life feels in the heart

classicals

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

The Places We Knew

Follow on Instagram: https://www.instagram.com/dirk_maassen

Giulia is the name of the dancer on this wonderful picture taken by "Mirko Costantini" (www.mirkocostantini.it).... the song I wrote for her is like a dance to me and I am really excited to release it tonight ! thanks for listening, commenting, sharing and supporting...

if you like my music you can also find me on spotify, iTunes, amazon....

https://play.spotify.com/artist/758yIKdhJhWL6oTuTSFVV6

La Giulia

Dirk Maassen - La Giulia (follow @dirk_maassen on Instagram)

This is the last track of my new album - In God I trust. 
you can are welcome to download it for free
Thanks for listening to my music

From Darkness To Light

Armand Amar - La Terre Vue Du Ciel ♪

Minor Blue

André Gagnon - Le Pianiste

Hermosa Beach - Music inspired by Terminal Rage

Listen Imperfect||Monologs (EP 2022) here: https://soundcloud.com/to_mi_nor/sets/imperfect-monologs-ep-february


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Alice in(Sad)Wonderland

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Alice in(Sad)Wonderland [ Cover Art by Xenia Razollova ]

Endless Melancholy - Do You Remember

song of storms piano again

We Move Lightly

Taken from ‘Music for the Motion Picture Victoria’ – released by Erased Tapes on June 15th, 2015
ORDER LP/CD/Digital here:
www.erasedtapes.com/store/index/ERATP071
ORDER DL via iTunes here:
http://snip.ftpromo.net/victoria

ABOUT:

Nils Frahm has always said that he’s just waiting for something real special when being asked if he would ever score the music for a film. And that’s exactly what German director Sebastian Schipper presented to him with his one-take feature ‘Victoria’. Filmed in Berlin, Victoria’s plot sees a runaway party girl, who's asked by three friendly men to join them as they hit the town, but their wild night of partying suddenly turns into a bank robbery as the music changes from techno to subdued piano sounds.

For the recording session at Studio P4 in Berlin, Frahm enlisted the help of long-time collaborator and cellist Anne Müller, violist Viktor Orri Árnason and ambient artist Erik K. Skodvin of Deaf Center on guitar.

‘Victoria’ won the Berlinale Film Festival prize for Best Cinematography and has also received seven nominations including Best Soundtrack for the Deutscher Filmpreis – Germany’s highest movie award, and will be released in cinemas across Germany on June 11th with plans to release it in the UK and other countries soon. 

More info: nilsfrahm.com · erasedtapes.com

Music for the Motion Picture Victoria

Them

Buy LP/CD/DL

Nils Frahm writes his first score for one-take feature film ‘Victoria’ and is nominated for German film prize

LABEL: Erased Tapes RELEASE DATE: June 15th, 2015 CAT.NO: ERATP071 CD/LP/DL EAN: 4050486110577

ABOUT:
Nils Frahm has always said that he’s just waiting for something real special when being asked if he would ever score the music for a film. And that’s exactly what German director Sebastian Schipper presented to him with his one-take feature ‘Victoria’. Filmed in Berlin, Victoria’s plot sees a runaway party girl, who's asked by three friendly men to join them as they hit the town, but their wild night of partying suddenly turns into a bank robbery as the music changes from techno to subdued piano sounds.

For the recording session at Studio P4 in Berlin, Frahm enlisted the help of long-time collaborator and cellist Anne Müller, violist Viktor Orri Árnason and ambient artist Erik K. Skodvin of Deaf Center on guitar.

IN HIS OWN WORDS:

Dear viewer and listener,

I’ve finally written music for a film. It took me some time to do so, as I was patiently waiting for a movie that would truly speak to me. When director Sebastian Schipper invited me to work on Victoria, I knew it was worth the long wait. Does such a strong film even need music? I realised it wouldn’t be easy to create a score that embraces these bold pictures.

Luckily we were given unusual creative freedom by approaching the movie together with Sebastian Schipper, who was keeping the production and direction to one single team. The score was recorded in a special location, the former GDR broadcasting production facilities that today host Studio P4. We simply put a big screen in the middle of the room, filled it with microphones and instruments, set the movie on loop and kept improvising on top of it together – my good friends and I.

The guest musicians started their recording session by playing a cohesive take over the course of the whole movie. This was the most interesting part of the day, since they hadn’t seen the film before. They became spectators and creators at once, intuitively recording hundreds of different cues that way. You are about to listen to some of its highlights. I hope they do Victoria and your ears justice.

With love, Nils Frahm

‘Music for the Motion Picture Victoria’ will be released by Erased Tapes on LP/CD/Digital June 15th.

‘Victoria’ won the Berlinale Film Festival prize for Best Cinematography and has also received seven nominations including Best Soundtrack for the Deutscher Filmpreis – Germany’s highest movie award, and will be released in cinemas across Germany on June 11th with plans to release it in the UK and other countries soon.

ABOUT THE ARTWORK:

The cover illustration was drawn by Stephanie Franziska Scholz based on a still from a key scene in the film, with additional design by Torsten Posselt at FELD.

TRACK LISTING:

1 Burn With Me (Victoria Edit) by DJ Koze 2 Our Own Roof 3 A Stolen Car 4 In The Parking Garage 5 Them 6 The Bank 7 The Shooting 8 Nobody Knows Who You Are 9 Pendulum

The soundtrack opens with an edit of ‘Burn With Me’ by German producer DJ Koze. The digital Bonus Track Version features a previously unreleased track by Hamburg’s electro-punks Deichkind titled ‘Happy New Fear’ plus an additional DJ Koze track titled ‘Marilyn Whirlwind’ from his 2013 album.

PRESS:

‘Frahm's soothing electro-orchestral pieces prove especially effective, washing over the throbbing dance beats like a flood of endorphins.’ – Hollywood Reporter

‘Nils Frahm’s score is an equally flexible asset, veering from juddering electronic chaos to dreamy intrusions of piano and cello — a sonic approximation of the alternating noise in the title character’s wrecked head.’ – Variety

OFFICIAL WEBSITES: nilsfrahm.com · facebook.com/nilsfrahm · twitter.com/nilsfrahm · erasedtapes.com

Endless Melancholy - Do You Remember

Ahmed Gado 6

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