Piano Music For Work

Piano cover of "Comptine d'un autre été: l'après-midi" composed by Yann Tiersen. Performed & recorded by Dominique Charpentier aka The Piano Lover.

Yann Tiersen - Comptine d'un autre été: l'après-midi

Relaxing classical instrumental with a piano and violins.
Scheduled to be released on all music platforms on March 27, 2024.

Enchanted Nightfall

Enchanted Nightfall - Classical

Waves

This is a soft/relaxing modern classical instrumental with piano and strings in collaboration with Benjamin Skeie.
It is scheduled to be released in all music media websites on June 27, 2024.

Lord of the Realm

Lord Of The Realm - Classical

Missing You (Classical) by Moshe Levi and Benjamin Skeie scheduled to be release on Spotify and on all other music media platforms in October 24, 2024.

Missing You (Classical)

Joyful Sarith (Classical) by Moshe Levi and Benjamin Skeie scheduled to be release on Spotify and on all other music media platforms in October 24, 2024.

Joyful Sarith (Classical)

Scheduled to be release on Spotify and on all other music media platforms on October 24, 2024.

Masterful Arye (Classical)

Entropy - Xylømgø & Løgømyx

Sunfish

Smile

Satie: Gnossiennes, No. 4–6: Gnossienne No. 5, Modéré (Guitar Arrangement)

Gemini by CrusaderBeach is a mellow solo piano composition that reflects on the theme of close relationships and the love that ties us together.

In mythology, Gemini is associated with twins, and this piece celebrates the birth of twin baby girls within the composer’s family circle.

The track features the soft, intimate tones of a felted upright piano.

CrusaderBeach is the pseudonym of composer Adrian Webster - a self-taught pianist from the North West of England whose neoclassical solo piano pieces blend captivating melodies with emotive moods. Discover more at: crusaderbeach.com/

Gemini

Mist

A slow and lulling, mesmerizing, dreamy, neoclassical solo piano piece with a repetitive, almost hypnotic feel. Melancholic / Reflective / Introspective / Tranquilizing / Sombre. Influenced by the sounds and styles of classical composer Erik Satie. (Stem files available.)

For licensing, contact
https://www.LynnePublishing.com

Buy/License

Ambient Singularity #2

I Hear Your Voice

Simply Blissful is track 3 on my upcoming EP, Stroies Untold. The concept is to create an album of instrumental music that other creatives can use for inspiration when creating stories, whether that be in visual arts, photography, literature, etc. Using things like the Hero's Journey, I've written these pieces to lend themselves to storytelling, but I refrain from saying what the music is actually depicting. It is up to the listener to listen to teh EP, and decide for themselves. (then tell me because I can wait to see what people make)

If this concept interests you, I also have the second piece from this project, The Jump to the New, already released on all streaming platforms.

III. Simply Blissful

Reflections

New release is out. Enjoy!

This track in Spotify/AppleMusic: https://band.link/uskUL

Spotify of Ashot Danielyan: https://open.spotify.com/artist/3ZT6CL1pYRz20xt5BEhJpL
Apple Music of Ashot Danielyan: https://music.apple.com/us/artist/ashot-danielyan/551761240

Ashot Danielyan in the social media:
» Telegram channel: https://t.me/ashotdanielyancomposer
» VK community: https://vk.com/club219373443
» Instagram: https://instagram.com/ashot_danielyan_composer?igshid=YTQwZjQ0NmI0OA%3D%3D&utm_source=qr
» YouTube: https://www.youtube.com/user/ashotdanielyan
» Facebook artist page: www.facebook.com/ashot.danielyan.composer

All Ashot Danielyan Albums: https://ashotdanielyan.bandcamp.com/

» Ashot Danielyan Royalty Free Music: https://audiojungle.net/user/ashot-danielyan-composer/portfolio

Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

Thinking In Silence #2

Spotify/Apple Music

Ashot Danielyan - Thinking In Silence #2

LADY CHARLOTTE'S TEA ROOM

Pianist Javier Negrín and conductor Thomas Rösner return to Odradek in the company of the Beethoven Philharmonie, soprano Chen Reiss, tenor Jan Petryka and baritone Paul Armin Edelmann, to celebrate Beethoven’s 250th anniversary year with a sumptuous album of rarely heard works. The collection opens with Beethoven’s ‘terzetto’, Tremate, empi, tremate, and ends with the Piano Concerto arrangement of Beethoven’s Violin Concerto. These frame Mozart’s concert aria for soprano, piano and orchestra, Ch’io mi scordi di te? K. 505. The album title, Voices, alludes not only to the vocal works featured on the album, but to the singing quality of Beethoven’s melodic lines in the Concerto.

Chen Reiss, who is at the heart of Mozart’s Ch’io mi scordi di te? as well as Beethoven’s terzetto, is a rising star of the opera world, praised by Opera News, USA for her “immaculately produced and enticing tone matched by superb musicianship”. Mozart wrote this concert aria for himself and the soprano Nancy Storace, who had played Susanna in his opera, The Marriage of Figaro. For this recording, Chen Reiss is paired with pianist Javier Negrín, who has enjoyed considerable acclaim for his solo Odradek releases, such as his Granados and Mompou album, Traces, “played with elegance, beauty and affection” (BBC Music Magazine). The release was also praised in Gramophone: “… pointed and sensitively shaped reading… Negrín assiduously weaves the numerous tempo shifts, dynamic outbursts and reiterations of earlier themes into a fluid, fulfilling whole”, and by The Arts Desk: “Negrín understands the need for understatement, for restraint. The eighth variation may induce tears, so beautifully does Negrín handle it.” Javier Negrín brings these qualities to this interpretation of Beethoven’s piano transcription of the Violin Concerto, a version he describes in the album booklet as “totally idiomatic”, adding: “To me, this music speaks about reconciliation and acceptance; it has a very serene beauty and purity of sentiment.”

Beethoven’s operatic output has been neglected compared with his instrumental and choral works, so it is a treat to hear the rare gem, Tremate, empi, tremate, written when he was being taught by Antonio Salieri. As Thomas Rösner explains in the album booklet: “To me, this terzetto seems like an anticipation of the trio between Leonore, Florestan and Pizarro in Fidelio... Beethoven was clearly aware of the high quality of this trio, since it is the only one of these study works that he has completely orchestrated and had performed in concerts at least twice during his lifetime. It seems all the more important to me to raise awareness of this wonderful work.” This recording features tenor Jan Petryka and baritone Paul Armin Edelmann alongside Chen Reiss and the Beethoven Philharmonie, an Austrian ensemble created for and specialising in performances of this repertoire.

Praise for Thomas Rösner’s direction of Couleurs (Poulenc and Koechlin) on Odradek: “Rösner’s focus on the phrase is inerrant and the musicians respond with gorgeously contoured shapes that never miss their mark” (Gramophone).

Piano Music For Work

Ahmed Hassan