Violent, aggressive and dramatic classical music

Pianist: Dan Kreiger || Composer: Frédéric Chopin || Dan Kreiger (aka For Jerz) plays Frédéric Chopin's "Nocturne No. 20 in C-sharp minor, Op. posth. 1830" || Recorded by Theo Aronson in 2005.

Chopin: Nocturne No. 20 in C-sharp minor, Op. posth. 1830 [pianist: Dan Kreiger]

Carl Orff: Carmina Burana

Carmina Burana: I. O Fortuna

Johann Sebastian Bach, Vol. 1

Toccata and Fugue in D Minor BWV 565

Mozart: Piano Concerto No. 23, Symphony No. 40 & Don Giovanni Overture

Don Giovanni, K. 527: Overture

You haven't truly heard Verdi, until you've heard him in a giant church.

In the text, this is a sonic depiction of the trumpets which are calling the dead to rise up and be judged before God's throne. The last word... "throne"... is the last chord in A major of this excerpt. Now you know what God's throne sounds like.

Performed last September by the New York Symphonic Arts Ensemble in the Church of St. Paul the Apostle at 59th St. and Columbus Ave.

Messa da requiem - Tuba mirum (Giuseppe Verdi)

Kneeling Before Giants

Flight of the Bumblebee (Nikolai Rimsky - Korsakov)

•Symphony No. 5 in C minor, Op. 67: I. Allegro con brio - Ludwig van Beethoven

Fate, pt. 2: Symphony No. 5 in C minor, Op. 67: I. Allegro con brio - Ludwig van Beethoven

'I Can Do Anything / Finale (K3DAL Remix)' is OUT NOW !

K3DAL:
https://www.instagram.com/k3dalmusics
https://soundcloud.com/k3dalmusics
https://www.spinninrecords.com/profile/k3dal
https://open.spotify.com/artist/01vrjAQ8Kg6hFku74n86Bk
https://www.tiktok.com/@k3dalmusics

Christopher Lennertz:
https://open.spotify.com/intl-fr/artist/2TQwXfupr6fAEV5AgNqIO5?autoplay=true
https://www.instagram.com/clennertzmusic/
https://www.youtube.com/channel/UCXbrTCb8KtAplRYgFWaELGg
https://soundcloud.com/christopher-lennertz

Stream/Buy: https://linktr.ee/k3dalmusics

Christopher Lennertz - I Can Do Anything / Finale (K3DAL Remix)

Recorded in the vibrant musical heart of Berlin, this album unites the forces of Sankt Annæ Symphony Orchestra and Musikgymnasium Carl Philipp Emanuel Bach in an extraordinary collaboration under the baton of conductor Carl-Oscar Østerlind. The program features two monumental works that contrast the cosmic and the spiritual—Gustav Holst’s The Planets and Gabriel Fauré’s Requiem.

Holst’s The Planets takes the listener on a journey through the astrological and emotional landscapes of our solar system, from the relentless war-march of Mars to the ethereal serenity of Neptune. The orchestra brings vivid color and dynamic precision to this iconic suite, capturing its grandeur and mysticism.

In contrast, Fauré’s Requiem offers a deeply intimate and transcendent meditation on life, death, and eternal peace. With its luminous choral textures and serene orchestral writing, this performance embodies the composer’s vision of a gentle and consoling farewell.

This recording is a testament to the power of international collaboration, bringing together young musicians from Copenhagen and Berlin in a shared pursuit of artistic excellence. The result is a moving and immersive experience—one that bridges the cosmic vastness of Holst with the timeless spirituality of Fauré.

The Planets, Op. 32: I. Mars, the Bringer of War

Neue

Theory of Circular Dynamics (Piano Version)

Live Recording at Philharmonie Essen | 21 February 2009

Asta Kriksciunaité, Sopran
Laima Jonutyté, Mezzosopran
Audrius Rubezius, Tenor
Ignas Misiura-Tumanov, Bassbariton
Chor der Universität Witten/Herdecke
das junge orchester NRW
Musikalische Leitung: Ingo Ernst Reihl

Giuseppe Verdi: Messa da Requiem - Excerpt from "Dies Irae"

1ère Gymnopédie.

Live video: http://www.youtube.com/watch?v=zZd4BYOzXBo

Lent et douloureux.
Slow and sorrowful.

"Oblique et coupant l'ombre un torrent éclatant; Ruisselait en flots d'or sur la dalle polie; Où les atomes d'ambre au feu se miroitant; Mêlaient leur sarabande à la gymnopédie."

"Slanting and shadow-cutting a flickering eddy
Trickled in gusts of gold to the shiny flagstone
Where the atoms of amber in the fire mirroring themselves
Mingled their sarabande to the gymnopaedia"

- Contamine de Latour

The instrument is a Clavia Nord Stage 2 using a sampled Yamaha C7 with a generous amount of reverb and phaser, and a thin layer of strings.

Video

Erik Satie - Gymnopédie No. 1 [phaser]

Certamen de marchas procesionales "Ciudad de Cabra", celebrado el pasado Domingo día 5 de Febrero, (Cabra, Córdoba)

XXII Concierto de Marchas "Ciudad de Cabra"

El Amor

M027-Wolfgang Amadeus Mozart – Symphony No. 25 in G minor, K. 183 I. Allegro con brio

Album release: June 2017

An intense and fascinating exploration of the myriad facets of the violin over the centuries
Kaleidoscope. That single word encapsulates Elsa Grether’s aim in her new album: to illustrate the full expressive range of her violin by exploring its repertory in all its stylistic diversity. From Bach’s famous Chaconne to Ton-Thât-Tiet’s contemporary idiom in Métal terre eau, by way of Eugène Ysaÿe, Aram Khachaturian, Arthur Honegger and Isaac Albéniz, the violinist’s third release for Fuga Libera offers a cocktail of colours and timbres. She charms her listeners with an invariably elegant sound and firmly sculpted lines as she invites us to explore this multifaceted instrument. A voyage of discovery across time, space and aesthetics that will appeal to the widest audience!

Sortie de l'album : Juin 2017

Un voyage intense et passionnant dévoilant les mille facettes du violon à travers les siècles.
Kaléidoscope. Ce seul terme décrit le propos d’Elsa Grether dans son nouvel album : illustrer l’ensemble de la palette expressive de son violon en explorant toute la diversité stylistique de ce répertoire. De la fameuse Chaconne de Jean-Sébastien Bach au contemporain Métal terre eau de Ton-Thât-Tiet, en passant par des pièces d’Eugène Ysaÿe, Aram Khatchatourian, Arthur Honegger ou encore Isaac Albéniz, la violoniste nous emmène pour son troisième opus chez Fuga Libera dans un cocktail de couleurs et de timbres. Elle charme par un son toujours élégant et aux lignes bien dessinées, et invite à l'exploration de cet instrument aux mille facettes. Une découverte à travers le temps, l’espace et les esthétiques à mettre entre toutes les mains !

Cantos de España, Op. 232: V. Asturias, leyenda in G Major

Carl Orff - Carmina Burana, "O Fortuna"

Erik Satie: Gnossienne No. 1

Kiveli Dörken – piano
Danae Dörken – piano
Vassilis Varvaresos – piano
Lars Vogt – piano

recorded August 16th 2018 at Molyvos Castle

Sound master - Kaspar Wollheim

Camille Saint-Saëns - Danse macabre, op. 40, arr. for 2 pianos 8 hands

ISO Symphony, Conducted by Jeffrey Grogan, January 2013

Modest Mussorgsky - Night on Bald Mountain

Retailers:

Mozart
https://music.amazon.co.uk/albums/B015NWNCY0

Mozart Tidal
https://listen.tidal.com/album/53171424

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Best of Mozart Deezer
https://www.deezer.com/us/album/12179034

Mozart on Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Mozart Album Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Mozart Playlist
https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

Violent, aggressive and dramatic classical music

Ahmed Salahović