Cassette spinning, window down (down)
Boom box bass, we own the town (town)
Fast forward dreams, we don’t slow down (down)
Heartbeats sync with stereo sound (sound)

Victoria (Bobby Solo)

TRACK 8 – “CHERRY DARK RED”

🔥 New Track Out Now! 🔥  
Title: [Left Me in Pieces]  
Produced by: [Music RooM]  

This track is a blend of real bars, raw emotion, and authentic rap vibes.  
If you're into real hip hop, storytelling, or trap beats – this one's for you.  

💬 Let me know what you think in the comments.  
💽 More music dropping soon – follow to stay updated!  
📲 Share if you feel it. Support independent music 🙌

#rap #hiphop #trap #drill #freestyle #soundcloudrap #newmusic #independentartist #upcomingrapper

Left Me in Pieces

Back to the pulse of a world before screens —
“1979” captures the haze of late nights, vinyl static, and analog love. It’s not just a song, it’s a time machine. With warm synth layers, tape-saturated drums, and a melody that aches like an old photo, this track is an homage to simpler chaos, when emotions weren’t filtered and memories were raw.

1979

Shining From Within

Tribute to Wed-nes-day. When D’ya needs Die

When D’ya Needs Die

Dive into the haunting depths of "Lost in the Echo," where shadows play tricks and dreams slice deep. With every pulse of the beat, feel the rebellious spirit of a soul chasing flickering memories through darkened hallways, longing for a home that feels just out of reach. This is a sonic journey of tangled thoughts and restless nights—a call to embrace the chaos and find your heart amid the echoes.

Lost sailor

Exotic

Drama Queen

Bas - Vitesse blijft mijn club

STTAP (Set the Tunes and Play) is the artistic project of Ahmed Mokhtar, an Egyptian Musical Artist, DJ, Producer and creative technologist, crafting layered melodic worlds where human emotion meets digital imagination.

With a deep-rooted passion for sound since the early 2000s, Ahmed began creating layered DJ edits using stems before they became standard, later studying music theory and guitar to refine his craft. Over the years, he expanded his creative exploration into the video music industry, producing trailers and short films, which honed his ear for precise music timing and taught him the art of VFX layering and dynamic scheme building based on stems—skills that now deeply inform his structured yet emotive approach to music production.

Today, under STTAP, he writes, produces, and engineers his music entirely, focusing on clean, timeless compositions built on warm hooks and emotive synth atmospheres.

STTAP’s releases are not tied to a single vocal identity but are immersive, hybrid compositions blending electronic beats, dreamy melodies, abstract vocals, and precise grooves, creating soundscapes that invite listeners to get lost while staying connected to the pulse of the track.

This is music for those who believe in setting the tone and playing, for those who want to feel the silent pulse within every layered note.

His debut singles Fades Away & Neon Ghosts is out now, with 8 new tracks arriving September 1st.

1979

STTAP

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