Mixed for Marko Ahokangas

ONE MORE TIME

Submission to naviarhaiku#377 https://naviarlab.tumblr.com/
Haiku by Chine http://www.writersinkyoto.com/2017/10/2578/
Picture by Christopher Le https://unsplash.com/@chrislevn07

. . .
Easily glows
and easily goes
a firefly
. . .

naviarhaiku#377 /Easily glows

Moon And Stars

Japanese Satomimagae starts the RVNG Intl. special with a delicate selection from her homeland Japan, but also Spanish folk music and a range of electronic sounds. Visual credit: Mana Hirak

more infos and tracklist at www.lyl.live

RVNG Intl. Special (08/04/21) w/Satomimagae

Drying Red Paint

Based on a live jam at muzieklab lebbeke. (https://soundcloud.com/expmu9280)

Drifting

connections to infinity - erik wycisk + r.s.stropharia + pantoclast (01.06.2021)

A fast and jittery beginning mixed with a much slower and perhaps moodier midsection. Hope you enjoy!

Longer, Bluer Suns

20 6 7

He_lium - Quand Le Sonneur Fabule

Combining modular synthesis, microtonal themes and shifting rhythms.

Occult Acrobats

Seven Reasons

PATINA

Der Luftmensch

Toy Harp n°21 by Marco Lucchi reworked by Marco Marongiu

gennaio 2022

25/01/2022

Toy Harp XXI

Get On The Otherside

My Place, My Time

Up and Away

Another Nation

Charmed

Maria Chavez is a pioneer of Abstract Turntablism, a self-described practice she developed under the guidance of Pauline Oliveros' Deep Listening. Born in Lima, Peru and raised in Houston, she cut her teeth as a DJ spinning techno and drum & bass, but the male chauvinism of that scene roused her to experiment further with the materiality of vinyl, using broken needles and non-musical sounds. Oliveros inspired her to ditch dance parties for improvisation with a single turntable, an artistic practice which has evolved to include installations, workshops, visual art, and curation. A true sound artist (she adamantly eschews the label “musician”), until recently, Chavez had released only one recording, 2004's Those Eyes Of Hers, focusing instead on her career as longform performance. But after beginning a medical sabbatical in 2019, which forced her to cease touring (a year before the rest of the world shut down), Maria began slowly releasing new recordings into the world. In this episode, we discuss recent and upcoming collaborations, her switch to using four turntables (with double needles), and staking out her rightful place in art history contra White supremacist power structures. 

Interview recorded between New York and Montreal, January 2022
Produced and mixed in Montreal, April 2022

TRACKLIST
ARTIST – “TITLE” (ALBUM, LABEL, YEAR)

Maria Chavez - “I Love You, 2020” (EMPAC SESSIONS: 3, 2020)

SP INTRO

Maria Chavez - “EMPAC SESSIONS: 2, 2020” (EMPAC SESSIONS: 2, 2020)

Beethoven / Werner Elmker - "Slow version of Für Elise" (YouTube, 2021)

Maria Chavez & Jordi Wheeler - “Five Thousand”  (The Kitchen Sessions: 1-5, 2020, Takuroku, 2021)

Maria Chavez & Lucas Gorham - “A Side” (Live At Jewel's Catch One, Ratskin, 2020)

Pauline Oliveros, Stuart Dempster, Panaiotis - “Nike” (Deep Listening, New Albion, 1989)

Devin KKenny - “NY Lottery-CBD Kratom (LALIT Remix)” (NY LOTTERY - CBD KRATOM, PTP, 2021)

DJ Screw / UGK - “Tell Me Something Good” (Bigtyme Vol II All Screwed U, Bigtyme Recordz, 1995)

DJ Screw - “Untitled [excerpt] (instrumental)” (June 27, Screwed Up Click Entertainment, 2004)

Annea Lockwood performed by Maze - “Bayou-borne, For Pauline” (Bayou​-​Borne / Jitterbug, MFR Contemporary Series, 2022)

Maria Chavez - “EMPAC SESSIONS: 1 (excerpt)” (EMPAC SESSIONS: 1, 2020)

Grandmaster Flash - [excerpt from the film] (Wild Style, 1982)

Geto Boys - “Still (Instrumental)” (The World Is A Ghetto, Noo Trybe Records, 1996)

Maria Chavez - [Excerpt] (Maria's Last Live DJ set in Europe, Brussels, Saturday Night Radio Panik & Moacrealsloa, Jan. 2019)

Maria Chavez - “EMPAC SESSIONS: 1 (excerpt)” (EMPAC SESSIONS: 1, 2020)

Maria Chavez - “Guitar Vocabulary” (EMPAC SESSIONS: 2, 2020)

Maria Chavez & Jordi Wheeler - “Que Te Vaya Bien”  (The Kitchen Sessions: 1-5, 2020, Takuroku, 2021)

Maria Chavez - [excerpt]  (SquareWheels - DJ Mix, 1998)

Pauline Oliveros - “Big Mother Is Watching You” (Electronic Works 1965-1966, Paradigm Discs, 1997)

Grand Wizard Theodore and Mean Gene - [excerpt] (Live on 3rd Avenue Ballroom, 1977)

Pauline Oliveros & Cecil Taylor - “Duo” (Solo • Duo • Poetry, EMPAC Rensselaer, 2012)

Bernhard Leitner - “HT_A” (Kopfräume / Headscapes, Hatje Cantz, 2003)

Pauline Oliveros & Cecil Taylor - “Duo” (Solo • Duo • Poetry, EMPAC Rensselaer, 2012)

Maria Chavez  - “Sara Sleeps, 2020” (EMPAC SESSIONS: 1, 2020)
Maria Chavez - “The Rain of Applause” (The Rain of Applause, Amplify, 2020)

Susanna Hood & Martin Tétreault - “Hello étendues” (Tortues vapeur, Mikroclimat, 2019)

Maria Chavez - “XI” (Maria Chavez Plays (Stefan Goldmann's 'Ghost Hemiola'), Macro, 2019)

Pauline Oliveros - “Bye Bye Butterfly” (Electronic Works 1965-1966, Paradigm Discs, 1997)

Antipop Consortium  - “Volcano (Four Tet Remix Instrumental)” (Volcano, Big Dada, 2009)

—-

Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro.

SP* Episode 24: KAKAPHONY - with Maria Chavez [podcast]

I would like to show my respect to this band.
One night jamming with Beasties acapella and some loops.
I grew up under the influence of producers like Rick Rubin... Malcolm McLaren...
too many to  mention here.

Beastie Boys - Trible Trouble - Remix

Precipice

"The world is full of sounds. We just don't usually hear them as music."
- Ryuichi Sakamoto -

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“When we pay attention to nature's music, we find that everything on the Earth contributes to its harmony.” 
― Hazrat Inayat Khan