Sons Of Kemet - Inner Babylon

The Swallower. Modular synth, bagpipes and sax.
I have made this piece downloadable .

The Swallower evokes the power and majesty of the Pentland Firth which enjoys the 2nd fastest tidal races in the world. The piece was inspired by Nomadic Boulders, a sculpture by Dalziel and Scullion.
The sound design was created using a Eurorack modular synthesizer. Bagpipes were played by Steven Blake and Sax and Kaval were played by Fraser Fifield. Eurorack Modules used include RF Nomad short wave radio scanner sequenced by Metropolis, MI Elements which was used to model the giant 2m diameter rocks which are transported up to a kilometer with every tide. filters used include Schippmann VCF 02, FSS Spectral Devastator and the Chatterbox Resonator. Other oscillators used include Kirkpatrick Audio K3020 dual osc, Dinkies Taiko and Mysteron.
E560 Deflector Sheild was used to modulate noise in order to create one of the layers of the sea sounds.
No samples or ambient recordings of the sea were used in the creation of this recording, the sound design is done entirely electronically



THE SWALLOWER

A visceral, emotional response, triggered by the election of Donald Trump to personal experiences of misogyny.

Grrrl Trouble

Hollow Mountain is the opening song of Efterklang´s 4th album Piramida. Released September 24th 2012 on 4AD and Rumraket.

Pre-Order of vinyl & CD available via http://www.efterklang.net
Concert Tour Schedule available at http://www.efterklang.net/home/concerts

As previously revealed (https://vimeo.com/44683198), last summer Mads Brauer, Casper Clausen and Rasmus Stolberg visited Piramida, an abandoned mining settlement located on Spitsbergen, just 1,000km from the North Pole. Nine days of exploring later, and the band had collected over 1,000 sound recordings and inspiration for the album they would subsequently write and record in Berlin. 

Accompanying Hollow Mountain is a specially-commissioned visual piece created and directed by Oodls (Jakob Steen & Christoffer Frandsen). The clip features the band's own photos from their trip to Piramida as well as elements of Piramida album artwork (designed by Hvass&Hannibal).

The initial tones of Hollow Mountain are the sounds of one of Efterklang many discoveries in the ghost town of Piramida. For more info on this please see: http://efterklang.net/home/?p=1157

With contributions from Earl Harvin (drums, Tindersticks), Nils Frahm (wurlitzer), Peter Broderick (strings) and the 60-piece South Denmark's Girls Choir, Hollow Mountain is a grand opening statement to Efterklang's fourth studio album.

Buy Piramida

Efterklang - Hollow Mountain

Apples is the second song of Efterklang´s 4th album Piramida. Released September 24th 2012 on 4AD and Rumraket.

Pre-Order of vinyl & CD available via http://www.efterklang.net 
Concert Tour Schedule available at http://www.efterklang.net/home/concerts

As previously revealed (http://youtu.be/uiKK7ehFYtA), last summer Mads Brauer, Casper Clausen and Rasmus Stolberg visited Piramida, an abandoned mining settlement located on Spitsbergen, just 1,000km from the North Pole. Nine days of exploring later, and the band had collected over 1,000 sound recordings and inspiration for the album they would subsequently write and record in Berlin.

Efterklang - Apples

Old Sweet by Gráinne Brady
The Velvet Jacket by Tina Jordan Rees

Old Sweet | The Velvet Jacket

Opening track of Kan's debut album Sleeper.
Lori by Aidan O'Rourke
One Two Three by Ian Stephenson and Jim Goodwin

Kan - One Two Three

AIDAN O'ROURKE

Aidan O’Rourke is a fiddler, composer, producer and curator. With his trio Lau, in multiple solo projects and in collaborations, he has pioneered a new sound in folk music and redefined traditional forms.

His roots are in Scottish and Irish folk music. He grew up in an Irish family in Argyll and studied fiddle in the West Highland tradition. By 14 he was touring with The Caledonia Ramblers; in 1998 he joined Blazin’ Fiddles; in 2010 he formed the quartet Kan with whistle player Brian Finnegan; in 2016 he formed a duo with the jazz pianist Kit Downes; in 2017 he joined the legendary Donal Lunny's new collective The Atlantic Arc Orchestra.

Lau came together in 2006 and their debut album set a precedent for new politically-charged folk music that expands the form and experiments with sound while staying rooted in tradition. Four further studio albums followed, plus a couple of live albums and a 2017 retrospective charting the band’s first decade. Lau collaborators include Karine Polwart, Fred Frith, Anais Mitchell, Joan as Police Woman, John Parish, Adem, Jack Bruce, Trilok Gurtu, Brian Irvine and the Royal Northern Sinfonia. The band have made multiple tours of the US and Japan and won Best Group at the BBC 2 Folk Awards an unprecedented four times.

As a solo artist, Aidan is always looking for new ways to articulate the tradition. He has released four solo albums – Sirius (2006), An Tobar (2008), Hotline (2013) and 365: Vol 1 (2018) – as well as the experimental EPs Music For Exhibition and Film (2015) and Imprint (2016). He was named Musician of the Year at the BBC Radio 2 Folk Awards in 2014.

As a composer, Aidan threads his heritage into diverse settings. He is a three-time winner of the PRSF New Music Biennial commission at the Southbank Centre; other commissioners include the Scottish Ensemble, Royal Scottish National Orchestra, Sage Gateshead, Celtic Connections, the Tolbooth in Stirling, An Tobar, Cottier Chamber Project and Capella Nova. In 2017 he wrote the official music for the opening of the Queensferry Crossing.

As a curator, Aidan has co-directed multiple editions of the Lau-Land festival featuring eclectic lineups, one-off collaborations and workshops. Other curations include Lucky Middlemass’s Tavern, recreating a hub of Edinburgh enlightenment music and debate.

As a teacher, Aidan is a regular tutor at Newcastle University and University of Limerick, and holds fiddle classes as part of Lau-Land.

As a producer, Aidan's interests are in stripping back to bare elements and appreciating the real qualities of instruments and voices – letting the nuances of the tune be at the forefront. In 2018 he produced Brighde Chaimbeul's debut album The Reeling.

His latest project is the immense tune-cycle 365. Aidan wrote a tune every day for a year in response to a short story collection by James Robertson. The result is a major new body of 365 tunes – a significant addition to the Scottish traditional music canon. Aidan’s fiddle tunes are sparse and emotive; his playing is renowned for its lyricism, here paired with bold harmonies from Kit Downes on harmonium and piano, guitarist Sorren Maclean and harpist Esther Swift. 365: Vol 1 was released in May 2018. 365: Volume 2 will be released in August 2019.

“Few contemporary musicians in any category can match either his artistic ambitions or his achievements in bringing them to fruition” (The Scotsman)

“O’Rourke’s music – both his writing and playing – is unfailingly strong and imaginative” (The List)

“Lau are a remarkable band - exquisite and hypnotic, musicianship at its best” (The Guardian)

Kan - One Two Three

AidanO'Rourke