Words

Daniel Keller
Lazy Ocean Drift
at New Galerie, Paris
Opening October 24th


IMAGINE A WORLD WHERE…. Labor, consumption, marketing, leisure and protest have all been hybridized, automated, outsourced and offshored into something both ubiquitous and unrecognizable. We still need a mass market to consume products and inspire entrepreneurs, but we don't expect much else. 90% of late 20th century jobs haven't existed for 50 years and humanity itself has become 'nonessential' for the continued maintenance and growth of the global economy.  

Formerly safe, high skilled professionals like lawyers and radiologists were the first to lose their jobs to the botnets. 
Much of the field of journalism has merged into automatically generated motion graphic holotagcloud visualizations of trending humanitarian crises. Participating in the Developmenture Creategies Economy means sipping on a spirulina smoothie from the promenade deck Pinkberry while interpassively selecting the most pointed mashup portmanteau on a splash resistant tablet, sending it to the cloud to be 3d printed from reclaimed Great Pacific Garbage Patch plastic and calling it an early day. This style of Prosumarkritique is about as productive and rebellious as the postcreative classes can afford to be.

The polar ice caps melted and sea levels rose dramatically as predicted. Of course, this was seen as more of an opportunity than a tragedy; a new frontier that was literally expanding! The technology to profitably colonize the oceans had been extensively developed, but after the sudden and unexpected collapse of vertebrate sea life, only a handful of Californian billionaire playboys, neozionist cults, militant genderqueer anarchocapitalists and a cosmopolitan assortment of poisonous jellyfish still seem to want to live there. 

None the less, these seasteaders did manage to force the governance services market open to private competition with a proliferation of subscription based quasi-sovereign multinational corporate offshore platforms, a few autonomous-zone Seapunk islets and other newly engineered legal-spatial anomalies. The basic legal distinctions between person, corporation, anchored ship and sovereign nation-state were finally erased.  

Some of the first comers to the new oceanic frontier made fortunes hosting darkweb data havens and corporate team-building retreats, producing gonzo pornography and exporting plankton based fuel and eye creams. But ultimately, this long heralded Cambrian Explosion in Governance did little to help the degrading standards of living for the landlocked majority who couldn't afford the best class SeatizenXperience subscripts nor AlgoLawyerswarms overwhelmingly litigious enough to ensure the acquisition of a family-size exit visa from the  raffle. 
Either way, these days you'd have to be crazy to live out on one of those things — considering all the jellyfish.

Daniel Keller-Lazy Ocean Drift Promo v1

Lazy Ocean Drift @ New Galerie Paris Opens Oct 24
IMAGINE A WORLD WHERE…. Labor, consumption, marketing, leisure and protest have all been hybridized, automated, outsourced and offshored into something both ubiquitous and unrecognizable. We still need a mass market to consume products and inspire entrepreneurs, but we don't expect much else. 90% of late 20th century jobs haven't existed for 50 years and humanity itself has become 'nonessential' for the continued maintenance and growth of the global economy.  

Formerly safe, high skilled professionals like lawyers and radiologists were the first to lose their jobs to the botnets. 
Much of the field of journalism has merged into automatically generated motion graphic holotagcloud visualizations of trending humanitarian crises. Participating in the Developmenture Creategies Economy means sipping on a spirulina smoothie from the promenade deck Pinkberry while interpassively selecting the most pointed mashup portmanteau on a splash resistant tablet, sending it to the cloud to be 3d printed from reclaimed Great Pacific Garbage Patch plastic and calling it an early day. This style of Prosumarkritique is about as productive and rebellious as the postcreative classes can afford to be.

The polar ice caps melted and sea levels rose dramatically as predicted. Of course, this was seen as more of an opportunity than a tragedy; a new frontier that was literally expanding! The technology to profitably colonize the oceans had been extensively developed, but after the sudden and unexpected collapse of vertebrate sea life, only a handful of Californian billionaire playboys, neozionist cults, militant genderqueer anarchocapitalists and a cosmopolitan assortment of poisonous jellyfish still seem to want to live there. 

None the less, these seasteaders did manage to force the governance services market open to private competition with a proliferation of subscription based quasi-sovereign multinational corporate offshore platforms, a few autonomous-zone Seapunk islets and other newly engineered legal-spatial anomalies. The basic legal distinctions between person, corporation, anchored ship and sovereign nation-state were finally erased.  

Some of the first comers to the new oceanic frontier made fortunes hosting darkweb data havens and corporate team-building retreats, producing gonzo pornography and exporting plankton based fuel and eye creams. But ultimately, this long heralded Cambrian Explosion in Governance did little to help the degrading standards of living for the landlocked majority who couldn't afford the best class SeatizenXperience subscripts nor AlgoLawyerswarms overwhelmingly litigious enough to ensure the acquisition of a family-size exit visa from the  raffle. 
Either way, these days you'd have to be crazy to live out on one of those things — considering all the jellyfish.

Daniel Keller- Lazy Ocean Drift Promo v2

YOUR GF FAV ARTIST

Live and Direct from Kunstmuseum Liechtenstein its TEDxVaduz 2013
.....Radically Open......

TEDxVaduz 2013 Promo

IMAGINA UN MUNDO EN DONDE… Labor, consumo, mercadotecnia, tiempo libre y protesta han sido hibridados, automatizados, externalizados y reubicados hasta que se vuelven ubicuos e irreconocibles. Claro, se puede discutir que aún necesitamos un mercado de masas para consumir productos y para inspirar a empresarios a ser grandiosos, pero claramente no esperan que la gente haga mucho más que eso. El 90% de los empleos de finales del siglo XX no han existido por 50 años y la humanidad se ha vuelto, absurdamente ‘inesencial’ para el mantenimiento y crecimiento continuo de la economía global.

Llamemos a ésta única línea de trabajo disponible prosumidomarquecrítica, y seamos sinceros, esto es lo más productivo y/o rebelde a lo que la clase creativa puede aspirar en este punto. El campo del Periodismo ha sido degradado a visualizaciones holotagcloud y animaciones en motion-graphics de #causashumanitarias. El participar en la Economía de Creategias de Produdesarrollo significa dar sorbitos a una malteada de spirulina desde la cubierta inferior pnkbry mientras seleccionas interpasivamente la mezcla de palabras/mashup más atinado desde una Tablet resistente al agua, lo envías a la ‘nube’ para que sea impreso en 3D (hecho de plástico regenerado proveniente de la Gran Mancha de Basura del Pacífico) y terminas tu día.

Las capas de hielo se han derretido y el nivel del mar ha aumentado dramáticamente. La tecnología para colonizar océanos ha sido desarrollada completamente pero debido al repentino e inesperado colapso de toda la vida marina vertebrada, solo unos cuantos billonarios mujeriegos Californianos, militantes anarcocapitalistas genderqueer y una variedad cosmopolita de medusas venenosas aún parecen querer vivir ahí. 

Sin embargo, estos colonizadores marítimos consiguieron que el Mercado de Servicios de Gobierno se abriera a la competencia privada con una proliferación de plataformas corporativas offshore multinacionales quasi-soberanas, unas cuantas zonas-autónomas isletas Océanopunk y otras recién creadas anomalías legales-espaciales. Algunos de los que llegaron primero hicieron una fortuna alojando refugios de datos de la darkweb y llevando acabo retiros corporativos de integración, produciendo pornografía amateur y exportando combustible y cremas para ojos hechos de plancton.

Pero al final, la tan anunciada Explosión Cambriana en la Gubernatura ayudó muy poco a los estándares de vida degradantes de la mayoría que aún se encuentran atrapados en la tierra y que no pueden costearse la XperienciaCiudadano de primera clase, ni tampoco pagarle a un SoftwareAbogado abrumadoramente litigioso, lo suficiente como para asegurar la adquisición de una visa de salida tamaño-familiar. De cualquier manera, en estos tiempos tendrías que estar loco para vivir en una de estas cosas – considerando todas las medusas.  

Lazy Ocean Drift Promo V3 (En Español)

For his exclusive Dazed Mix, the south London artist shares a selection of field recordings, synth accompaniments, and samples flipped from his archives

Dazed Mix: Felix Lee

United in Flames w/ Malibu 24.07.2018

The latest mix in the YEAR0001 : SOUNDS series features Berlin's windowseeker, an enigmatic electronic producer, visual artist and 1/2 of net label charmlink.

windowseeker's "god vapor" mix glides through their own productions, alongside the blissful sounds of digital new romantics xphresh, innerinnerlife, Hysterical Love Project & much more.

Dive in and find out.
⁠
mix: @lukasoppenheimer
title: “god vapor”
length: 55:55
artwork: @lukasoppenheimer

tracklist:

ambient alliance mercury cast landfill 4
xphresh one kiss
olive you’re not alone (ringing through my veins)
whatever way૮ᥫԾҧₖঔforward
7038634357 all i want out of a red box body unsolved
finallyૹ⃱ጓᨖ fullyᆀ realized.ᶧ
soundworld soundbook to love you
103110 the w★rld ★f my visi⚉ns
end toÅԬ߾ᶆ the other
cutspace here are Drums between the Bells, and no Thought will escape this unforgiving Density.
hideki umezawa + shohei amimori débris dans le jardin II
ëcontractor
᳄ Chickenmilk dot com the member
᳄ shed theory RAT w Harto Falión acapella
᳄ sora La Cathédrale Engloutie
lilic companion w wish (pocketed)
windowseeker worldwide summer JAM 2k23 (ethics mix)
❣️hysterical love project Glass (I Want More)
hideki umezawa + shohei amimori cracked_oriented; frz
♭PersonallyNothing
katai red wine (mh & april21)
heoliene vs gwen stefani Orbital Dance What You Waiting For
⌛⒩ slag
orchidvial {f_rmat}f◯rmat
glint 2 times too
innerinnerlife just a little more life with u
windowseeker wish u …
Ẍseries਀ྖ
lovefear breathe
windowseeker thyme

YEAR0001 SOUNDS: windowseeker - god vapor Mix

sexmag [2021]

NTS Residency Show #34 (07.02.2024.)

cabinview through the hills & valleys of braindance + breakcore

inkscreen/screenage dj @ Kiosk Radio 30.04.2024

A VERY WARM WELCOME TO KELLER AND KOSMAS
OFFICIAL WARM UP INTRO DLD 2012

HUO #DLD12 HYPE WARM UP (Way Beyond)

Alternate unmastered remix for @epsilove
check out her EP and the remix we did with @Lastrackqlf 
https://soundcloud.com/dkmntl/dkmntl071-epsilove-psychic-venom

Epsilove - Sea Snakes (Hajj's schmirred pop version)

Toxe / CRYSTALLMESS  — Split
Format: 12"
Cat.No: PAN 105
Release Date: 27 November 2019
Purchase: bit.ly/2QUpeSp

PAN affiliate Toxe and CRYSTALLMESS  join forces on the second installment of PAN's club-focused white label split series.

Limited to 300 copies, hand stamped, no repress.

The EP is mastered by Jeremy Cox

@to-xe @crystallmess

http://p-a-n.org

Split 

A1. Toxe - Maybe Tomorrow (PAN 105)

B?E(G+LoSeShVmYou3To6w9z$C&LoVE@cQ

@benedictemusic - When It Binds

(BBR020)

When It Binds is a collection of songs composed over the last 3 years, and serves as Bénédicte’s personal exploration of what happens after an emotional connection is established with someone. How does this change who we are? How are our emotional landscapes altered with this new form of inter-subjectivity? Each song on the album is a different and searching sonic interpretation of these questions and a response to ever-changing emotional shifts.

Bénédicte is the musical project of Montreal-based producer and sound artist Maxime Gordon. Bénédicte’s music is a study of restrained feeling, containing soaring synths within a landscape that is strictly minimalist. She distorts field-recordings and vocal samples, splicing the human and familiar with the unnatural.
credits
released February 26, 2021

Written, produced and mixed by Bénédicte

Production on "Drift" by Bénédicte and XGLARE

Vocals on "Fall On Me" by Bénédicte

Artwork by Ginwawa (@2fffff7)

Released on Blueberry Records, 2021

© all rights reserved

HUO #DLD12 HYPE WARM UP (Way Beyond)

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