Name: Hurry up with my damn croissants by aids-3d
Duration: 1 min 29 s
Description: Courtesy: Schubert, Plastikman and Kanye West

I listened to this song when i used to have a croisssant obsession i-

This croissant place accross the street i need to fire bomb l8r...

I'm glad i'm not the only one who's watching Barry Lyndon every time i'm drunk

listen to my t-shirt

xquisite releases is honoured to present our second
collection of lullabies, all from artists we love.
All proceeds split between IKWRO ikwro.org.uk
in solidarity with Iranian women and ahbap ahbap.org
in solidarity with those hit by the recent devastating
earthquake in Turkey and Syria.

mastered by XR

Lolina - XL

Happiness is a Lay Up

Dżeju - Ground Quake (Original Mix)

SNIPESTREET EP 12" vinyl and digital formats out on Halcyon Veil
https://boomkat.com/products/snipestreet
https://bleep.com/release/64860-why-be-snipestreet
bit.ly/1OPJ8FM
http://classic.beatport.com/release/snipestreet/1636418
https://itunes.apple.com/album/snipestreet-ep/id1050817954?v0=9988&ign-mpt=uo%3D1

SNIPESTREET

01 HEROIN HAT
02 WHALIN (KYSELINA OST)
03 DEEQ
04 LATE (LASER HA)


Mastered by Matt Colton @ Alchemy



Why Be - Heroin Hat (HALC002)

https://nonafrica.bandcamp.com/album/chino-amobi-airport-music-for-black-folk

LONDON II

The hot new single from America's Sweetheart, Blue Angels! Off the soon-to-be hit record, Vaces.

free: http://unonyc.com/giveitaway/
if you want to pay for some reason: https://unonyc.bandcamp.com/album/vaces

Sams Club

Sweat Equity is thrilled to announce Revenge Body, the debut record from New York’s Daffy Scanlan under her Drumloop moniker. Covering 6 tracks of intimately crafted compositions, including a remix by Earthly’s Edaan Brook, the record is an expansive, nuanced journey in sound, and an indication of the artist’s remarkable talents. 

Revenge Body unfolds like a narrative on love and loss, a winding pathway through heartbreak and confusion dotted with momentary pauses and intense, emotionally frank disclosures. “I quit the game,” Daffy sings in the last moments of Battery as the song floats away into the ether, as if the artist was speaking directly into the listener’s ear, a strange mix of confessional songcraft and ASMR. Even the cover of the Smashing Pumpkin’s 1979 feels autobiographical in some way, both a love letter to teenage ennui and deeply personal at the same time. 

Scanlan’s work has long drawn on the lines between electronic and organic sonics. A skilled pianist as a child, she worked between analog gear and Fruity Loops throughout her youth, releasing harsh noise and power electronics on a string of labels. But it was after her suitcase was stolen, containing almost all of her music equipment was stolen last year that Scanlan dove deep into FL Studio, turning a trying moment into an opportunity for deep sonic exploration of the software. Exploring fragmented collage and pop stylings in equal measure, arriving at what has become her first EP as Drumloop. 

The productions themselves accent this mode of story-telling, pieces that find their strength and potency in nuance and detail, accents and swells flecked with digital detritus and swirling waves of echo. The rising strings, and spare arrangements leave space for something like the ghost of a feeling, each flickering key stroke and reverb wash hinting at a space just beyond the song itself, as if the digital artifacts and signal processing employed were set ups for the sharp lyrical punches that dot the record. 

Yet for as much as these pieces revel in detail and texture, their aim is direct at the heart, using these waves and walls of sound to reach towards broader emotions. It’s almost as if she’s picked up the pieces of a fractured love affair, and twisted them up into something almost intangible, an internal universe as distant and icy as it is endlessly engrossing. Like any real heartbreak, these are pieces that seem capable of endless obsession and reflection, even as they hover just out of reach.

Hurry up with my damn croissants

aids-3d

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