Name: MIRAJ ATLANTIS 2006 by aids-3d in AIDS-3D
Duration: 4 min 12 s
Description: Soundtrack for Miraj (aids-3d's educational dance troupe) performance, Chicago 2006

damn these sounds are sooo FAT. good stuff

http://athleticbusiness.com/articles/article.aspx?articleid=1700&zoneid=8




AIDS-3D

From @t0nimusic 's latest EP "EXIT LIFE".

Almost two years after t0ni’s last EP “Fake it or Make it”, Soul Feeder’s founding member is back with a heartbreaking ten-track release in which he explores in depth his idea of a “drumless emotional music”.
As this definition could be used to describe all of the tracks of “EXIT LIFE”, each one of them develops the multiple possibilities offered by a creative approach that privileges elaborate, pop-looping melodies, re-pitched vocal chops and refined sound design. In fact, t0ni’s sound palette has never been richer and more capable to embody different emotions: from the gloomy nostalgia of “grudge bite”, to the abrasive yet immobile anger of “stay cute”, to the numbing, lush pads of “2020”, “EXIT LIFE” is an episodic narration of t0ni’s restless inner life.

Music by @t0nimusic
Artwork by @amalcrossing
Mastering by @dj_ghepard

EXIT LIFE

Stream & Download

t0ni - Stay Cute

Daniel Keller
Lazy Ocean Drift
at New Galerie, Paris
Opening October 24th


IMAGINE A WORLD WHERE…. Labor, consumption, marketing, leisure and protest have all been hybridized, automated, outsourced and offshored into something both ubiquitous and unrecognizable. We still need a mass market to consume products and inspire entrepreneurs, but we don't expect much else. 90% of late 20th century jobs haven't existed for 50 years and humanity itself has become 'nonessential' for the continued maintenance and growth of the global economy.  

Formerly safe, high skilled professionals like lawyers and radiologists were the first to lose their jobs to the botnets. 
Much of the field of journalism has merged into automatically generated motion graphic holotagcloud visualizations of trending humanitarian crises. Participating in the Developmenture Creategies Economy means sipping on a spirulina smoothie from the promenade deck Pinkberry while interpassively selecting the most pointed mashup portmanteau on a splash resistant tablet, sending it to the cloud to be 3d printed from reclaimed Great Pacific Garbage Patch plastic and calling it an early day. This style of Prosumarkritique is about as productive and rebellious as the postcreative classes can afford to be.

The polar ice caps melted and sea levels rose dramatically as predicted. Of course, this was seen as more of an opportunity than a tragedy; a new frontier that was literally expanding! The technology to profitably colonize the oceans had been extensively developed, but after the sudden and unexpected collapse of vertebrate sea life, only a handful of Californian billionaire playboys, neozionist cults, militant genderqueer anarchocapitalists and a cosmopolitan assortment of poisonous jellyfish still seem to want to live there. 

None the less, these seasteaders did manage to force the governance services market open to private competition with a proliferation of subscription based quasi-sovereign multinational corporate offshore platforms, a few autonomous-zone Seapunk islets and other newly engineered legal-spatial anomalies. The basic legal distinctions between person, corporation, anchored ship and sovereign nation-state were finally erased.  

Some of the first comers to the new oceanic frontier made fortunes hosting darkweb data havens and corporate team-building retreats, producing gonzo pornography and exporting plankton based fuel and eye creams. But ultimately, this long heralded Cambrian Explosion in Governance did little to help the degrading standards of living for the landlocked majority who couldn't afford the best class SeatizenXperience subscripts nor AlgoLawyerswarms overwhelmingly litigious enough to ensure the acquisition of a family-size exit visa from the  raffle. 
Either way, these days you'd have to be crazy to live out on one of those things — considering all the jellyfish.

Daniel Keller-Lazy Ocean Drift Promo v1

cant see a damn thing(ꆤ︵ꆤ)

Don't Like x Lauren Duffus

BELMONT GIRL - LOSING MY RELIGION <speed up>

Elysia Crampton - Tie Me E bootleg

Never felt like

baby

SHANTI CRISIS (2K'S EARTHLY LOOP)

RIP I WILL ALWAYS LOVE YOU

"...one of the best, most powerful songs... 
ever written about self-preservation... and dignity. 
It's universal message crosses all boundaries... 
and instills one with the hope that it's not too late to better ourselves. 
it's impossible in this world we live in to empathize with others, 
we can always empathize with ourselves. It's an important message. Crucial, really. 
And it's beautifully stated on the album."

Whitney Houston Dirge (Live at Times Feb 11 2012)

Fantasy

Soundtrack for Miraj (aids-3d's educational dance troupe) performance, Chicago 2006

MIRAJ ATLANTIS 2006

AGAVE꿀

Official video https://youtu.be/_TbYyp5bsLg

Why Be - Caged Animal [YGK013]
https://youtu.be/S0O-eWZA6t0

1. Impiety with Patrick Belaga
2. Smf Teaser
3. Impossible Drops1
4. Impossible Drops2
5. Parental Glide
6. Dragged with Elias Rønnenfelt

Format: Digital/EP
Release Date: 7 Dec, 2020
Mixed by Gil Schneider
Cover by Stewart Uoo
Mastered by Alexis Chan

Special thanks to:
Nadine Fraczkowski, Elias Bender Rønnenfelt, Simon Van Deurs Formann, Sabaku no tako, Jackie Poloni

MIRAJ ATLANTIS 2006

aids-3d

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