This soundtrack introduces Mezamé, a psychological practice specialized in the ‘Eye Movement Desensitization and Reprocessing’ therapy. It conveys Mezamé’s vision and clinical approach and was built on a storytelling narrative grounded on three main concepts: the characters’ emotional journey, the eye as a portal to the mind, and the Zen Rock garden as a visual metaphor for the human brain.

Production: AIM Creative Studios
Music Composition and Sound Design: André Aires at @claraboia-estudio

Mezamé

Partnering with IOM, we’ve produced a video in the scope of the project:
Providing refugee resettlement assistance to the Government of Portugal.

It aims to inform refugee children and youth aged 8 to 14 about the process
of resettlement to Portugal and the challenges of cultural adaptation that they
may experience when they arrive in the country.

International Organization for Migration

Get to know the different kinds of co-ops, how they work, and how they differ from traditional companies. 

TED Ed Lesson: https://youtu.be/4M6lrhuiPv0

Production: AIM Creative Studios
Sound Design: @andreairesaugusto
Music Composition and Sound Design: André Aires at @claraboia-estudio

Co-Ops

Ted Ed Lesson: https://youtu.be/wcR815SfWOU

Production: AIM Creative Studios
Music Composition and Sound Design: André Aires at @claraboia-estudio

Is Capitalism Broken?

In the symphony of life, there is often a moment of profound transformation—a passage where the essence of existence is distilled, where all that remains is the raw, unyielding core.
This ephemeral juncture is the driver for this musical composition which delves into the enigmatic beauty of what endures after the two main parts are removed.

Inspired by Steve Reich's magnum opus, "Music for 18 Musicians", this conceptual piece pays homage to the enduring essence that lingers in its aftermath. It draws from the delicate traces of the two pianos, weaving a tender musical canvas that remotely remind us of the original masterpiece.

This composition is the result of the delicate dance of piano phasing, birthing overtones, textures, and minimal melodies from the original voices of the two pianos that are no longer present, leaving behind what was previously unheard.

Phasing, a compositional technique akin to the rhythmic interplay of two waveforms, manifests through the steady yet not entirely synchronous tempos of two instruments. They gradually shift out of unison, initially creating a subtle echo as one instrument lags behind the other. This evolves into a doubling effect, where each note resonates twice, followed by a rich and intricate ringing resonance. Eventually, the cycle brings the instruments back together, merging echoes and doublings into a unified whole.

Here only what was left is still with us.

18 minutes of what was left

There's something oddly mesmerizing about watching the world go by from the passenger seat of a moving car. It's like stepping into a parallel universe, where everything takes on a surreal, almost artificial quality. The houses, the trees, even the people seem to exist in a slightly different dimension. It's as if we're spectators to our own lives, peering into a scene that's both intimately known and strangely foreign.
In those moments, as the scenery rushes past, it's easy to slip into a reverie. Thoughts drift and dance, unhindered by the constraints of the everyday. The mundanity of the commute gives way to a canvas of contemplation, where dreams and reality mingle in a curious tango. It's a gentle reminder that life, even in its most routine moments, holds a touch of the extraordinary.

Watching the world go by

Dancing, as a response to uptempo music, transcends mere physical motion. It becomes a language of its own, a conversation between the music, our bodies, and the surrounding space. Through each step, sway, and spin, we communicate emotions, desires, and narratives that words often fail to convey.
This form of expression is a testament to the power of music as a universal language. It knows no bounds of culture, language, or background. Regardless of our individual experiences, we find common ground on the dance floor, where the music unites us in a collective celebration of life.
Uptempo music and dance offer a cathartic release, a channel through which we can channel our energies and emotions. It becomes a therapy, a means of rejuvenation, and a source of pure, unadulterated joy. In the midst of the pulsating rhythms, we find a moment of respite, a sanctuary where we are free to be wholly and authentically ourselves.

122BPM

The future unfolds before us, a tantalizing promise of what lies ahead. It beckons with the allure of untapped potential and uncharted territories.
Beside us, the present stands in silent companionship. Its presence can be easily overlooked, overshadowed by the pull of what's to come. Yet, it is the now that anchors this whirlwind, grounding it in the tangible realities of the moment. 
Meanwhile, the past trails behind, a quiet shadow of memories and experiences that shape us. The rearview mirror offers glimpses of where we've been, a reminder of the roads we've traveled and the milestones we've achieved. It's a testament to resilience, a testament to growth.

Racing Forward

Hazawy (plural noun: stories) - Mini-series inspired by Qatari folklore.
https://vimeo.com/895752285

Production: AIM Creative Studios
Music Composition: André Aires | Recorded at @claraboia-estudio

Client: Qatar Museums
Production House: The Film House
Writer: Mohammed Al-Thani
Director: Justin Kramer
Producer: Roda Al-Thani
Producer: Karim Gad
Production Manager: Carlize Pieterse
Head of Digital Production at QM: Erin Fleming
Final Mix and Sound Design: Scott Houston
Title Design: Zainab Alshibani

Animation Studio: AIM Creative Studios
Producer: Tiago Ribeiro
Animation Director & Storyboard: Christoph Sarow
Art direction & Illustration: Christoph Sarow
Animation: Ana Farinha, Ana Iutes, Christoph Sarow, Daniel Roque, Rudá Virginio, Zoltán Koska
Clean-up & Coloring: André Cunha, Cristina Neto
Music Composition: André Aires

Talent Agency: The Talent Factory
Huda Walid S.A Hassan- Donkey Lady
Ibrahim Al Mannai- Khalid
Shahad Eldous- Maryam
Ali Merza A M Al Sharshani- Father

The Donkey Lady

The resistance to accept the inevitable is not merely a denial but a poignant part of our journey. It is characterized by a deep-seated desire to assert control over our destiny, to mold our story with our own hands, even in the face of overwhelming odds. This internal conflict is both tragic and beautiful, a testament to our perseverance and the quintessential hope that defines human spirit.

Yet, there is a transformative power in eventually embracing what we cannot change. In acceptance, there is a quietude and a profound strength that emerges. It does not signify defeat, but rather a courageous surrender, a decision to move forward despite the unmovable. This acceptance enriches our lives, allowing us to focus on what we can influence and find peace with the rest, crafting a narrative of resilience and understanding in the face of life's unalterable truths.

Trying to escape the inevitable

Check out my remix I did for the Wavo remix competition of Gareth Emery's "Save Me".

Please vote for my remix if you like this one!
http://bit.ly/2bwmWUf
_____________________________________________

You can follow me on these patforms:

www.facebook.com/gavellmusic
@gavell

Gareth Emery - Save Me (Gavell Remix)

andre.aires@aimcreativestudios.com
andreairesaugusto.com
tel. +351 965 712 497

The Donkey Lady

AIM Sound & Music

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