As an assembled being, I approve of this message. 🤖

Very, very cool. I like your style. You'll definitely be hearing more from me!

Superb glitchy weirdness..  amazing production!! Love it!

another solid track that keeps dragging me along willingly for an exciting and at times unexpected ride! Glitchy storytelling is genius, apparently! :D

Si quelqu'un veux poser sa voix là dessus, c'est dispo et réadaptable!

Talking

Manifest v1

Dissociative Cyborg

dissociative cyborg

A neoclassical buildup with power with my beloved strings

Kikaren

Aristocraft Torpedo

Short Sleeper

a rework by Neal D Retke of a track by Marco Lucchi

agosto 2021

Marco Lucchi - Ut Ut ( {AN} EeL Versio )

A dead body on Earth would begin to decompose as the bacteria in the air and within the body began the long process of breaking down. However, in space, there is no oxidation, so decomposition cannot occur before the body either freezes (if you are not near a source of heat) or mummifies (all the moisture will be sucked out of your body). If your body was mummified, all biological processes would stop rather quickly, so there would be no further breakdown of your body. Both processes happen rapidly, but that frozen/mummified corpse could potentially sail through the cosmos for millions of years before encountering another object or force that acted on it.

Desiccated Corpse Floating Through Space

Avi Loeb is no stranger to controversy. The prolific Harvard University astrophysicist has produced pioneering and provocative research on black holes, gamma-ray bursts, the early universe and other standard topics of his field. But for more than a decade he has also courted a more contentious subject—namely, space aliens, including how to find them. Until relatively recently, Loeb’s most high-profile work in that regard was his involvement with Breakthrough Starshot, a project funded by Silicon Valley billionaire Yuri Milner to send laser-boosted, gossamer-thin mirrorlike spacecraft called “light sails” on high-speed voyages to nearby stars. All that began to change in late 2017, however, when astronomers around the world scrambled to study an enigmatic interstellar visitor—the first ever seen—that briefly came within range of their telescopes.

The object’s discoverers dubbed it ‘Oumuamua—a Hawaiian term that roughly translates to “scout.” The unavoidably cursory examinations of this celestial passerby showed it had several properties that defied easy natural explanation. ‘Oumuamua’s apparent shape—which was like a 100-meter-long cigar or pancake—did not closely resemble any known asteroid or comet. Neither did its brightness, which revealed ‘Oumuamua was at least 10 times more reflective than one of our solar system’s typical space rocks—shiny enough to suggest the gleam of burnished metal. Most strangely, as it zoomed off after swooping by the sun, the object sped up faster than could be explained by our star’s waning gravitational grip alone. Run-of-the-mill comets can exhibit similar accelerations because of the rocketlike effect of evaporating gases jetting from their sunlight-warmed icy surfaces. But no signs of such jets were seen around ‘Oumuamua.

To Loeb, the most plausible explanation was as obvious as it was sensational: taken together with its possibly pancakelike shape and high reflectivity, ‘Oumuamua’s anomalous acceleration made perfect sense if the object was in fact a light sail—perhaps a derelict from some long-expired galactic culture. Primed by years spent pondering how we might someday find evidence of cosmic civilizations in the sky’s depths, he became increasingly convinced that, with ‘Oumuamua, the evidence had instead found us. In late 2018 Loeb and his co-author Shmuel Bialy, a Harvard postdoctoral fellow, published a paper in the Astrophysical Journal Letters arguing that ‘Oumuamua had been nothing less than humanity’s first contact with an artifact of extraterrestrial intelligence.

The paper has been a smash hit with journalists but has fallen flat with most of Loeb’s astrobiology-focused peers, who insist that, while strange, ‘Oumuamua’s properties still place it well within the realm of natural phenomena. To claim otherwise, Loeb’s critics say, is cavalier at best and destructive at worst for the long struggle to remove the stigma of credulous UFO and alien-abduction reports from what should unquestionably be a legitimate field of scientific inquiry.

The observations suggest this unusual object had been wandering through the Milky Way, unattached to any star system, for hundreds of millions of years before its chance encounter with our star system.

“For decades we’ve theorized that such interstellar objects are out there, and now―for the first time―we have direct evidence they exist,” said Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate in Washington, in November 2017.

Immediately after its discovery, telescopes around the world, including ESO’s Very Large Telescope in Chile, were called into action to measure the object’s orbit, brightness and color. Urgency for viewing from ground-based telescopes was vital to get the best data.

Oumuamua (First Contact Album Version)

In this EP, Buffington aims to help listeners reconnect with themselves — whether through moments of introspection or the energy of an all-night dance party.

Vertigo

Track 10 (last) in "Ground Zero" (2019) by Alex M: composed, played, arranged, edited and recorded by Alex M in GarageBand iOS, 6 March 2019, and mixed in Logic Pro X, 8 March 2019; posted on SoundCloud on 8 March 2019 (before the release of the album as a whole).

Duration: 6:54 minutes
Tempo: 124 bpm
Time Signature: 4/4
Key Signature: F sharp minor

Digital instruments used, in the order of playing and recording:
1. Bass - P-Bass
2. Piano - Yamaha Grand Piano (Sustain)
3. Drums - Electronic - Modern 808
4. Strings - Cinematic - Cello
5. Keyboard - Alchemy Synth - Stringed - Harmonic Taps (Sustain + Soft Attack Delay 40% Reverb 77% Cutoff 55% Resonance 60%)
6. Keyboard - Alchemy Synth - Rhythmic - Pulsing Dream Pads (Bass Delay 73% Reverb 50% Cutoff 29% Resonance 27%)

dissociative cyborg

𝖆𝖎𝖓𝖆𝖘 𝖘𝖓𝖊𝖗𝖑𝖊

Recent comments

Francois Cormier

Mark Mori

Dave Does Ambient

The Windscale Blues Experiment

Related tracks