[surf034]

https://soundcloud.com/opalbeau

artwork by usof (linktr.ee/usofusofusofusof)

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opal beau ~ No-One To Talk To

@vendredear

Walking through empty cold streets so fast I could fly, I wish my body would follow my mind as it passes out.
Sometimes feeling it all leads to emotional numbness.
This mix is a journey towards balance, through overwhelming feelings, sentimental glitches & self-doubt — with a romantic twist.

TRACKLIST 
james K - Open (feat. Yves Tumor)
Vina Konda - 10A - >0>
sv1 - ferrofluid
Timothée Joly - lundibleu (arrangements par NxxxxxS)
THIRDWORLDLABOUR - ASTRAL DOORS
Varg, Yung Lean - Red Line II (127 Sätra C) 4 w/ Yung Lean [NE39]
.arañal - tejido plateado
IDKLANG - Duchess
Joanna7459 - Sunny Winter This Year...
Dominika Rosgaard - Look At Sky Pores
SHX - Onyx
Giant Claw - Disworld (vocals: NTsKi)
COSIMA - Wishing on a Star [Rose Royce Cover]
LAG SWITCH - ZEROSUM Rift
Escha - An Outward Visible Sign Of An Inward Invisible Hell (Skrilleggz)
evil bikrav - 01 RAGE 161028
Shay x 7038634357 - My Angel Courtois (Basile3's Union)
Lorenzi - UNRELEASED
Remiseria Temperley - No Me Da
Giek_1 - 5th dimension
Cimarrón - Sin Cara, Sin Nombre
estoc - XO MAPS LLIF3 (DJ LOSTBOI X TORUS X YEAH YEAH YEAHS)
julek ploski - Forever Sad (Live)
personalbrand - only uuuuu
Clarence Clarity - Now I Am
Vanessa Amara - Let it Go
Iceboy Violet - bed sheets turn to a white dress
Know V.A. - Trauma
AUDEN - self reflection
Philip Glass Ensemble - Einstein on the Beach: Bed
Lil B - Based Till Death (Zora Jones Edit)

FEELING IT ⏤ Vendredear

Jiyoung Wi is a multi-faceted artist from Seoul, Korea currently residing in The Hague, Netherlands. Jiyoung’s work can be situated within fictional literature, improvised music, field recording, with an interest in juxtaposing or disjointing these fields of practice through her sonic and literary methodologies. Jiyoung’s debut album 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔, is a concise body of work that punctuates a beginning point to her work within the 12” LP format. The recording serves as one of the two releases concluding the three year sonic endeavor that is the ENXPL (Enmossed X Psychic Liberation) series.

Having previously released recordings on compilations for labels like Mirae Arts, Eastern Nurseries, and Psychic Liberation, here Jiyoung hones a cinematic-like structure that exemplifies the biome within her craft. While presently Jiyoung is performing the systematic dismantling of a violin in her live improvisations paired with approachable boutique synthesizers, 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔 is a pairing of the inimitable Korg MS-20 and field recordings staged or captured by Jiyoung in Seoul and Busan, South Korea.

With three scenes per side, Jiyoung walks us through different geographical and spatial intimacies. Public spaces and intimate conversations are obscured and reconstructed. Glass elevators, an unknown hotel lobby piano recital, office toilet rants, windowside night bus travels, and multiple languages interplay with staged and unstaged conversations to transmogrify themselves into a world of Jiyoung’s view. Money, sex, relationships, and cultural parameters are at once idiosyncratic as well as disorientingly familiar to the listener.

As an extension of the series coined by Jiyoung as 𝘚𝘰𝘶𝘯𝘥 𝘍𝘪𝘤𝘵𝘪𝘰𝘯, the album feels crisp, pressurized, and at times funny, at other times melancholic. As language, space, and viewing perspective shift, Jiyoung’s succinct album invites the listener to an aural world uniquely of her own viewpoint. While collecting source material relying on the outside world (conversations, elders, the closing track featuring Sungeun Lee), we have a listening experience that deeply illustrates Jiyoung’s perspective. The disjointed experience of someone maneuvering internationally to further develop a practice is encapsulated brilliantly here by Jiyoung with 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔. Alongside Makoto Oshiro’s 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, it is a perfect bookend to the ENXPL series.

---

Jiyoung Wi is a writer and musician based in Seoul and The Hague. She writes fiction in-between institutional and non-institutional contexts, and works with sounds in-between clubs and art museums. Her methodology involves building and breaking sonic narratives by arranging and re-contextualizing disparate sound sources ranging from field recordings to fragmented anonymous dialogue.

She approaches sound and text as invisible experiences and phenomena, and is interested in the narrative symptoms that emerge when both are juxtaposed on the same axis. In a series entitled 𝘚𝘰𝘶𝘯𝘥 𝘍𝘪𝘤𝘵𝘪𝘰𝘯, she explores these symptoms operating within and without the art space. She has been co-organizing an experimental/leftfield listening event 𝘚𝘰𝘳𝘳𝘰𝘸 𝘊𝘭𝘶𝘣 𝘚𝘦𝘰𝘶𝘭 since 2019. 

---

Voices by Windy Kim, Carl G., Schang09
Piano by Sungeun Lee
Audio finalized by Glyn Maier
Design by Dominique S

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Jiyoung Wi - Walking Tumor (ENXPL22)

earth is a weird place... some people are like suns. others are like the moon they just push and pull...

what happens when nothing is happening mix [puresportradio]

Rest

REC082.WAV - autumn mix

Curio earworms and other obsessions from Krakow's Natalia Panzer. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/natalia-panzer/episodes/natalia-panzer-9th-november-2024

Natalia Panzer 091124

Montalvo - Colle [TRU008]

New York, NY – Colle, the creative alias of experimental musician Maya McGrory, debuts her solo album 'Montalvo' on urtruimage.

Inspired by her childhood memories of Montalvo Rd., this compelling collection of songs offers a profound exploration of McGrory's past, and presents a narrative of multiple lives lived at once. The contrasting landscapes of her life provide a backdrop for her music, allowing her to find solace in the innocence and simplicity of childhood. Emphasising the ephemeral nature of life, she embraces a flow that reflects the worries of her past and the allure of even the harshest conditions.

Her album invites listeners into immersive emotional landscapes; characterised by expansive glacial synths and strings, while trip-hop and shoegaze-inspired beats push her music into an experimental realm of electronic indie-rock, all enhanced by her sincere and captivating vocal delivery.

What began as a return to a specific time in her life evolved into a journey back to traditional songwriting, reimagined into an experimental vision during the production of Montalvo. For Colle, the process is less about distance and more about rediscovery—reclaiming the innocence and wonder that continue to influence her today.

Album Credits -

Mixed by Shane Lavers (Chanel Beads): Silent But For Joy, Green Edge, Day You Told Me, A Real Atone, Winter Garden

Mixed by Issac Eiger (Threshold): Held By You

Mastered by Rob Venning (DJ Pitch) excl. Winter Garden

Mastered by Ben Shirken: Winter Garden

Violin Credits to Zachary Paul: Winter Garden

urtruimage; run by Sophia Mannerfelt, Robert Venning (DJ Pitch)

Plea and Luck

‘When our women had all turned into cedar trees they would group together in a corner of the graveyard and moan in the high wind.’

With Love and thanks to Lydia Davis. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/timeisaway/episodes/timeisaway-25th-november-2024

Time Is Away - The Cedar Trees 251124

island of angels w/ Kai Landre & Mark Allen Soul - 18/12/2024

Sirens is the first collaborative LP of Kara-Lis Coverdale (Tim Hecker, L/B) and LXV (David Sutton). Following their respective solo cassette releases Aftertouches (2015) and Spectral Playmate (2014) on Sacred Phrases, Coverdale and LXV debut on Umor Rex with a collection of multi-textural and multi-source electronic music rich in narrative, melody, and spectral intrigue.

LP limited to 300 copies pressed on virgin vinyl. Packaged in an uncoated stock jacket with double sided insert, black polylined inner sleeve, and free download coupon. This is a pre-order for May 19th street date. PRE-ORDER HERE.

Inspired by the link between seduction and violence, Sirens comprises a series of timbrally vast anamorphic pieces that poise the voice as a newly imagined tool of multiplicity. Processes of sample manipulation, signal processing, routing, and source design inform instrumental writing and performance in feedback until intertwined, flickering between states of conflict and consonance. Apparitions of the schitzophrenic voice are at one moment fractured and cold and at the next full of warmth and vivaciousness, embodying velvet rituals of romanticism in the digital age.

Ultimately, Sirens is music for ambitious dreamers: surreal sound portraits sound like the warmth of the world laid over an ice cold virtual altar. LXV’s vocal truncations and fleshy sound palettes depict the archivation of the breath and aural fantasies of the flesh which Coverdale sets amongst a vast and unconfined landscape of deeper and unknown force. Harmonically active and dynamic orchestrations underpin post-sacred tonalities while brooding pipe organs, sphinx flutes, and hailstorms of metallic percussion characterize uniquely disjointed discussions between disparate compositional ontologies. At times violent and at others serenely peaceful and seductive, these pieces, at their most powerful moments illuminate a felt space between cybernetic energy and the body. 

Kara-Lis Coverdale and LXV — Informant

aircode.contact@gmail.com 

image by alessia gunawan

music via 
@ginandplatonic
@alien-jams
@nostro-hood-system
@cafeoto
@tobago-tracks

REC082.WAV - autumn mix

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