Sanam Marvi sings from the soul n has an impact on listeners souls 

Classical

Rabba Ho, Coke Studio Pakistan, Season 6 (Osama Aslam)

Singer: Rustam Fateh Ali Khan and Sumru Ağıryürüyen
Language: Braj & Turkish

As we delve further into the layers of the world’s many cultures to experience its hidden connect points, this Season, Coke Studio sees the union of what would appear to be sounds from different parts of the globe – but with the ever inherent Universality found in the theme of Love. The song itself begins with an expression of the rare South Indian raag known as Abhogi Kangra – a raag rooted in a 5000 year old history and is unique due to its structure. Due to its scale being so different, very little work has been done with the ancient raag, something that Rustam Fateh Ali Khan now feels is something worth presenting to exhibit a feel that is one of a kind and thereby create a sound that, with the accompaniment of contemporary sounds, cements the raag’s influence in modern day music. As the song progresses, we travel to Turkey to connect with a rendition by Sumru Ağıryürüyen of the traditional Anatolian classic that is ‘Kalenin Burcu Muyam’. Lyrically, the verses of both pieces talk of Love demonstrating the similarities in culture not just in theme but also in words. ‘Tori Chab – Kalenin Burcu Muyam’ is an experience of a multitude of influences as demonstrated through the instrumentation of the Serbian House Band and String Orchestra coupled with the enchanting African harp – the Kora and the Oud in Morocco alongside what some consider as the ancestor of the piano – the Kanun in Turkey.

Tori Chab And Kalenin Burcu Muyam - Rustam Fateh Ali Khan And Sumru Ağıryürüyen

ay zindagi ya bata kya mila❤

Singer: Sanam Marvi
Language: Punjabi

Sanam Marvi returns to Coke Studio this Season with the soulfully poignant ‘Yaar Vekho’. Based on the raag Bhopali, the song is a reflection of a moment in time that contains a message that remains as relevant and powerful today as it was in the years it was conceived. The song is an amalgamation of observations by the Sufi poets Sultan Bahu and Sachchal Sarmast – from different times yet with views and themes that have spanned almost 600 years worth of human thought. Thematically, the song focuses on the eternal idea of being within the world but not of it – to aspire for a higher understanding of the concept of Mercy within the various faces and trials of the world. The verses mention that while in the world of custom and ritual, in the search of true freedom and enlightenment, one must look inside and find Mercy. The song’s tone is solemn yet with a tinge of hope that is demonstrated through the instrumentation and arrangement of the String Orchestra and the melancholic beauty of the Piano. With the acoustic guitar feel, the song becomes a listening experience that is almost nostalgic.

The song’s overall flow emphasizes on the simplicity of forlorn thought that accompanies the process of inner realization and hopes for a semblance of peace. Ultimately, the song urges for Resolution to be found within.

Yaar Vekho - Sanam Marvi

Kya_Mujhe_Pyar_Hai_x_Tu_Hi_Meri_Shab_Hai_x_Labon_Ko_I_Khudgharz’s_tribute_to_KK(256k).mp3

Tu Hi Re- Abhijit Pohankar Feat Hariharan & Pt Ajay Pohankar.mov - YouTube 2.M4A

Many of us know about popular singer Sajjad Ali from Pakistan, as he's been singing for more than three decades now but, not many outside Pakistan know about Sanam Marvi. She's a sufi singing marvel whose voice will literally take you to the doorsteps of God's abode. "Rang Laaga" by Sanam Marvi & Sajjad Ali is one such example of heavenly musical experience, where voices, guitars, drums, violin and a complete arrangement of finely pieced musical instruments, create an unforgettable epic.

Rang Laaga - Sanam Marvi & Sajjad Ali

Baanwarey (feat. Kutle Khan)

Vijay Sardeshmukh sings 'Shunya Gadh Shahar' - Bangalore Festival of Kabir, 2009

Asan Agay Na Ahra Ha Sy

Sighra Aaween Saanwal Yaar HD, Sanam Marvi, Coke Studio Pakistan, Season 4

Mein tenu samjhawa ki By Atif Aslam.wmv

Kitne Aish Se Rehte Hongy Kitne Itrate Hongy,
Jaane Kaise Log Vo Hongy Jo Us Ko Bhate Hongy,

Shaam Hue Khush-Bash Yehan K Mere Paas Aa Jaate Hain,
Mere Bujhne Ka Nazzara Karne Aa Jaate Hongy,

Wo Jo Na Aane Vala Hai Na UsSe HumKo Matlab Tha,
Aane Valon Se Kia Matlab Aate Hain Aate Hongy,

UsKi Yaad Ki Bad-e-Saba Mein Aur To Kia Hota Hoga,
Yunhi Mere Baal Hain Bikhre Aur Bikhar Jaate Hongy,

Yaaro Kuch To Zikr Karo Tum UsKi Qayamat Banhon Ka,
Wo Jo Simatte Hongy Un Mein Wo To Mar Jaate Hongy,

Mera Saans Ukharte Hi Sub Bain Karen Gyn Royen Gyn,
Yani Mere Baad Bhi Yani Saans Liye Jaate Hongy.


کتنے عیش سے رہتے ہوں گے کتنے اتراتے ہوں گے
جانے کیسے لوگ وہ ہوں گے جو اس کو بھاتے ہوں گے


شام ہوئے خوش باش یہاں کے میرے پاس آ جاتے ہیں
میرے بجھنے کا نظارہ کرنے آ جاتے ہوں گے


وہ جو نہ آنے والا ہے نا اس سے مجھ کو مطلب تھا
آنے والوں سے کیا مطلب آتے ہیں آتے ہوں گے


اس کی یاد کی باد صبا میں اور تو کیا ہوتا ہوگا
یوں ہی میرے بال ہیں بکھرے اور بکھر جاتے ہوں گے


یارو کچھ تو ذکر کرو تم اس کی قیامت بانہوں کا
وہ جو سمٹتے ہوں گے ان میں وہ تو مر جاتے ہوں گے


میرا سانس اکھڑتے ہی سب بین کریں گے روئیں گے
یعنی میرے بعد بھی یعنی سانس لیے جاتے ہوں گے

Jaun Elia Ki Awaaz | Kitne Aish Udaate Hon Ge

charsi 2.O,SINDHI RAP2020, H.R.B music

This wonderful duo are from the legendary Patial Gharana. They possess incredible mastery of Raags. On tabla is Ustad Shaukat Hussain Khan and accompanying them on Sarangi is Ustad Nazim Ali Khan.

Miyan Ka Sarang - Asad Amanat Ali Khan & Hamid Ali Khan

Beparwa laka loly wey pa Gulono garzedaly

Sighra Aaween Saanwal Yaar HD, Sanam Marvi, Coke Studio Pakistan, Season 4

Akanksha Aditya Singh

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