A crossover project between 90's hiphop elements and Turkish folk music elements.

Composed and produced by Denizhan Altay
Co-produced by Dylan Greene
Mastered by Ivo Statinski

4. Aydede

Eyooo sun’s out guns out my homies!! We’ve made it to the second part of this mixing series. Let’s tear up the car-stereo with this absolute violation of a set. Expect a lot of foul, stanky and 808-heavy ghetto-bass beats from the illest heavyweights in the game. Letsgoooo!!

The Four Pillars of Booty Shaking Vol. 2 - Blazing Clouds of Ghetto Bass

In commemoration of the 10th anniversary of J Dilla's passing.
Lyrics, Vocals, & Guitars By: Ursa Major
Production By: J Dilla, Instrumental: Flowers
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YouTube: https://youtu.be/PfBAzvH8INw
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Lyrics:
Though I’m not here to come off clever 
My focus may expand beyond contractual endeavors 
The meditating mennonites ain’t ready for the weather 
And the crackheads from Caracas
Keep suppressing their oppressor
Ooh, I keep it smooth like Leo
Move like a blue monsoon over Rio
I’m hardly focused, yea I’m slipping like an eel
I’m just tryna send a message, that will garner mass appeal

You barely like me when I’m around 
But tell me what the fucks the difference baby, 
I gotta stunt before I lose this town
You barely like me when I’m around 
But tell me what the fucks the difference baby, 
I gotta stunt before I lose this town

Within the barrel of a rifle
What I express to you may come off sinister and frightful
The juxtaposing juggernauts are checking out their vitals 
They be gearing up for battle facing regimented rivals
I keep it real on the jump
Keep it ill when I slump
Stay protected on the front
I'm hardly focused, gonna break off all my deals
Gonna pass it off to Momma, gonna make sure I reveal that

You barely like me when I’m around 
But tell me what the fucks the difference baby, 
I gotta stunt before I lose this town
You barely like me when I’m around 
But tell me what the fucks the difference baby, 
I gotta stunt before I lose this town

free download

Around (J Dilla Tribute)

There are so many aspects in which Dilla has influenced us as producers. The biggest one for me, though, is the way he would flip a sample. While cats were in the game literally looping 8 bar samples, J fought for ways to truly create something new. 

This track attempts at doing that, along with emulating the other biggest influence in my production, the change up. To leave the listener wanting more is the rarest of art forms, and the way J Dilla did it left some of us in tears. But his beats were more like a train of thought than an actual pre-planned composition. Dr Dre was Rat Pack predictable, american standards and all, but J Dilla was 'Trane, taking the audience with him through his travels in sound. 

2015

HOMAGE (DILLA DAY DOWNLOAD)

A crossover project between 90's hiphop elements and Turkish folk music elements.

4. Aydede

AKBABA

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