Produced By Martin Reed.
https://www.youtube.com/watch?v=1beV3f74BHY

Much Later On That Summers Eve in 2021

Royogeney

for flute, baritone saxophone, violin, double bass, piano and percussion

since the descent from the mother's womb
all the failures
in prison the effort to show up at the wrong moments, 
can not be restrained. 
variable intensity 
calm, light 
tons heavy, painful 
big hills 
small mountaineers
that comes up from accustom to confusion. 
clinging to three days of calm
between two riots 
who will be and who will die 
understands these days that easy fails to exist
Dilay Doğanay

Performed by Ensemble Suono Giallo

http://www.ensemblesuonogiallo.com/

Andrea Biagini - flute
Michele Bianchini - saxophone
Chiara Franceschini - violin
Gianni Maestrucci - percussion
Simone Nocchi - piano
Giacomo Piermatti - double bass

Recorded and mixed by David Giacchè

The piece written for and premiered at the context of the 5th edition of the ilSUONO Contemporary Music Week.
www.ilsuonoacademy.com 

Artwork: In my Womb by Kavita Nayar

wisdom tooth, for six musicians (2021)

Susanne Peters, bass flute 
Audio, video recording x editing ǀ Samuel Fried

“A whole world of pain is contained in these words.’ How can it be contained in
them? - It is bound up with them. The words are like an acorn from which an
oak tree can grow.”
After reading this passage, confusion and curiosity led me to compose a piece to
explore questions/reactions occurred in my mind. One of the first questions is
that how can one be emotionally affected from a sentence which has no
intention to be poetic or dramatic but only to exemplify a language phenomenon
in a direct way. The thing made me to use this sentence as a text is its potential
to evoke ideas and emotions by forcing one to make associations in one’s mind.
Otherwise the sentence won’t show where/how “A whole world of pain is
contained.”. This dependency on individual association networks opens the
doors for multiple meaning.
Multiple meaning corresponds to multiple perspective of time, aesthetic and
narrative in the piece. The piece is built on interactions and isolations between
these aspects. Differences and familiarities between blocks in terms of these
aspects evolve to three sections because of proportional alterations.
In the piece, I used the sentence in many different ways, sometimes as musical
material based on its phonetic structure, sometimes to create a theatrical drama
between voice and flute, sometimes very direct and plain, sometimes melted in
texture and sometimes by focusing on its syntactic construction to shape the
form of the piece.

Phenomenalistic Blackouts (2021)for bass flute

This piece is composed for the “Re-imagining Brandenburg Concertos” Project by Klasik Keyifler ensemble (Turkey)
The main goal of the commission was to celebrate the  300th year of Brandenburg Concertos of J. S. Bach. My task was using the same instrumentation with the 2nd Brandenburg Concerto. So the piece contains the exuberant aura of the Brandenburg Concertos. Some stylistic references and some excerpts from the 2nd Brandenburg Concerto are also used. Therefore, humorous elements and filtrating techniques are combined with the inspirations of Brandenburg Concertos in a contemporary classical style.

Konçerto Pera

for violoncello, contrabass and gong

4-part chorale in ternary form
constructed upon the possibilities of the double-stops of violoncello and contrabass

score: https://drive.google.com/file/d/1GFcjfZIiWie49QSpAurNvVn1qp31zp9R/view?usp=sharing

Non Est Dolor Sicut Dolor Meus (There is no sorrow like my sorrow) - 2017

Marco Lucchi : Buchla synthesizer and tape

reworking "Winter Landscape 03" by M.Nomized
https://mnomized-fusions.bandcamp.com/album/m-nomized-winter-remixed-2021

21 dicembre 2021

M.NOMIZED - Winter Landscape (Marco Lucchi Eskimo remix)

for promotional purposes only:
Liza Lim: Ronda – The Spinning World (2016)
for 9 musicians: horn, tpt, tbn, harp, perc, vln, vla, vc, dbass + Smetak instruments (Ronda, Tres Sois, Piston Cretino)
Premiere: 25 February 2017, Ensemble Modern conduced by Vimbayi Kaziboni, Alte Oper, Frankfurt
Programme note: https://limprogrammenotes.wordpress.com/2016/12/26/ronda-the-spinning-world-2017/

Liza Lim: Ronda (The Spinning World), 2016

Performed by Hae Sun Kang and Aya Kono
Recorded live at Église de la Grave, Festival Messiaen au Pays de la Meije, on July 27th, 2017

A Chamber To Be Haunted

A chamber to be haunted (2017) for two violins

La Ronde Interrompue

MAKE SHADOWS TOGETHER - SUMU (album, 2021)
Release date: April 7th, 2021
Formats: CD + TAPE + DIGITAL

Make Shadows Together is proud to present the debut album 'Sumu' that introduces their sonic visions and soundscapes that are based on floating and experimental violin and viola melodies created by Jussi Suonikko and solid synthesizer, organ and piano ground, layers and melodies created by Juha Mäki-Patola.

Make Shadows Together creates cinematic and minimalistic ambient music with a sombre twist, and meditative soundscapes that are floating calmly but also soaring.

Jussi and Juha started to make music together over a decade ago. Since then both have worked in several roles in Finnish music community as musicians, recording, mixing and mastering engineers, composers and sound designers.

Make Shadows Together took their name from a poem that legendary songwriter Mark Olson wrote when he heard the song "Leonids".

Concrete canal
Radio hi-fi sound
Picnic palace place
Burned out suitcase
Black umbrellas
Make shadows together

'Sumu' got its first steps in 2018 when Jussi sent an abstract violin melody to Juha and he created solid ground for this piece. The piece is "Deprivation" which gave inspiration to fellows to create more music. Slowly but with steady steps 'Sumu' started to see the daylight and at the end of memorable year 2020 all songs were in shape, and Make Shadows Together was ready to release their debut album 'Sumu'.

Jussi Suonikko - violin and viola
Juha Mäki-Patola - synthesizers, organ, piano, guitar and percussion

Composed, produced, recorded, mixed and mastered by Make Shadows Together

Cover art and design by Liina Mäki-Patola

Deprivation

Akın Kilis was born on June 13 1998 in Adana/Turkey. In 2016, he became a composition student at Mimar Sinan Fine Arts University, Istanbul/Turkey. His works performed in the 10th and 11th Voyage of Sound Young Composers Festival, İstanbul (2017-2018) Until today he attended master-classes/seminars of Mark Andre, Shih-Hui Chen, Ken Ueno, Hideki Kozakura, Michael Edward Edgerton, Samir Odeh-Tamimi, Stephan Lienenkamper, Kamran İnce, Onur Türkmen, Yiğit Aydın, Mahir Cetiz, In 018, he received an invitation from Czech Republic for The Second Everlasting Hope: Gustav Mahler & Terezin Composers Festival and he compose an ensemble piece "Stepwise to the Tenebrous Aura" as a commission piece from this festival. He studied composition with Gordon Kampe and studied Analyze with Alexander Schubert at Hfmt Hamburg (erasmus). He continues his composition studies with Özkan Manav at the same university in Turkey (Master). On 26th of July, his piece “Parodies of a Ballade” is performed by Hollanda based Ensemble Oerknal in the scope of İstanbul Bilgi University New Music Festival. On 27th June, his piece “If We Had Not Get Divided” was one of the five finalist and got honorable mention of 4th Concorso Internazionale Di Compozione “Appasionato Ensemble”. He got a commission for 300th year Celebration of Brandenburg Concertos from ensemble Klasik Keyifler, one of Turkey's best ensembles. His commission piece “Konçerto Pera” was performed at CRR concert hall on 15th of November, in Istanbul/Turkey. On 20th November, he won the 3rd prize of international Balsys Composition Competion in Lithuania with his string orchestra “Brancusi”. On  1st April, he won the 3rd awards of Gilgamesh Composition Competition in USA. His wind quintet “Insomnia” has performed on 1 May by Anatolian Wind Quintet in the scope of 13th Voyage of Sound Young Composers Festival. He won the 1st prize of 4th International Composition Competition New Music Generation in Kazakhistan. He is continuing his studies at Kunstuniversitat Graz with Klaus Lang as an erasmus student and attending seminars and one to one lessons of Beat Furrer, Clemens Gadenstätter and Franck Bedrossian. He thanks Istanbul Composers Collective, Mithatcan Öcal and Emircan Pehlivan.

Konçerto Pera

Akın Kilis

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