Likes: Diplo, DJ Snake, Showtek, Deorro, TJR, Boaz Van de Beatz, Valentino Kahn, Waveracer, Cashmere Cat, Lindsay Lowend, Skrillex, Lido, Wiwek, Avicii, Chainsmokers, Ookay, Steve Aoki, Chris Lake, Tujamo, Major Lazer, Borgore, Nervo, Krewella, Everlast, Cue,  Tincup, 
 Flosstradamus, BLVCK, KRNE, Quix, NGHTMRE, SLANDER, UZ, ATLiens, Akamu, Buku, KRNE, Graves, San Holo, Shawn Wasabi, Vincent, Alison Wonderland, Josh Pan, YOOKiE, Hucci, Baauer, 2 Chainz trap, hip hop, Jersey club, rap, beats, edm, Electronic Music, ATLiens, Speedy J, Jeff mills, carl cox, dave clark, Thomas P Heckmann, dj sneak, banger, typebeat, beatstars, beats, 808, dillon francis, jersy club, wav, new, instrumental, Accapella, usa, dj craze, bronx, graffiti, Fisher, Syskey, New Northon, rave,Tv Noise,

An emblematic artist of the Palestinian underground scene, SAMA’ is one of the first DJs and electronic music producers to emerge from the region. Her sound, an original punchy kind of techno, is dry and musical all at once and has quickly made its way across Europe and beyond.
 
SAMA, meaning ‘sky’ in Arabic, started mixing in 2006 in parties around Ramallah, Palestine. Several years later she started producing her own music and expanding her interest in synthesis in 2010, with a focus on techno, house, and other deeper sub-genres of electronic music.
 
The artist graduated from the United Kingdom with a BSc in Audio Engineering and Music Production, then moved to Cairo where she worked as a sound designer for film, became a music producer and then instructor. SAMA’ now runs her own Audio Engineering & Sound Design company working across films and documentaries in the Middle East. In 2017, she was selected as a Laureate by the French Institute, and during that time attended a residency at the International City of Arts in Paris. SAMA’ also runs a publishing company called Awyav, representing independent artists from the Arab world.
 
In late 2018, SAMA’s Boiler Room performance and the associated documentary about the scene in Palestine went viral and more and more people are seeing that music has no boundaries. SAMA’ was recently listed in SheSaid.So’s Alternative Power 100 List, and plays a high-profile set at Ibiza’s World Heritage Site of Dalt Vila for the International Music Summit in late May. She is currently working on a studio album.

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


MANAGEMENT:
dima@fantastic-management.com

Rissa Garcia is a celebrated New York house DJ, producer, and NightChild Records label boss, widely regarded as a driving force within NYC's underground dance music scene. Influenced by her Staten Island upbringing and the legendary atmosphere of clubs like Vinyl, where Danny Tenaglia's sets captivated her, Rissa’s career has been shaped by a deep connection to House Music. That moment of discovery remains her "Paradise Garage" spark, fueling her passion for crafting immersive experiences on dance floors across the city and beyond.

Over nearly two decades, Rissa has earned her place among the greats, sharing decks with icons such as Danny Tenaglia, Tony Humphries, Danny Krivit, Kenny Dope, and TODD TERRY, among others. Praised for her ability to seamlessly blend house, funk, soul, classics, and beyond, her sets reflect a nuanced mastery designed to move bodies and unite spirits.

As the founder of "Dancing Room Only," Rissa champions authentic club culture, crafting spaces where the music takes center stage and the crowd reconnects. Her ethos is simple yet powerful: put the phones down, feel the beat, and dance together.

Her work with NightChild Records, relaunched in 2018, showcases her commitment to advancing house music’s artistry. With a catalog approaching 100 releases—including collaborations with legends like Todd Terry—her label has become a hub for soulful, high-quality productions. Her releases also appear on distinguished labels like Plastik People Recordings and Rhythm & Culture.

Rissa’s talent has drawn accolades from peers and legends alike— King Britt called her "unreal," Tony Humphries hailed her as "an immense talent," and Danny Tenaglia praised her selections and mixing as "wonderful." A DJ, producer, event curator, and label head, Rissa Garcia is not just a standout artist; she’s an untapped gem whose dedication to NYC’s house music heritage continues to resonate globally.

Bookings: info@rissagarcia.com

DJ / Producer / Label owner / Radio Broadcaster

Every track & every photo that I load here on Soundcloud is made by me for U.

My favorite genres are funk, R&B, soul, disco and house music. 

I love the concept of music that Larry Levan, Frankie Knuckles and Jesse Saunders have created and disseminated around the world. 
In their concept of music there is so much love & so much positive energy.
The real House music is the "Revenge of Disco" after the "Disco Demolition Night" in 1979 in Chicago, one of the stupidest nights for the americans and one of the saddest for the music. After that stupid night many artists lost their jobs, went into depression, and many record companies closed. But the House music has avenged all this. 
In the essence of Disco there is the desire to stay all togheter in harmony and make some noise. This message is fantastic for the people of the world. 
I go to New York many times to update me on the sounds of the moment, to buy any kinds of music that I like, to play music,  and to dance, dance and dance. 

My records company is "Larry Production" located in Bari and Florence - Italy

alnunzi@alice.it

Defining the true meaning of ‘dance music’ in 2023, Glitterbox’s 21st century disco will move your mind your body and your soul.

http://www.glitterboxibiza.com

Al Nunzi is following