Name: Tata Vega - '(I've Got My) Second Wind' Into Kinsman Dazz - 'Love Design' by Alan Champ in mison
Duration: 10 min 39 s
Description: Tata Vega, from her 1980 'Givin' All My Love' LP on Motown covering the Al Johnson classic '(I've Got My) Second Wind' seamlessly mixed at 117bpm into Kinsman Dazz - 'Love Design' from their 1979 'Dazz' LP.

mison

CHAZ JANKEL - Glad To Know You (Todd Terje edit)

Tata Vega, from her 1980 'Givin' All My Love' LP on Motown covering the Al Johnson classic '(I've Got My) Second Wind' seamlessly mixed at 117bpm into Kinsman Dazz - 'Love Design' from their 1979 'Dazz' LP.

Tata Vega - '(I've Got My) Second Wind' Into Kinsman Dazz - 'Love Design'

Various Artists - Round One (ACR001) 
12" Vinyl, 33 RPM
Release Date : March 2014

A1. B Mus - Multiplexing
A2. Florian Muller - The Ring (Vinyl Edit)
B1. Nimä Skill - Distance
B2. BLTD - Untitled

Aesthetic Circle Records is an independant Rouen-based label founded in 2009 and run by Nimä Skill.
Working on the deep side of Techno & House music, we already released 27 EP and LP as digital download.

We are very proud to announce Round One as the first release on Vinyl.
A Various Artists, a first panorama of the Aesthetic Circle Records back catalogue.

A1 is "Multiplexing" by B Mus, German artist that released music on Komplex Audio, Deepindub.org or Sublime Port. 
The track is a reminiscence of the Basic Channel spirit.
A deep and dubby track captivates you right after a few seconds with it's pulsating sequences 
and a subtle growing energy-level from break to break.
Developing a drive which won't miss it's impact on any floor.

Second track on A side is "The Ring" by Florian Muller, known as Florian Muller Project on Nowar, Terpsichore 
or Future In Sound Records.
The "French Moodymann" delivers a powerful and beautiful slice of Deep Funk House.
Like a cross between KDJ, Pépé Bradock and Marcellus Pittman. 
A serious track for any challenging dancefloor.

On the flipside, B1 is "Distance" by label-boss nima skill. 
Influenced by the likes of Qu or Jus Ed, this track is build around a bewitching melody-sequence, 
while the bassline below pulsates warm and deep.

B2 by BLTD, "Untitled" is deep and emotional House track.
With a sampled-reedited speech of Amiri Baraka over a percussive bass-driven construction, 
this soulful and warm Deep House track could fit in any exigeant DJ-Set.

AVAILABLE FOR ORDER :

Topplers :  http://www.topplersmusic.com/boutique/various-artists-round-one-aesthetic-circle-acr001.html
Decks.de : http://www.decks.de/t/various_artists-round_one/c2z-nd
Deejay.de : http://www.deejay.de/Various_Artists-Round_One__144837
Vinyl24.de : http://www.vinyl24.de/detailView~1857134~p~various_artists_round_one~~~de~~~_.html
Juno : http://www.juno.co.uk/products/b-mus-florian-muller-nima-round-one/528699-01/
Redeye Records : http://www.redeyerecords.co.uk/vinyl/51090-ACR001-various-artists-round-one
Crosstalk : http://www.crosstalkintl.com/node/44069

Distribution by Topplers

Some FEEDBACKS :

RARESH (a:rpi:ar)
"I really like the release ! some nice tracks inside :) I will play the tracks !"

ERIC CLOUTIER (The Bunker NYC)
"This whole selection is really killer, but the A1 is an absolute monster. definitely going to be playing these for a long time to come!!"

CLOUDMASTER WEED (Soirée Rds Detroit/Meauxtown) 
"Great Record.......I love B Side..."

JUS ED (Underground Quality)
"Much success with the release!!!
Ed"

NICK V (Mona, 22Tracks)
"Dope EP ! All round quality !"

MAG SPENCER (Karat)
"A2 is for me ! congrats !!!"

IMPERIAL BEDROOM RECORDS
"Excellent Ep ! Moods are great !"

ERELL RANSON (AW Recordings, Elektrosouls, aDepth)
"A great release it is. Great tracks, difficult to choice the best ... They are all great !!! Full support"

GUTTI (OC-Records)
"I particularly like Florian Muller's track. 
It is very groovy and dreamy at the same time. But that is true for all the tracks. They are all great !"

MZKBX (Macadam Mambo, Karat) 
"Deep House in the same vein as Strenght Music. Real good !"

NEMS-B (Phonons)
" I'll play all tracks ! B2 is my favourite ! Full Support !"

ARNAUD (Input Select)
"A1 is a Bomb ! Powerful ! Great EP  !"

JOHN SILL (Syncrophone)
"Very Cool first release !"

JULES WELLS (KMS Detroit)
"Like a lot Bside but B Mus track is a Beast !"

GREGO G (Crazy Jack Agency) 
"Great EP ! Big Support !"

CLAYTON GUIFFORD ( Unrelated rec / Fragil )
"Great release !
I really like :
Florian Muller - The Ring (Vinyl Edit)  :  Huge deepness
Nimä Skill - Distance : Perfect Deep techno for me"

JOHN JASTSZEBSKI (Phonogramme, Robsoul)
"Super EP ! B2 For me !"


Various Artists - Round One (ACR001) 12" Vinyl - Release Date : March 2014

One of my absolute favourite Orlando Johnson  tracks. Enjoy 


The Italian disco underground for Rare tracks Vol 2 Fulltime & Antibe Music



ORLANDO JOHNSON - Turn the Music On (Massimo Berardi Re-Edit)

Dimitri From Paris and DJ Rocca have lots of history of producing together as Erodiscotique and once again here they team up on a new single for Hell Yeah. The stunning original, Disco Shake, comes backed with remixes from Luminodisco, J Kriv, G&D and remix pioneer Tom Moulton.

Dimitri from Paris is a true electronic music legend – he pioneered his own French house sound at the start of his career, has mixed seminal compilations including the cult "Deluxe House of Funk" and the infamous "A Night At The Playboy Mansion" and has remixed everyone from The Rapture to Storm Queen in recent times. His partner in crime here, DJ Rocca – who is part of Ajello and the excellent Crimea X - is one of the key figures in the new Italian house scene. He has released lots of productions and remixes for Classic, Rekids and International Feel and once again comes up with the goods here.

In original form the single is a foot stomping bit of disco with organic drums, breathy vocals and plenty of laser like guitar lines shooting through the arrangement. Bright golden chords add a luxurious quality to the Italo referencing pianos and the twinkly, starry breakdown allows a moment to catch your breath before is off to authentic disco town once again.

Soulful and sugary at the same time, if eventually makes way to the Tom Moulton mix: Moulton is credited with inventing this style of club ready remix and here steals the show with the camp strings, unbridled joy and celebratory disco vibes of his seriously classy take on the original.

First on the flip is Luminodisco, a regular on the Hell Yeah label who blends everything from afro to funk to disco into his productions. His remix is a little more cosmic with frazzled synths, Studio 80 style disco colour and perfectly ramshackle percussion.

Next up is JKriv, the DJ, producer and multi-instrumentalist head of Deep&Disco Recordings and touring DJ for disco outfit Escort. His version builds in layers, exploding into a pixelated blast of arpeggiated synth lines, tumbling congas and smoky vocal riffs.

Buy the EP digitally and you will also be treated to the G&D interpretation, which is a more low slung and deeper version than any other. Here the drums trudge along with loopy chords and a grinding bassline that really makes you move your ass.

Modern day disco rarely sounds as authentically uplifting and creatively exiting as this: it’s alive with very real human soul both in original form and when reimagined by a carefully chosen selection of experts in their field.

Dimitri From Paris & DJ Rocca - Disco Shake (A Tom Moulton Mix)

Sylvester " over and over " (extended Mix ) Paradise Garage Forever

taken from Bambounou's upcoming single "Feel Like This / Onto This" (50WEAPONSXTR03)

Release Date: November 14, 2014

Pre-order: http://bit.ly/1wEVXYF

http://soundcloud.com/bambounou
http://www.facebook.com/pages/BAMBOUNOU/135843419759925
http://twitter.com/bambounou

50WEAPONS.com
facebook.com/50WEAPONS
twitter.com/50WEAPONS
instagram.com/50WEAPONS




Bambounou "Feel Like This" (50WEAPONSXTR03) Out November 14, 2014

http://www.mrbongo.com/product/spaced-out-ten-original-disco-funk-grooves-cd-1164

This collection of underground dance music covers tracks released between 1975 and 1983 from both sides of the Atlantic. The tracks chosen for this compilation introduce some of the pioneering few who expanded the horizons of disco to incorporate elements of dub, funk, electro, jazz and Latin. In some ways many of the artists featured here foresaw the birth of successive musical genres. There is no disputing that they were all well ahead of their time and with the recent trend of similarly inspired house they sound as fresh today as they did then.

The music chosen for this album were the underground classics that made the scene what it was in the heady of days of the Paradise Garage and the Loft in NYC and the Warehouse in Chicago where DJs such as Arthur Baker and Francois Kervorkian could be heard spinning such tracks.

On disc two (CD version only) Masters at Work add their touches to one of their favourite tracks while Harvey and Underdog take on the Disco Dub band and come up with two very different interpretations which will work on today’s dancefloors. 

Powerline - Double Journey

Simplicity FUNKY OLD STYLE

D.C. LaRue ‘Cathedrals’ (greg wilson edit)

119 bpm

Previously limited vinyl only 2007.

Pressed in 2007 as ‘DC La Groove’, just a few months after I'd put it together, this instantly became a big tune for me and was later included on my Essential Mix in 2009 (http://soundcloud.com/gregwilson/essential-mix-greg-wilson-mix-for-bbc-radio-1) and was most recently featured at the camptastic NYC Downlow in Glastonbury last June (http://soundcloud.com/gregwilson/glastonbury-nyc-downlow-17-06/).   

I’d always been captivated by the lyrics of ‘Cathedrals’ (I’ve copied below what I wrote about the original version for my Time Capsule series), and used to play it when it first came out in ’76, but I wanted a version that placed the emphasis on the superb rhythm section. I’d initially planned to retain some of the vocal, but eventually decided an instrumental would work best for my purposes. I set about removing the vocal sections and, having thrown in some samples for good measure, I knew I had an edit that would do the business. 

Here’s what I wrote in November 2006 for the Nov ‘76 edition of Time Capsule:
“D.C. LaRue's 'Cathedrals' is an acknowledged classic of the Disco era. Released on Pyramid in the US, like many dance records of the time it broke via the gay scene in New York and would climb to number 6 on the Billboard Disco chart. Connecticut born LaRue (real name David Charles L'Heureux) had started out in the music business as a graphic designer, the capacity in which he first met the people at Pyramid. 'Cathedrals', underpinned by a wonderful groove, is a unique sounding record, the lyrics of which I always found somewhat haunting, especially the core question 'where are they now?' and the line that gives the track its title 'they could fill cathedrals' - there was certainly something about 'Cathedrals' that was slightly disquieting. Years later, following the devastation of the gay community in New York as a result of the AIDS virus, 'Cathedrals', listened to in hindsight, seemed to take on something of a prophetic tone - it was almost as though the words could have been written post, rather than pre-AIDS. In an interview in Blues & Soul following the tracks UK release (it had topped the B&S singles chart - a rare occurrence for a white artist, particularly one releasing his first UK single), LaRue explained the meaning of the lyrics: "It's a story about urban sexuality in America. It deals with the actual consciousness of promiscuity that exists in discos around America today - you know, the situation where a guy picks up a girl or another guy at a disco and they go home and make love even before they know each other's name". He continued: "It's such an empty, fruitless way of living to my mind and that's basically what Cathedrals deals with - the emptiness and waste of humanity that this situation creates'. These final words would prove forebodingly true in a way he could never have imagined when he said them.”

Full text and Nov ’76 programme here:
http://samurai.fm/timecapsule/greg-wilsons-time-capsule-november-1976

Greg Wilson – October 2011

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Tata Vega - '(I've Got My) Second Wind' Into Kinsman Dazz - 'Love Design'

Alan Champ

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