Recorded at Big Nice Studios in Lincoln RI

Produced, Engineers, Mixed, and Mastered at Big Nice Studios by Bradford Krieger 

Happy Just to See You is:
Evan Benoit
Evan Yarmo
Matt Bacon
Zack Glennon

Additional instrumentation and vocals by Bradford Krieger and Cate Obrien

Jelly Spine (Pop Song)

'Transfigured' is the third single by UK band Spirits of Saturn.
Released 01.03.2024.

Written by Spirits Of Saturn
Recorded at Loop Studios
Mixed + Mastered by Tucan

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Socials:
instagram.com/spiritsofsaturnhq
facebook.com/spiritsofsaturnhq

‘Transfigured’, the follow up to their debut ‘Feelings Agency’ and second single ‘100mph’, was
recorded at Loop Studios in Manchester then mixed and mastered by Superorganism's Tucan.
A thumping synth pop ballad that oozes with synthesiser & string melodies weaving together like a neon
tapestry, the song explores the mental processes following the dissolution of relationships. How one gains
perspective through the passing of time and constructions of narratives whereby your emotions are
transfigured.

Transfigured

When I wrote “If I Was No More” I was in a really dark place, and it was a painful one to write. It’s not easy to talk about that headspace where everything got so heavy that part of me craved to no longer be there to bear it. It’s a scary thought, one that comes with a lot of guilt and shame. Out of all the songs on the album this one is the one that feels the hardest to share, even now, from the other side. But it’s also one of the best songs I have ever written and it’s an important one to share. With this one music does what it does best - express those things that words alone can’t carry.

If I Was No More

about bad men and how society protects them boooo

power, deceiver
how dare you say it is an act of love
young girl, embrace her

one word, eyes blurred
she never really had the chance
believe her frustration

our blood on your hands
our blood on your hands

change course, re write the past
cause he knows his time is coming soon
speak loud, take the huge grant

and he’ll be a right wing conspirator
and he’ll claim that they’re just out to get him
hide the truth, intimidate her

our blood on your hands
our blood on your hands

our blood

Basement

Hi Folks,
Here is a little ditty I wrote recently in the Jump Blues style made popular in the 1940's by artists such as Louis Jordan, Roy Brown, Amos Milburn, Lionel Hampton, T-Bone Walker, Wynonie Harris & Louis Prima.

Music & Lyrics: Nigel Spiers
Vocals: Nigel Spiers
Drums: Wes Little
Bass: Dave Roe
Guitar: Pat Bergeson
Lead Guitar: Brent Mason
Piano: Kevin McKendree
Piano: John Jarvis

Mean Baby Blues

A Cool Six
'A Cool Six' is a small tribute to Miles Davis and Dave Brubeck. Two giants who renewed jazz just after the Second World War. Miles Davis with his modal 'cool' jazz and Dave Brubeck with his unusual timing. 'A Cool Six' combines concepts of both gentlemen. A simple melody alternated in E-dorian and E-minor in a 6/4 beat time, however, including all characteristics of Big Band Swing Music. The title of this piece refers to the albums 'Birth of the Cool' from Davis (1957) and 'Time Out' from Brubeck (1959) Both albums inspired Mark Hendriks to write this mesmerizing piece for Concert Band ánd Big Band!

A Cool Six - Mark Hendriks

A Whistle Can Lead A March

A Whistle Can Lead a March (Single edit)

Fikret Kızılok-Gönül

A pedal steel guitar track played in the style of the early 1960s through the late 1970s.

I put this together for my good friends Ronnie Fields and Tom Adams - two very fine musicians.

Old Memories

Alan & Di

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