The Manic Brothers six track EP begins with ‘Praying Mantis’; a deep techno offering using a swelling bass line that rumbles under the track whilst the distinctive synth phrase shifts the groove of the track. ‘Voices’ huge hypnotic stabs generate a late night dub that uses sparse percussion and interesting delay effects to mesmerise the crowd. ‘Life After Life’ is a more euphoric and delicate take on techno and uses subtle percussion and melodies to create an ethereal felt track. Using a more industrial style of techno, ‘Hidden History’ includes lots of snare rolls and a stab that is infectious whilst rolling over a heavy kick drum. ‘Introduction’ is a long player and takes it time to slowly build synth melodies and stabs that morph into an unbelievable record. ‘Morning Mass’ rounds off the EP using an unusual rhythmic instrument and beautiful synth pads to create a record that leaves you wanting more.

DC118 - Manic Brothers - Life After Life - Drumcode

Nihad Tule - Smut

Mark Antonio & Rino Cerrone - Junction Hands

køpen met Beatpørt

Alan Fitzpatrick - Trendy Wendy

Battery

Closed Day

------ www.techno-blackbore.com ------ 
 Pitch Track Records presents
 Jose del Mar with " Sacred Geometry " 
 Follow us 
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Sacred Geometry

Jose del Mar - Sacred Geometry (original mix) preview

“After The Fall” is a three-track journey through loss, disorientation, and rediscovery. Each song paints a different emotional landscape, yet together they trace a path from darkness toward clarity.

Beatport

Ctrl+Alt+Lost

Joseph Capriati - Iron Pump

Drumcode Ladies & Gentlemen !!! :))
Our fresh collab EP with Mr. Gary Beck is out now under Adam Beyer's legendary Drumcode Records. :)

http://www.beatport.com/release/lotus/922616

Jay Lumen & Gary Beck - Lotus (Original Mix) Low Quality Preview

Patrik Skoog - Jack is Back - Drumcode 39

DCCD02 - 11 - Alan Fitzpatrick - Bird Talk - Drumcode clip

Management - Electric Ibiza 
Neil Evans 
neil@electricibiza.com
Lisa Barraclough
lisa@electricibiza.com

WATB/Apex Label Manager
Graham Sahara
graham.sahara@electricibiza.com

Socials - Tom Aves
digital@avesie.com
 
Bookings - UK, Europe, Asia & ROW
NGE Bookings
will@nge-booking.com

Bookings - North & South America
Emma Hoser
Liaison Artists
emma@liaisonartists.com

Tour Dates & Music: alanfitzpatrick.komi.io

A man who needs little introduction, Southampton born techno legend Alan Fitzpatrick has spent the last decade carving out his musical niche and holding rank in the upper echelons of the underground electronic world. Few artists can claim to have headlined Berghain and also had a hit on daytime BBC Radio 1, but then there aren’t many artists like Alan Fitzpatrick. 

One of the most popular techno DJs in the world, he has rubbed shoulders with the likes of Carl Cox and Adam Beyer for the best part of a decade, performing at the world’s biggest clubs and festivals. Known primarily for his raw hard-edged sound, Alan has developed into one of dance music’s most versatile producers, equally at home putting out techno bangers on Drumcode as he is making disco-infused house anthems, or experimental electronica under his 3STRANGE alias, not to mention his impressive range of collaborations (including CamelPhat, Skream, Sasha, Rebūke and Jamie Jones). 

The We Are The Brave and Apex Faction label don adopts a no nonsense approach to A&R and in 5 short years Alan has welcomed some of Techno’s finest producers to his fold. The Englishman champions the musical output of both established artists and breakthrough alike, accumulating over 50 million Spotify Streams on We Are The Brave records since its inception in 2016. Fast-forward to 2021 and the southern powerhouse shows no sign of slowing down, his passion for music permeating all aspects of his career. The WATB frontman is renowned for curating an evening of exceptional magnitude, having already showcased his roster’s talent at The Warehouse Project, Shine Belfast, SWG3 Glasgow and the infamous Fabric nightclub in London.

DCCD02 - 11 - Alan Fitzpatrick - Bird Talk - Drumcode clip

Alan Fitzpatrick

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