Name: Sub Space - Thirteen (Alan Fitzpatrick These Are The Times Rework) by Alan Fitzpatrick
Duration: 6 min 36 s
Description: As has become traditional over recent years, around this time I like to give away a track as a token of my appreciation for those who have supported me so here it is, my 'These Are The Times' rework of Subspace - Thirteen. Enjoy! :)

❤️‍🔥🎶❤️‍🔥🎶❤️‍🔥

can anyone share this track with me? it's nowhere available to buy & there's no download link here on soundcloud :( would be very happy if someone could help ♥

As has become traditional over recent years, around this time I like to give away a track as a token of my appreciation for those who have supported me so here it is, my 'These Are The Times' rework of Subspace - Thirteen. Enjoy! :)

Sub Space - Thirteen (Alan Fitzpatrick These Are The Times Rework)

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

Adam Beyer is back on Drumcode with an impressive array of tracks that will get the senses tingling and shows us what Drumcode is all about. These 4 tracks are deep and almost melancholic in their approach to techno, using effects to really help enforce an ambience only Beyer can achieve within his productions. The under lying throbbing of the drums drives this EP into the forefront of the heads down Drumcode sound and have been heard in many of Beyer’s phenomenal sets throughout the year.

Adam Beyer - What You Need - Drumcode - DC141

Hold On Me (Speed Garage Mix)

Cowboy

This typically bombastic three-tracker of explosive, crowd-moving techno opens with ‘U Said U’. A massively hyped tracks that has been the subject of huge fan-demand since it first featured on Beyer’s Drumcode Radio in January. However, ’Love Siren’ will battle it out for the most attention from punters, packed with all the power and punch required to knock over festival crowds as it systematically builds and drops this is one for the big open air stages. ‘Rumours’ wraps things up in slightly more understated but non-the-less effective fashion with its drawn out, tension building intro mushrooming into a crescendo of sleazy chords and sparking melodies.

Love Siren

Love Siren [Drumcode]

2000 and One - Kawasaki [PURE098]

‘Bang The Box (Slam remix)’ retains the all-conquering vocal of the original, but plunges the track down into propulsive depths with more aggressive percussion and atmospheric synth stabs. 

Richie Hawtin provided the following comment on the remix: “Released in the early 90s, the original Jack Master EP was a pseudo-name that I used to record fun classic Chicago inspired tracks that were made for my DJ sets.  Slam’s new updated take on the original, uses the original voice sample (that’s actually mine) and reworks the track into a full throttle stomping jack track perfect for todays dance floors!”

Soma Track Series Vol 3 (Soma467d)
JACK MASTER – Bang The Box (Slam Remix)
Published by UTK Prod Inc. (SOCAN)
p+c 2016 Soma Recordings Ltd
A Richie Hawtin production

More exclusive music

Premiere: Jack Master 'Bang The Box' (Slam Remix)

Moby is a name synonymous with us all in the electronic music world and we are lucky enough to have been able to hand select some Drumcode artists to remix his work. This 9 track package included remixes from Enrico Sangiuliano, Dense & Pika, Bart Skils, Alan Fitzpatrick, Marco Faraone, Tiger Stripes, Manic Brothers and Luca Agnelli. Each one has been thought out and accomplished with precision using some of Moby’s synonymous samples.

The Remixes

Moby - Porcelain (Luca Agnelli remix) - Drumcode - DC164

Alan Fitzpatrick’s We Are The Brave imprint has undoubtedly laid down seriously solid foundations. Now well into double figure, the label’s catalogue is forming into a formidable body of work with Alan’s anthemic ‘We Do What We Want’ backed up with a string of club bangers from Gary Beck, Reset Robot and Boxia, plus Fitzpatrick’s mammoth ‘El Jefe’ collaboration with Sasha, which closed out the labels 2017 release schedule in grand style.

Never one to rest on his laurels, Fitzpatrick is back in the driving seat and raring to go again. “I feel a real strong energy right now around the label and I am massively focused on pushing on from the really great start We Are The Brave has enjoyed”, he enthuses. To be fair it is not hard to see why with landmark occasions such as the highly anticipated (and totally sold out) 5000 capacity Alan Fitzpatrick’s Day Festival happening in Dublin on 17th March. After all, who can argue with that most over-used of clichés - fortune favours the Brave!

Of course, Alan’s first release of the year is a mega one. “These tracks have all been born in a different time and space, ranging all the way back in 2015 through to the end of last year. But I think together they fit well, which goes to show that like everything really, but certainly anything creative, it doesn’t make sense to rush things” says Alan

Lead track ‘Colour Of A Dream’ comes with cleverly crafted percussion and energetic claps alongside a dominant vocal, making the track instantly recognizable in the depths of any dancefloor. “I found myself looking back through old hard drives and I guess I found a lot of fresh inspiration from rediscovering music. It feels good to know an idea that has been lay dormant can all of a sudden become relevant, given the right time and space” adds Alan.

Next up, surging with fierce authority is ‘Joy Rider’ with its trademark thumping Fitzpatrick kick drum. A ravey synthetic hook line creates a gritty warehouse vibe, which is in complete contrast to the melodic, end-of-night-euphoria experience that is ‘Together Until The End’ - a truly musical work that oozes texture and emotion.

Alan Fitzpatrick - Joy Rider

Purchase here: https://www.beatport.com/release/poison/2327491

Skream steps up to deliver the latest release on Alan Fitzpatrick's We Are The Brave imprint with a thunderous ballad titled 'Poison', which comes complete with a massive techno bomb remix by the label founder himself. 

The pairing has yielded a peak-time anthem and Fitzpatrick expressed how the project came to life was almost like fate: "Sometimes, some things are just meant to be. Ideas occur, actions happen, and everything falls into place. What started out as a creative itch very quickly escalated into something really exciting, so there were obviously special forces at work that day!"

'Poison' is set for release July 13.

Premiere: Skream 'Poison' (Alan Fitzpatrick Remix)

Management - Electric Ibiza 
Neil Evans 
neil@electricibiza.com
Lisa Barraclough
lisa@electricibiza.com

WATB/Apex Label Manager
Graham Sahara
graham.sahara@electricibiza.com

Socials - Tom Aves
digital@avesie.com
 
Bookings - UK, Europe, Asia & ROW
NGE Bookings
will@nge-booking.com

Bookings - North & South America
Emma Hoser
Liaison Artists
emma@liaisonartists.com

Tour Dates & Music: alanfitzpatrick.komi.io

A man who needs little introduction, Southampton born techno legend Alan Fitzpatrick has spent the last decade carving out his musical niche and holding rank in the upper echelons of the underground electronic world. Few artists can claim to have headlined Berghain and also had a hit on daytime BBC Radio 1, but then there aren’t many artists like Alan Fitzpatrick. 

One of the most popular techno DJs in the world, he has rubbed shoulders with the likes of Carl Cox and Adam Beyer for the best part of a decade, performing at the world’s biggest clubs and festivals. Known primarily for his raw hard-edged sound, Alan has developed into one of dance music’s most versatile producers, equally at home putting out techno bangers on Drumcode as he is making disco-infused house anthems, or experimental electronica under his 3STRANGE alias, not to mention his impressive range of collaborations (including CamelPhat, Skream, Sasha, Rebūke and Jamie Jones). 

The We Are The Brave and Apex Faction label don adopts a no nonsense approach to A&R and in 5 short years Alan has welcomed some of Techno’s finest producers to his fold. The Englishman champions the musical output of both established artists and breakthrough alike, accumulating over 50 million Spotify Streams on We Are The Brave records since its inception in 2016. Fast-forward to 2021 and the southern powerhouse shows no sign of slowing down, his passion for music permeating all aspects of his career. The WATB frontman is renowned for curating an evening of exceptional magnitude, having already showcased his roster’s talent at The Warehouse Project, Shine Belfast, SWG3 Glasgow and the infamous Fabric nightclub in London.

Sub Space - Thirteen (Alan Fitzpatrick These Are The Times Rework)

Alan Fitzpatrick

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