What a beautiful set mate! You’ve done it again! 🤘🏼🖤

Thank you for being you 🖤 long term fan reflecting internally as much as your music has done over thr past 15+ years. Long may that continue 💯 

the one of the very best minimal sets this year, imho)

List5

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

DamnZ

A new collaboration with Danny Shamoun includes a track that blends electronic music with oriental instruments such as the flute and the Arabic Bayati maqam 
A track that takes you on a journey through the desert and the Arab origins 
Hope You Like It , Stay Tuned For More & more 

GET YOUR COPY

A X L , SHAMOUN - Ya Leil ( feat M-farag ) [CHAKRA RECORDS]

Novaj 新し Sensations & feelings


Listen on Youtube
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Get it
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Modern Matrix
https://open.spotify.com/intl-fr/artist/5FpHVk5xg4jx2y1HNw8ebn

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PREMIERE: Modern Matrix - 7ayete hone_01

It’s Wednesday and we’re inexplicably still busy recovering from what was another intense weekend for us at DT covering dancefloors across the UK and beyond.  So to help alleviate those midweek blues how about a world exclusive premiere of a fresh track to get you looking forward to next weekend early?

Well, here we have revered Roman producer Andrea Frisina making an assertive return on his own Gate Null imprint, following hot on the heels of the release of his well received Wild Prairie EP. Titled Landing On Enceladus we're pleased to see the Italian add another stellar chapter to what is fast becoming one of the most discerning of catalogues; so pleased in fact, that we just had to secure the groovy techno stomper as an exclusive premiere ahead of its September 14th release.

Andrea Frisina - Landing On Enceladus

Read More on THUMP: http://thump.vice.com/en_ca/article/tiga-louder-than-a-bomb-dense-and-pika-remix-listen

@tiga
@denseandpika

Tiga - Louder Than a Bomb (Dense & Pika Remix)

Drumcode returns with its 6th installment of the internationally celebrated A-Sides series. Renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why Beyer’s brand continues to go from strength to strength.

Techno titan Adam Beyer has grown Drumcode into a force to be reckoned with; the label has become synonymous with forward-thinking, functional techno and even after 20 years, Drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world’s number one techno label.

2017 is no exception, with Beyer’s imprint hosting it’s first stage at Tomorrowland, not to mention the expansion of the critically acclaimed Junction 2 where the Drumcode stage is the centrepiece and Adam plays the key role of festival director. The Drumcode phenomenon continues to grow each week, chiefly fuelled by Drumcode Radio, Adam’s radio show that’s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week.

The A-Sides series acts as a perfect vignette of Drumcode’s cutting-edge sound; functional yet inspired techno, all tracks tried and tested by Beyer himself. Vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends.

The heart-throbbing bass in Amelie Lens’ electrifying piece ‘In Silence’ sets the tone for the dark and dance-floor-ready energy that Vol.6 carries the whole way through. Other standouts include Mars Bill’s rough’n’ready ‘Mohave’. Pulsating and precise, ‘Mohave’ has highlighted many of Beyer’s sets recently as has Wehbba’s monster track ‘Fake’, which fans have been anticipating the release of all year.

Label-favourites Dense & Pika also feature on ‘A-Sides’ Vol. 6 with their hard-hitting ‘Just a Beat’ and a huge track from Beyer himself who has joined forces with Enrico Sangiuliano to bring us their undeniably infectious ‘Preset Heaven’.

With many more notable selections from the likes of Julian Jewell, Timmo, Tiger Stripes and Pig&Dan, A-Sides Vol. 6 is another impressive addition to the label’s prolific release roster and a testament to why Drumcode remains at the forefront of the electronic world.

Julian Jeweil - Nasa - Drumcode - DC178

Mark Reeve makes his welcome return to the Drumcode fold with a powerful three-tracker ‘Far Away’.

In recent years Mark Reeve has become a pivotal member of the Drumcode crew. His 2015 EP ‘Run Back’ was a standout, before he backed it up strongly with ‘Nine of You’, his collaboration with Adam Beyer that featured on A-Sides Vol.5, ensuring his place in the hearts of DC fans. As further evidence of his importance to the collective, Beyer has selected him to suit up for the inaugural Drumcode Festival happening this August in association with Awakenings. 

Harking back to formative times in the ‘90s when he’d frequent Sven Väth’s legendary Omen in Frankfurt, the title track to Reeve’s ‘Far Away’ is a timeless beauty, driven by a celestial melody line and emotive bass notes that lobs it into the kind of laser-kissed territory that would make even the most jaded of raves throw their arms skyward. ‘Fragile’ follows, a classy bass-driven cut that makes its mark with deep subterranean stabs and punchy kicks. Rounding out the EP is ‘Redemption’ a tougher, heads-down techno workout imbued with plenty of energy thanks to a crafty bass melody that runs throughout.

Mark Reeve - Far Away - Drumcode - DC187

Beatport: bit.ly/FunkeBeatport
Vinyl: bit.ly/FunkeVinyl

Pan-Pot - Funke EP [SNDST045]

1: Spitzer
2: Funke
3: Spitzer (Petter B Padwash Remix)

It’s safe to say it’s been too long since we last saw label bosses and heavy hitters Pan-Pot grace Second State with their ‘Solace’ EP back in November of 2016. So to have them back with two big bombs and a remix from the one and only Petter B on their ‘Funke’ EP curbs all anticipation from all of us who have been dying for new material.
Kicking things off is ‘Spitzer’ with hi-octane percussion and reverb heavy acoustics spanned out over ten minutes where simplicity rules and the age old saying that “less is more” has never been more accurate. Flipping sides we see the duo take a similar approach on “Funke” but deliver a rugged and brutally mesmerizing lead that coaxes the inner devil inside all of us. Rounding out the EP is a carefully curated remix from Gothenburg’s own and former Hertz collaborator Petter B who hands over a beautiful rendition of ‘Spitzer’ where dense, lavish atmospherics carry a heavy looping groove to a gorgeous climax. It’s good to have the boys back and we think you will agree when you hear their stunning new ‘Funke’ EP.

@pan-pot
@secondstateaudio

Funke EP

Funke

Beatport

Pan-Pot - Funke

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Reinier Zonneveld - For The People (Original Mix) [Filth on Acid]

Hey guys, here is the DEEP WOODS radio show with your favourite tracks! If you like it give it a "heart <3" and "repost" Enjoy!

→ Tracklist: bit.ly/SubscribePrettyPink (description of the video)
→ iTunes Podcast: bit.ly/pp_pod
→ Spotify Podcast: bit.ly/dw_spotify
→ Spotify Playlist: bit.ly/dw_pl
→ Youtube: bit.ly/pp_dwyt

✓ Facebook: fb.com/prettypinkmusic ✓ Instagram: instagram.com/prettypinkmusic

→ Booking: booking@prettypink.de

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Deep Woods #089 - Best of 2019 Year Mix

DCR494 – Drumcode Radio Live – Joel Mull studio mix recorded in Stockholm

Drumcode Radio Live this week is a Joel Mull studio mix recorded in Stockholm.

01. RVO - Return From 
02. Reset Robot - Cosmic String
03. Roberto & Jamie Anderson - Bare Essentials ft Robert Owen
04. Joel Mull - Silent Light
05. Reset Robot - Flying To The Top Of Dorians Mountain
06. Eskapist - Deifine Us (Message Mix)
07. A Sacred Geometry - At The Gates (Len Faki Deepspace Mix)
08. Marcelus - The Guy Who Beated Rambo
09. Flug - Overdose
10. Ray Kaijoka - Ten Ten
11. Joel Mull - The Past Is A Ghost
12. Frangie - Joel Mull In the Cave Mix
13. Dany Rodriguez - Acces True
14. Craft - Time Will Tell (Len Faki Deepspace Mix)

DCR494 – Drumcode Radio Live – Joel Mull studio mix recorded in Stockholm

Subosc is back with the 11th mix of his series

This show with guest: Zadig

One of the leading names in Paris’ contemporary scene, Zadig is one of the main forces responsible for the return of the City of Light to worldwide prominence as a centre for forward-looking techno. A participant in the ‘90s French rave scene in the hardcore and acid days, Sylvain Peltier found his true inspiration with the arrival of Mills, Surgeon, and Beltram and labels like Tresor, Lost, and Synewave and the techno that his style remains rooted in to this day. After moving to Paris in the mid-2000s, Zadig became quickly involved in the beginnings of what would become the present-day Parisian upswing, making an early release in 2006 as Day is Dying on the Rouen-based Euro Visions label. In 2009 he returned, this time as Zadig and this time to stay, quickly forging a relationship with the important Syncrophone label and distributor in Paris. 
There has not been any looking back since, and as Paris’ techno scene continues to rise from the ashes of the early 2000s to the vibrant, world-recognized heights it now occupies, Zadig has made essential contributions to this ascendancy. Starting in 2011, he launched his Construct Re-Form label, which has gone on to a residency at the legendary Rex Club and continues to debut and support bracing new French talent like Antigone, Voiski, Birth of Frequency, and Zadig himself. His own discography also continues to grow, with releases on the reknown Deeply Rooted House in 2013, the New York-based Chronicle, Children of Tomorrow, and continued support from Syncrophone, as well as compilation appearances on Tresor, Reclaim Your City, and Studio R°. As Zadig’s reputation as a leader in the French scene has spread, he has gone on to play numerous dates around Europe, with appearances in Berghain and a deepening relationship with Tresor, at both Concrete and the Weather festival in Paris, and worldwide in New York and Argentina, alongside scene-leading contemporary talent and legends like Scion, Rødhåd, Peter van Hoesen, DVS1, Inigo Kennedy, Samuli Kemppi, Jonas Kopp, Johannes Volk, Shifted, Lucy, and many more. 2015 saw the debut of his Unforeseen Alliance live collaborative project with label mates Voiski, Antigone, and Birth of Frequency, all of whom have moved on to increasing success as both Zadig and Construct Re-Form have gained recognition. 
With Paris’ resurgent club scene blossoming to worldwide attention not seen since the ‘90s, it is the dedicated efforts of those like Sylvain Peltier who have helped to bring about this revival and continue to lead it to new heights. As Zadig, as a label head, as a DJ, and as a central figure in its continued growth, he is an essential figure in its present and a leading light for its future.

@zadig-construct_re-form
@facebook.com/zadigmusic
@residentadvisor.net/dj/zadig

_________________________________________________
Website: www.suboscrecords.com/podcast/
Facebook: www.facebook.com/subosc/
Bandcamp: www.suboscrecords.bandcamp.com/
Instagram: www.instagram.com/subosc_records/

Subosc Podcast 011 - Zadig

Rinse FM Podcasts

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Roman Flügel - 23 January 2020

The reggaeton sound of Mexico City.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=713

@laura-puentes

Resident Advisor podcast

RA.713 Rosa Pistola

In part 2 we continue our decade retrospective, this time picking my favourite productions from 2015 - 2020

Model Man - Clarity (Alan Fitzpatrick Remix)
Pan Pot - Punxsuntawney (Alan Fitzpatrick Remix)
Roisin Murphy - Exploitation (Alan Fitzpatrick Remix) 
Alan Fitzpatrick - Turn Down The Lights
Argy & Mama - Without Me (Alan Fitzpatrick Remix) 
Alan Fitzpatrick - They All Called’ Em Garys
Alan Fitzpatrick - Brians Proper Dun One 
Alan Fitzpatrick - The Approach 
Alan Fitzpatrick - For An Endless Night (Jel Ford Remix)
Alan Fitzpatrick - We Do What We Want
Raito - Summer Of Love (Alan Fitzpatrick Remix) 
Sasha & Alan Fitzpatrick - El Jefe Version 2 
DREWXHILL - Bullets (Alan Fitzpatrick’s Lights Up Remix)
George Fitzgerald - Half Light (Alan Fitzpatrick Remix)

We Are The Brave Radio 092 - Decade Retrospective Part 2

Management - Electric Ibiza 
Neil Evans 
neil@electricibiza.com
Lisa Barraclough
lisa@electricibiza.com

WATB/Apex Label Manager
Graham Sahara
graham.sahara@electricibiza.com

Socials - Tom Aves
digital@avesie.com
 
Bookings - UK, Europe, Asia & ROW
NGE Bookings
will@nge-booking.com

Bookings - North & South America
Emma Hoser
Liaison Artists
emma@liaisonartists.com

Tour Dates & Music: alanfitzpatrick.komi.io

A man who needs little introduction, Southampton born techno legend Alan Fitzpatrick has spent the last decade carving out his musical niche and holding rank in the upper echelons of the underground electronic world. Few artists can claim to have headlined Berghain and also had a hit on daytime BBC Radio 1, but then there aren’t many artists like Alan Fitzpatrick. 

One of the most popular techno DJs in the world, he has rubbed shoulders with the likes of Carl Cox and Adam Beyer for the best part of a decade, performing at the world’s biggest clubs and festivals. Known primarily for his raw hard-edged sound, Alan has developed into one of dance music’s most versatile producers, equally at home putting out techno bangers on Drumcode as he is making disco-infused house anthems, or experimental electronica under his 3STRANGE alias, not to mention his impressive range of collaborations (including CamelPhat, Skream, Sasha, Rebūke and Jamie Jones). 

The We Are The Brave and Apex Faction label don adopts a no nonsense approach to A&R and in 5 short years Alan has welcomed some of Techno’s finest producers to his fold. The Englishman champions the musical output of both established artists and breakthrough alike, accumulating over 50 million Spotify Streams on We Are The Brave records since its inception in 2016. Fast-forward to 2021 and the southern powerhouse shows no sign of slowing down, his passion for music permeating all aspects of his career. The WATB frontman is renowned for curating an evening of exceptional magnitude, having already showcased his roster’s talent at The Warehouse Project, Shine Belfast, SWG3 Glasgow and the infamous Fabric nightclub in London.

We Are The Brave Radio 092 - Decade Retrospective Part 2

Alan Fitzpatrick

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