Thank you Anna for the chance to work with you, you too are a wonderful very kind friend. With a terrific sense of humor!
And here's another electronic (this time down tempo/chill) music track created in collaboration with film composer and a magnificent friend Alan Reeves. Thank you so much for that opportunity. 
Anavelkura and Alan Reeves- Spiritual healer 
https://soundcloud.com/anavelkura/anavelkura-alan-reeves-spiritual-healer
soundcloud.com


Anavelkura and Alan Reeves     Spiritual Healer

L'etang Long (film score)

Just the last 53 seconds of one of the tracks that I have just finished in Los Angeles. recorded at ARM engineered by Alan Reeves

Rebel in Chicago,   last 53 seconds featuring Gregg Wright, Guitarist -  Michael Jackson

The Prague Philharmonic Orchestra performing the multi award winning IMAX film score for OCEAN OASIS composed by Alan Reeves
The most successful IMAX film in history.

Ocean Oasis

OCEAN OASIS Deep Sea

The Prague Philharmonic Orchestra performing one of my compositions. conducted by the Maestro

OPENING CREDITS "TO WALK WITH LIONS"

Ivanhoe

IVANHOE THEME

7 съвета по създаването на силен персонален бранд

1. Определете главната сфера, в която ще се позиционирате като експерт.

2. Определете своята ЦА.

3. Определете целите си: защо ви е да създавате личен бранд?

4. Направете своя стил разпознаваем. 

Как?

Мрежово предприемачество

7 съвета по създаването на силен персонален бранд

Stranger in Paradise-the basic theme (the beginning 1st 2min17sec.) was composed by Borodin. All the other themes were composed/orchestrated/produced by myself. (with a little help from my friends Gabriel Yared and Ivan Jullian.) This is very funny, when I did this record I thought once I had finished it. "It's ok. not  bad" and then I forgot it, the other day 36 years later my partner and co-producer Ludovic de Pass said you should listen to it, it has raving criitics and sounds amazing.
So I gave it a listen today, and I must say that it does sound pretty good. In fact the last 4 minutes sound quite amazing. I must give the list of musicians who played on it they were. Lucien Dobat-drums, Tony Bonfils-bass, Ted Tunnicliffe guitar, Roland Romanelli-clavinet, Georges Rodi-synth solo, Howie Casey tenor sax solo, Yannick Top popping bass, Tony Russo and Freddy Housepian-trumpets, The Paris Opera-strings, Lead Vocals- Barry St. John and Paul Slade, backing vocals Alan Reeves, Engineered by Colin Caldwell at Studio Acousti-Paris Mixed by Steve Holroyd at Marquee Studios-London. I listen to that 4 minute section (which I wrote) and I say, "it's so funky I didn't realize it at the time, so in June 1980 I left Paris for America to play with the best musicians in the world, but I don't think today you can that much more funky than the 4 minute section, I stayed in Los Angeles on and off for 25 years!!! Listening to this I now understand that I had an incredible team in Paris for 9 years, oh well! (Dommage this section is in mono, but it gives the idea) Please listen till the end or you will miss the funky section!)
C'est très drôle, quand j'ai fait ce disque j'ai pensé une fois que je l'avais terminé. "C'est ok. Pas mal" et puis je l'ai oublié, l'autre jour, 35 ans plus tard mon partenaire et co-producteur Ludovic de Pass dit que vous devriez l'écouter, il a délirer criitics et des sons étonnants.
Alors je lui ai donné une écoute aujourd'hui, et je dois dire que cela ne sonne plutôt bien. En fait, les 4 dernières minutes sembler tout à fait étonnant. Je dois donner la liste des musiciens qui ont joué à ce qu'ils étaient. Lucien Dobat-batterie, Tony Bonfils-bass, Ted Tunnicliffe guitare, Roland Romanelli-clavinet, Georges Rodi-synthé solo, Haut Yannick popping basse, Howie Casey-tenor sax solo, Tony Russo et Freddy Housepian-trompettes, l'Opéra de Paris-cordes, Lead Vocals-Barry St. John et Paul Slade, choeurs Alan Reeves, Conçu par Colin Caldwell au Studio Acousti-Paris Mixé par Steve Holroyd au Marquee Studios-London. J'écoute que l'article 4 minute (que j'ai écrit) et je dis: «c'est tellement géniale que je ne le savais pas à l'époque, donc en Juin 1980 j'ai quitté Paris pour l'Amérique de jouer avec les meilleurs musiciens du monde, mais je ne pense pas aujourd'hui que vous pouvez beaucoup plus funky que la section 4 minutes, je suis resté à Los Angeles sur et en dehors depuis 25 ans! l'écoute de ce que je comprends maintenant que j'avais une équipe incroyable à Paris pendant 9 ans, eh bien!  (dommage que c'est en mono, mais ca vous donne une idea, si vous plait ecouter jusqua la fin autrement vous entendez pas le fameux section funky)

Jupiter Sunset Band (this is very old track that I recorded 1978, but the last 5min16sec is great)

Film score composer, Synthesist.
MacBook Pro 3, Pro Tools 2020 12, Focusrite 18i8,  
Native Instruments KOMPLETE KONTROL S61, STRAYLIGHT, OMNISPHERE 2.6, TRILLIAN TOTAL BASS MODULE, STYLUS RMX EPANDED, STRADIVARI VIOLIN, ARKHIS, SYMPHOBIA PROJECT SAM, BUTCH VIG DRUMS, FORZO ESSENTIALS, MOSAIC BASS, ASCEND, MOSAIC VOICES, ANALOG DREAMS, KONTACT FACTORY SELECTION, AKG 414B, Shure SM58, TCHELICON VOICELIVE Touch,

IVANHOE THEME

Alan Reeves Music

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