Michael Jarrell 
Prisme for violin solo (2001)

Recorded in 2014

Michael Jarrell Prisme (2001)

Pierre Boulez - Anthemes 2
Sound Designer - Laura Endres 
Tangible Sound Festival 
Karlsruhe, 26.09.2015

Pierre Boulez Anthemes 2

Bruno Maderna
Piece Pour Ivry
Alicja Pilarczyk - violin

Bruno Maderna Piece pour Ivry

Stylianos Dimou
électro-folie (2020)
l'aversion reflétant ''...for Violectra" (2018)for electric violin and live, diffused electronics

Alicja Pilarczyk - e-violin
Piotr Peszat - audio recording, production
Stylianos Dimou - electronics design and audio mixing

Performance "non-lieux:nie-miejsca"
24.10.2020 
Trafostacja Sztuki w Szczecinie

électro-folie (2020) • l'aversion reflétant ''...for Violectra" (2018) , is a piece for electric violin and live, diffused electronics. It is governed by the idea of percussive fragility and sliding instability. The main sound archetype is the organic interaction between wooden bow attacks and metallic thimble attacks on the strings of the e-violin. The piece gradually introduces multiple “glissando” gestures, slithers on the strings, in various speeds projecting a hidden world of granular subtleties that occur during the interaction of the thimbles on the strings. This becomes the central goal of the musical discourse while the structure is evolving.

The e-violin is one character within a virtual quadraphonic space (4 loudspeakers). The role of the electronics, primarily live, is to grasp the percussive density and transform it in the frequency and time domain. One of the roles of the live electronics is to generate a kind of “glue” that surrounds the instrumental gestures transforming them into a robust, thick and dense construction. In addition to that, the computer is responsible for the generation of multiple “e-violin identities”, instances that interact in a continuous counterpoint. One of the goals of the project is the disorientation of the audience by placing the e-violin, in unpredictable places, within the virtual quadraphonic space and blending it with the generated electronics.

électro-folie (2020) l'aversion reflétant ''...for Violectra" (2018)

Piotr Peszat
"The Dictionary of Imaginary Places" for violin solo, live-electronics & live-video [with video by Grzegorz Mart] (2020)
to Alicja Pilarczyk

Alicja Pilarczyk - violin
Piotr Peszat - live electronics

Performance "non-lieux:nie-miejsca"
24.10.2020
Trafostacja Sztuki w Szczecinie

The Dictionary of Imaginary Places for violin solo, live-electronics & live-video (2020)

Jorge Sánchez-Chiong
Jupiter Analogs

Alicja Pilarczyk - violin
Piotr Peszat - audio recording

Performance "non-lieux:nie-miejsca"
24.10.2020 
Trafostacja Sztuki w Szczecinie

Alicja

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