cinematic VOL 5

based on jordi savall's priére I & III 


PRIÈRE

Taken from LTECH008:

TCF -
415C47197F78E811FEEB7862288306EC4137FD4EC3DED8B

TCF - 54 C6 05 1C 13 CC 72 E9 CC DC 84 F2 A3 FF CC 38 1E 94 0D C0 50 5C 3E E8

stealth pilots speaking
in the upper atmosphere 
telepathically

I am being DAW
guiding a rogue missile 
conscious entity

a cold black ocean
island with a landing strip 
paint on ground says M.E.S.H.

Out February 9th 2015 
www.black-ocean.net

M.E.S.H. - Infra-Dawn

serpent pit

veil evasion (early version)

9T Antiope's 'Nocebo' LP - out February 15, 2019 on PTP cassette and digital

'Nocebo' is the second phase from a trilogy - 'Isthmus:Nocebo:Placebo' – by Paris-based, Iranian composers, 9T Antiope (Nima Aghiani and Sara Bigdeli Shamloo). The album addresses space and time so as to create alternate worlds – those which would eventually stand to substitute the ones already in existence.

"'Nocebo', recounts the stories of beings, who have given up on their space and time, thus forcing themselves into complete isolation and eventually a self-induced comatose state. The coma state within 'Nocebo' is explored through a text and imagery which still remains inside the brains of these beings – while simultaneously addressing the personal experiences of the artists' own loved ones.”

Commissioned and produced by CTM Festival and SET Experimental Art Events, supported by the Goethe Institute.

Mastered: Jeremy Cox
Artwork: Rainer Kohlberger

Nocebo

PURCHASE

9T Antiope - Living Through Sleeping Through [PTP2012}

TRAUMA - EN(D)TRANCE

'Lumapit Sa Akin, Paraiso' is a science fiction documentary made by Stephanie Comilang about Filipina migrant workers in Hong Kong. 
The film is focusing on modern isolation, economic migration and the role of public space in both urban and digital forms. 
From early morning to night, the women occupy these spaces normally used for finance and banking into female care-giving spaces where they relax over food, drinks, manicures, prayer, and dance. 
dismagazine.com/discussion/82626/lumapit-sa-akin-paraiso-come-to-me-paradise/ 

Trailer: vimeo.com/175841368

Released September 26, 2016 

The soundtrack for 'Lumapit Sa Akin, Paraiso' is composed and arranged by Why Be and was released by NON. 
It features collaborations with Sky H1 and Elysia Crampton and the cover art is made by M.E.S.H.

all rights reserved

Lumapit Sa Akin Paraiso OST(2016)

See here for more info: https://wp.me/pwcbn-kTQ

9T Antiope, 'The Whole Ocean Floods In - The Whole Room Pours Out' (2019). Courtesy PTP Recordings.

Premiere of Lila Tirando a Violeta's 'Hell's Tempo' featuring Sayveeyun. Forthcoming on her 'Sentient' EP via New Motions.

Read article: https://weareinsert.com/audio/premiere-lila-tirando-a-violeta-hells-tempo-ft-sayveeyun-new-motions

Article

Premiere: Lila Tirando a Violeta - Hell's Tempo ft. Sayveeyun [New Motions]

25 min long journey into @itsi00's heaven & hell.

Recorded in Chicago 15/01/2019.

FR022 Itsï (Chicago, Illinois)

9T Antiope's 'Nocebo' LP - out now on PTP cassette and digital

'Nocebo' is the second phase from a trilogy - 'Isthmus:Nocebo:Placebo' – by Paris-based, Iranian composers, 9T Antiope (Nima Aghiani and Sara Bigdeli Shamloo). The album addresses space and time so as to create alternate worlds – those which would eventually stand to substitute the ones already in existence.

"'Nocebo', recounts the stories of beings, who have given up on their space and time, thus forcing themselves into complete isolation and eventually a self-induced comatose state. The coma state within 'Nocebo' is explored through a text and imagery which still remains inside the brains of these beings – while simultaneously addressing the personal experiences of the artists' own loved ones.”

Commissioned and produced by CTM Festival and SET Experimental Art Events, supported by the Goethe Institute.

Mastered: Jeremy Cox
Artwork: Rainer Kohlberger

9T Antiope - The Cruel, Appalling, Sediment Of Death (from 'Nocebo' [PTP2012])

1st single  ' ジャーニー'  

from our upcoming album release [AT-009] Kenji - 愛の響き 

Produced by Kenji @exilevevo, aka Wasabi Tapes and exilevevo.

FREE DOWNLOAD
CLICK for the MUSIC VIDEO.

Music and Video by Kenji @exilevevo
Artwork by Kenji @exilevevo

ジャーニー

MUSIC VIDEO

"The contended boundaries between technology and the body, nature and artifice - the oldest themes of science fiction - are ... repositioned through the ambiguous status of the bodybuilder star, who is both natural and unnatural, biological and constructed." - Mizejewski

BC005 - Jesse Osborne-Lanthier/Death Qualia/CVN/Gaul Plus/Greg Z/Via App

Clara! - Meiga de Acero (BZH005)

01 Acero
02 Meiga

@clara-uno @low-jack

Meiga de Acero

Buy at Bandcamp

Clara! - Meiga

London's Alis (@alismusic) debuts on APR next week (March 15) with 'Papercuts', exploring groove and movement in granular detail. Listen to the title track now and pre-order the full color cover 12" below.

Pre-order LP:
Bandcamp: http://tinyurl.com/y34nlfvg
Boomkat: http://tinyurl.com/y3og5w5s
Juno: http://tinyurl.com/y2y7cqq7
Norman: http://tinyurl.com/y5auhlp5

Alis has spent over a decade exploring the intricacies of performance-oriented club music, releasing on labels like Don’t Be Afraid and Planet Mu, and becoming a staple in the Berlin and London scenes. Set for release on March 15, Papercuts is her Astral Plane Recordings debut, comprised of five lush, intimate tracks that are both entirely removed from a dancefloor-context, yet deeply preoccupied with groove and movement. 

Honed at her Sunday System nights at London’s Rye Wax, Alis’ interdisciplinary practice comes to the fore on Papercuts with vocals extending far beyond their linguistical potential into a broader, more textural realm. Songs like “Status” and “BCC: me” walk the line of sonority and dissonance, nearing the precipice of abstraction without falling into the abyss. “Papercuts” and “Water” on the other hand offer a more concise narrative vision, proffering a version of hookwriting that fluctuates between meditative and commanding. 

Recorded across several continents, it's no surprise that Papercuts tends to enliven interstitial spaces and Alis' unique disposition makes the cerebral accessible. Papercuts is out on March 15 on APR and will be available as digital EP and full color cover 12”.

Papercuts

Pre-order

Alis - Papercuts [APR119]

On March 11, @spa_recordings , a recently founded Cologne-based label, publishes Safe Needing Attention. Ahead of the compilation’s release zweikommasieben.ch’s readers are invited to exclusively pre-listen to one contribution of the release: “To Resume” by @no-translation aka Emma Palm.

Check our website for more details: https://www.zweikommasieben.ch/en/pre-listen-no-translations-to-resume-on-spa/

Pre-Listen: No Translation – To Resume (Spa's Safe Needing Attention compilation)

Produced by @bungalovv-ii x Fvneral

Post Carbon. The time when the carbon-based energy stops flowing like blood in the veins of society as we know it today. The carbon era is drawing to an unavoidable end with the depletion of easily accessible and high-quality oil and coal deposits, with the depletion of the biosphere's capacity to re-absorb the carbon. Our dependence on carbon-based fuels must end.

Post Carbon compilation has been created as a direct support to the Limity jsme my movement, which joins the global efforts to find fair solutions to climate changes and secure a future free from dirty fossil fuels, especially coal. It seeks to put an end to mining and combustion of coal in the Czech Republic as quickly as possible and ensure a fair transition to renewable energy sources. By purchasing the compilation, you will give support to the movement.

limityjsmemy.cz/en/

The authors involved in the project performed at the SOfT events in 2018 in the production of HaDivadlo.

@scarypool, @sskylerr x @metabora, @valerywac, @dizzcock, @bilejkluk, @baojiaxiang2, @alleycatss, @aniklang, @traum_a, @isama-zing, @ninjapriest, @bungalovv-ii x Fvneral, @wulffluw94, @tole111

Mastering by Mirvis 
Curated by dlab
Artwork by H5io6i54k

Post Carbon. Doba, ve které energie z uhlíku přestane proudit jako krev v žilách společnosti, jak ji známe dnes. Uhlíková éra odchází nevyhnutelně s vyčerpáváním snadno dostupných a kvalitních ložisek ropy a uhlí, s vyčerpáváním kapacity biosféry uhlík znovu pohlcovat. Naše závislost na uhlíku musí skončit.

Kompilace vzniká jako přímá podpora hnutí Limity jsme my, které se zapojuje do globálního úsilí o spravedlivé řešení změn klimatu a budoucnost bez špinavých fosilních paliv, zejména uhlí. Usiluje o co nejrychlejší ukončení těžby a spalování uhlí v České republice a spravedlivý přechod na obnovitelné zdroje energie. Stažením kompilace finančně podpoříte činnost hnutí.

Zastoupení autoři vystoupili na událostech SOfT v roce 2018 v produkci HaDivadlo.

Bungalovv x Fvneral - Funeralovv

Tujiko Noriko - Kuro (OST)
Format: LP / CD / Digital
Label: PAN (ENTOPIA)
Cat.No. PAN 89
Release Date: 26 April 2019 
Pre-order album: https://bit.ly/2TNq3yB / https://bit.ly/2F3mN9Q

Written and directed by Joji Koyama and Tujiko Noriko, Kuro tells the tale of Romi, a Japanese woman living in the suburbs of Paris with her paraplegic lover Milou. Tending to Milou by day and working in a karaoke bar by night, Romi reminisces about a time she and Milou once lived together in Japan with a mysterious ailing man named Mr. Ono. Weaving together personal history, anecdotes and myths, her stories soon turn ominous.

When we first decided to ‘split’ the film into what might be described as two parallel layers — the narrated story and the visual story — we found that it opened up an ‘in-between’ space, a space where what is heard and seen continually wrestle with one another. We envisaged that the true setting of the film would emerge from this friction, as something imagined and projected by the audience. After a few screenings we were struck by how some audience members would refer to scenes or events in the film that, for us, did not take place… We both thought of the music of Kuro as a score to this space in-between.

-Joji Koyama

Composed and recorded during the editing of the film in Berlin, the Kuro OST by Tujiko Noriko (with contributions from Joji Koyama, Sam Britton and Will Worsely), is a crucial and integral part of the film, acting not only as a glue to bind the layers of the film together, but along with the sonic palette of the film’s sound design, evokes it’s claustrophobic atmospheres and moments of haunting beauty.

I tried to think of the pieces in abstract terms, like moods and atmospheres. In a way, the process was quite similar to how I usually make music, in the sense that I have images in my head. Of course in this case there were actual images and a lot of them very close to me, but I didn't want to get overly conscious about them either—I didn't want to get stuck by trying to be too specific.

-Tujiko Noriko

The music, which in the film is largely heard in tandem to the narrating voice of Tujiko Noriko (who also stars as Romi), is presented and arranged here as a separate piece in its own right.

Written and produced by Tujiko Noriko. Mixed by Sam Britton and Will Worsley at Coda to Coda, London.
The album is mastered by Rashad Becker at D&M, Berlin featuring photography by Joji Koyama and layout by Bill Kouligas and Johannes Schnatmann. 

ENTOPIA is the latest offshoot series from PAN seeking to amplify and redefine our ideas of what a soundtrack can be. The series will survey critical works across the spectrum from musical composers on PAN and beyond, commissioned for the worlds of film, art, performance, installation works, theatre, dance and fashion.

@tujikonoriko
www.p-a-n.org

Kuro (OST)

Tujiko Noriko - Rooftop (PAN 89)

Artist: @keru-not-ever
Title: The Wind Of ?
Format: Digital
Release Date: April 26th
Artwork by William Sabourin

The Wind Of ? is the sophomore album by multi-disciplinary Montreal artist Keru Not Ever. Simultaneously pursuing and shattering ties with 2017-Tereza’s line of timbral explorations, TWO? activates a new topology: that of the parasite. Indeed, the general movement of the album tends toward a tense subtraction of the sensual to set in motion the pursuit of a conceptual ideal corrupted by the presence of an hyperventilating breath, a structural gash and a ventriloque-like narrativity based on the libidinal repetition of contemporary DAWs. Composed in three distinct and interchangeable (in)acts (I. Tereza + Molloy ; II. Zabriskie + Équilibre de la terreur + Xen ; III. Limite I + II), moving from one block to another into the project - and even within the pieces themselves - the album occurs as an exchange of glances and cracked voices, a mirror game between different and precarious vessels leading to a schizophrenic sensorium similar to the banal and dislocated experience of the new digital ennui. These parasitic breaks are presented as being necessary for the creation and the preservation of an event
from which its truth could emanate : spring seems obvious now.

In The Wind Of ? It is midnight as much as another hour, the question does not arise there, it rather arises by the who does what and by the why is it impossible to prevent a parasite from entering or exiting an (in)act. In the future, everything will be an album.

The Wind Of ?

Keru Not Ever - Molloy (feat. Bianca Scout)(IM071)

AlarickMcGlory Editor-in-Chief, McGlory Fashion Magazine Fashion Stylist and Consultant Lover of Fashion, Believer in 'Aspire to Inspire' We are always looking to feature and collaborate with new artists !  www.ALARICKMCGLORY.com/sub

cinematic VOL 5

Alarick McGlory 1