Classique

Classical Assembly. "Musica Viva" - Wolfgang Amadeus Mozart

W.A.Mozart. Divertimento in D major, K.136, "Salzburg Symphony No.1". II - Andante

W.A.Mozart. Divertimento in D major, K.136, "Salzburg Symphony No.1". III - Presto

Rachmaninov: Piano Concertos 2 & 3

Piano Concerto no. 3 Op. 30 in D minor III Finale: Alla breve

Mediterráneo

Adelita

Morning Mood from Edvard Grieg's Peer Gynt was Composed in 1875 for Henrik Ibsen's play of the same name

Peer Gynt Suite No. 1, Op. 46: I. Morning Mood - Edvard Grieg

Horowitz: A Reminiscence [Expanded Edition]

Prelude in G-Sharp Minor, Op. 32

Maxim Vengerov - Great Violin Concertos

Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto

Violin Concerto in D Minor, Op. 47: II. Adagio di molto

Paganini, Waxman & Saint-Saëns: Works for Violin and Orchestra

Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28

Violin Concerto in D Minor, Op. 47: I. Allegro moderato

M039-Wolfgang Amadeus Mozart – Divertimento No. 17 in D major, K. 334 I. Allegro

Ständchen D. 889, es un lied para voz y pianoforte compuesto por F Schubert en julio de 1826 en Währing, entonces era una villa del noroeste de Viena, ahora es un suburbio. El lied se compuso por la canción del Acto II, Escena tercera de la obra de Shakespeare, Cymbeline.

Schubert murió en 1828 a la temprana edad de 31 años y la canción se publicó póstumamente por Anton Diabelli en 1830. En su forma origina, la canción es relativamente más corta pero Friedrich Reil le añadió dos versos más en la segunda edición de Diabelli de 1832.

Aunque la traducción alemana que Schubert utilizó se atribuyó a August Schlegel (aparentemente basada en varias ediciones de Cymbeline que bajo su nombre se publicaron en Viena en 1825 y 1826, el texto no es exactamente el mismo sobre el que Schubert adaptó la canción: esta particular adaptación se publicó primero en 1810 por un tal Abraham Voß, y después bajo los nombres de A. W. Schlegel y J. J. Eschenburg, en una colección de obras de Shakespeare de 1811.

Al piano: Ismael Muñoz, profesor de piano, teclado y repertorista de la Escuela de Música.


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Ständchen D. 889, is a lied for voice and pianoforte composed by F Schubert in July of 1826 in Währing, then a villa of the northwest of Vienna, is now a suburb. The lied was composed by the song of Act II, Scene III of the work of Shakespeare, Cymbeline.

Schubert died in 1828 at the young age of 31 and the song was posthumously published by Anton Diabelli in 1830. In its original form, the song is relatively shorter but Friedrich Reil added two more verses in the second edition of Diabelli of 1832 .

Although the German translation Schubert used was attributed to August Schlegel (apparently based on several editions of Cymbeline that were published under his name in Vienna in 1825 and 1826, the text is not exactly the same on which Schubert adapted the song: this particular Adaptation was first published in 1810 by one Abraham Voß, and later under the names of AW Schlegel and JJ Eschenburg, in a collection of Shakespeare's works of 1811.

On the piano: Ismael Muñoz, teacher of piano, keyboard and repertoire of the School of Music.

Ständchen D. 889, Franz Schubert (Live)

Cello: Roland Gjernes
Piano: Stelth Ng

Audio Recording & Mixing: Matt Antal

The Élégie (Elegy), Op. 24, was written by the French composer Gabriel Fauré in 1880, and first published and performed in public in 1883. Originally for cello and piano, the piece was later orchestrated by Fauré. The work, in C minor, features a sad and sombre opening and climaxes with an intense, fast-paced central section, before the return of the elegiac opening theme.

Élégie, Opus. 24 - Gabriel Fauré (Cello: Roland Gjernes)

Saint-Saëns: Le Carnaval des animaux, R.125 - 13. The Swan (Arr. Cello, Harp & Ensemble)

XIII. The Swan (Arr. Hodge for Cello, Harp and Ensemble)

Retrospective

Mercy (Live)

Original song by Imogen Heap and original cover by Antoine Dufour. 

This mix was entirely made for fun and testing my abilities of song editing with FL Studio 12.
I do not own any of these.

Imogen Heap & Antoine Dufour - Hide And Seek (Vocals+Guitar Cover)

Bach/Beethoven

Partita No. 2 In D minor for solo violin BWV1004

Rachmaninoff plays Rachmaninoff: The Piano Concertos and Solo Pieces

Rhapsody on a Theme of Paganini, Op. 43: XX. Variation 18: Andante cantabile

Claude Debussy - Suite Bergamasque: Clair de Lune

Purejunk’s reworking of Saint-Saëns’ Le Carnaval des Animaux – Aquarium (Mouvement No. 7). A wicked fused-up electro version of this classical masterpiece by Saint-Saëns from the 1880s. The single is a taster of the Purejunk “Class Acts” album full of classical mashups which will be released in September 2015. 

SPOTIFY: https://sptfy.com/a0nc
BANDCAMP: purejunkmusic.bandcamp.com/album/class-acts

Purejunk vs. Camille Saint-Saens: Le Carnaval Des Animaux - Mouvement No. 7 - Aquarium

Classique

Albert Tawil