An oddball fantasy by Bulgarian brainiac Puma & The Dolphin out now on a newly born Brussels imprintッ

Puma & The Dolphin - What I Mean

Free Shelter invites the unheralded legend of the Finnish Electronic Music landscape, @theofficialjorihulkkonen, for the 19th instalment of their” guest mix series on Ida Radio. 

Huh… where can we begin?

Hailed by some as the “most underrated producer in the world”, with works for artists such as Chromeo, Kid Cudi, Robyn, and Lydia Lunch alongside collaborations with people as versatile as John Foxx, Jose Gonzales, Jesper Dahlbäck to give you a taste. We’ve often written how honored we are to have some of our guests, rarely (if ever) has it been truer than now.

For this mix, Jori showcases a sort of underground side with hints of real House, synth lines that make you do a double take, esoteric techno with flawless mixing. Really the way his fans are accustomed to, and what can be expected from the legend himself. We just want to say bravo and thank you!

Free Shelter Invites #19: Jori Hulkkonen 🇫🇮

@khalil-suleman

Hearing the news about Putin deciding to invade Ukraine left us shocked.

As peace and harmony are one of the essentials of music, we decided to gather our closest (and also not so close) circle of producers from all around, showing how weall believe in a world of peace.

Tyranny won’t destroy our european neighborhood!

All profits are being donated to CARE International for Ukraine, providing humanitarian help such as water and food supply, hygiene kits and psychosocial support.

Huge thanks to everyone involved!

Mastered by Veduric

Khalil Suleman - Rolling In The Deep

AVGVSTVS - Completely Lost (in Funk)

"¿Qué fenómenos naturales que ocurren en las profundidades del Mar Argentino inciden sobre el color de su luz y de su oscuridad?; ¿Cuál es la paleta de colores que identifica a nuestros océanos y cómo se modifican y conjugan las tonalidades de las corrientes marinas?", todo esto se pregunta la curadora de la muestra "El mar como territorio", Julieta Agriano.
https://www.tecnopolis.gob.ar/elmarcomoterritorio/

Comparto mi set ambient ejecutado en vivo el domingo 17-09-22, compuesto totalmente a partir de un banco de sonidos cedido desde el área de acústica marina del CONICET.

Colores del Mar Argentino

Exceptional recordings by this New age maestro. Only recently re-discovered by his friend JD emmanuel & the band Sun Araw. Originally released on cassette in 1983 and now for the first time vailable on 180gr. Vinyl. For fans of joanna brouk, JD Emmanuel and Iasos

Randall McClellan was a founding member of the electronic music studio at the Eastman School of Music in 1967 where he later received a Ph.D. in Composition, Theory and Musicology. A growing interest in North Indian music and vocal technique prompted him to develop his personal compositional practice into an active platform for inducing altered states of mind. He constructed his concerts to be spaces for harmonization of mind and body through a musical practice informed by his esoteric studies of ancient mystery schools and sacred geometry, believing these to be primarily teachings on intentional resonance.

These performances were given between 1977 and 1983 in semi-darkened spaces that allowed listeners to relax on carpeting while being enveloped by sound. Each improvisation lasts from twenty-five to forty-five minutes. An entire performance is up to three hours and is designed to provide an environment of meditative sound. They gained in popularity and were soon attended by larger audiences. His final live performance took place at New York City's Alternative Museum in October, 1983. 

The “Music of Rana” Enviromental Series uses synthesizers, drone box, tamboura, voice and tape delay to create an environment of continuously evolving multi-layered melody. Described as subtle, graceful and of other worlds. The name RANA, meaning “Sunbreath”, has its origin in ancient philosophical concepts that recognized vibration as the fundamental creative force and central principle of the many esoteric mystery schools of the ancient world. It is now evident that the use of music for its ability to alter mind states and for its effectiveness as a therapeutic aid was music’s original purpose and an important concept of these mystery schools. In the broadest sense, the practice of music for its healing ability may well stand as our oldest continuous musical tradition.

This album is the second volume in the series, previously issued as a cassette in 1983, and part of the cassette box set published by Sun Ark in 2013. This music is based on principles outlined in Randall’s book, The Healing Forces of Music: History, Theory and Practice. These compositions are selected for their meditational and healing abilities. EQ settings of treble and bass levels determine the music's effect upon you. Please explore until the most comfortable settings are found.

Randall McClellan - A - Across Clouds Of Distant Past

READ > https://inverted-audio.com/premiere-mic-mills-h-a-a-r-p-francis-inferno-orchestra-remix

Longtime comrades in arms, the Adelaide via Melbourne-based duo formed by @mic-mills and @furiousfrank returns fresher than ever, inaugurating their new label @globalskywatch with a lushly flavoured debut iteration featuring material from their own hand, as well as beats from close collaborators and friends Rings Around Saturn and Francis Inferno Orchestra (@fio).

GSW001

Mic Mills - H.A.A.R.P. (Francis Inferno Orchestra Remix) [Global Skywatch]

Nose Job 2019 - NJ#002 7" nosejob.bandcamp.com/album/ok-nda-s…nsamma-stunder

The second NJ is from Malmö's @prinsemanuel [Fasaan, Fri Form], geezer and master of many trades. First up is the wonky, rugged flanger jam Okända Skäl (Reasons Unknown) then comes the spesh slow burner Ensamma Stunder (Lonely Moments). This doozy of a 7" is very much about his place of birth in Skåne. With the art inspired by a cave painting and a megalithic monument from the iron age close to his mum's house. Life goes in circles…

Recorded and produced by Emanuel Sundin
Mastered by Carsten Dämbkes
Artwork by Emanuel / Layout by Shiver
Riso print by Jan Matthé
Distribution by Crevette

NJ#002 Prins Emanuel - Okända Skäl

For LER 1023, we've put together a collection of recordings taken from the elusive Berlin band I.A.O., spanning their third phase from 1988 to 1995. Phase III commemorates the bands final line-up of three members; Achim Kohlberger, Ralf Östereich and Carsten Zielske. The sounds on this retrospective vary widely, however, link with threads of melancholic sequences, angular jamming and a focus on electronic soundscapes.
 
The tracks are pinned against a backdrop of political and social unrest in Berlin at the time. Two different cities had become one with the fall of the wall, driving a bubbling subculture attempting to reunite the capital. Seemingly irrelevant to what I.A.O. was producing, these territories dance parallel to one another. In the late 1980’s, Achim Kohlberger of the band and partner Dimitri Hegemann, were orchestrating ‘Atonal Festival’, these days known as Berlin Atonal. Soon after, they set-up of one of the first techno clubs in the world - UFO, today known as Tresor.
  
I.A.O. cites the cast of personalities they would come across in the clubs and pubs as influential in their songwriting, artists, outsiders or the ‘general dropouts.’ However, the works of IAO far resemble techno music. Phase III’s opening track Gospel IV introduces the band with their patience and restraint, synthesizers work to reveal folding melodies. The downtempo voyage continues with Marshmallow Girls, an insight into the band’s sensitive observations and hazy imagery. All Is Bliss presents a vocal mantra cooperating with nagging bass lines and euphonic percussion. Meanwhile, two instrumentals Love and Twinkle Twinkle Twinkle Little Star  both typify and defy timeless dancefloor paradigms. The compilation signs off with Ferns, binding the icy yet bright tones found throughout.

Phase 3

All Is Bliss

Buy here 
https://randomnumbers.bandcamp.com/album/parallel-routes

Parallel Routes is the new Various Artists by Random Numbers. 14 tracks made by artists we love across Europe: A Hand (Italy), Accou (Belgium), Anatolian Weapons (Greece), Artis (Nederland), Bss (Nederland), Black Seed (Italy), BXP (Italy), Carcass Identity (Belgium), Exhausted Modern (Czech Republic), Front De Cadeaux (Italy/Belgium), Heap (Austria), Új Bála (Hungary), UVB76 (France), Wang inc. (Italy).

After the first week of lockdown, we were forced to postpone all of our scheduled releases, so we started thinking about a new V.A.
Our inspiration behind it was the mutual support to overcome the lockdown and the discomfort it brought. As such, we started to contact the artists we love asking them to collaborate.
The result is astonishingly homogeneous, even if we were locked in our homes thousands of kilometers away from each other.
As a record label, we recognize the importance of not interrupting our work, to support independent artists during this global crisis.

We may be apart, but we're going in the same direction. We are in Parallel Routes.

11.  Front De Cadeaux - Repechage SNIPPET

Invisible Inc proudly presents the latest outing by London-based electro-prog/psych/kraut entity Higamos Hogamos.
Re-Exit EP is a psychedelic mutant hybrid combining orchestral drama and psych rock to create an imaginary spaghetti western soundtrack. Had Michael Nyman and John Adams worked with David Axelrod and asked The Residents to produce it they might have ended up somewhere similar.
Features an extended mix and radio mix of the title track plus a cosmic dub remix by GK Machine and a fourth track that's possibly the oddest of the lot....Gong Fishing is a little Eno, a little Ennio...and much more.
The EP is released on the same day as the new Higamos Hogamos album "Generation Games" - an ambient epic driven by modular/vintage synths and field recordings hiding a distinctly dystopian sci-fi feel underneath its apparent beauty.

https://soundcloud.com/higamoshogamos
https://soundcloud.com/g-k-machine
https://soundcloud.com/invisible-inc

Premiere : Higamos Hogamos - Re-Exit (GK Dub Voyager Mix) [Invisible, Inc.]

BOOKING: benitez.aldo@gmail.com

Aldo Benítez aparece en la escena musical de Buenos Aires en 2006.
Oriundo de Morón, provincia de Buenos Aires, ha realizado shows en Córdoba, Mendoza, Neuquén y en diversas ciudades de GBA y alrededores. También tocó en España, Noruega, Alemania y Japón.
En 2007 edita su disco debut “El Portafolio Sin Peso” (Peatón Discográfica) plagado de 18 microcanciones.
El disco fue elegido como “Disco del año” en la encuesta del Suplemento Sí de Clarín por dos artistas tan diversos como Ale Sergi (Miranda!) y Santiago Motorizado (El Mató a Un Policía Motorizado). 
“Marcelo & Aldo” editado en colaboración con Marcelo Fabián y “Tonelada” fueron sus discos siguientes, el primero en 2010 con canciones orientadas a la pista de baile y que coquetean, de la mano de Fabián, con la cumbia y el folklore digital. El segundo se editó en 2012 con 12 canciones en plan pop experimental, ambos fueron editados por Peatón Discográfica.
Su nuevo EP compuesto junto a su banda estable, Andy Menutti en percusión electrónica y Jésica Ojeda en bajo, se llama simplemente “Trío”. Son 4 canciones en donde la electrónica y el rock dialogan con total fluidez generando climas de intensidad y de calma, es el debut de Aldo en Geiser Discos.

ENG:
Aldo Benitez appears in Buenos Aires music scene in 2006.
A native of Morón, province of Buenos Aires, has done shows in Cordoba, Mendoza, Neuquen and in several cities of GBA 
and surroundings. He also played in Spain, Norway, Germany and Japan.
In 2007 he released his debut album "El Portafolio Sin Peso" (Peatón Discográfica) riddled with 18 microsongs.
The album was voted "Album of the Year" in the Suplemento Sí (Clarin) for two such diverse artists as Alejandro Sergi (Miranda!) 
and Santiago Motorised (El Mató a un Policía Motorizado).
"Marcelo & Aldo" published in collaboration with Marcelo Fabian and "Tonelada" were his following albums, the first in 2010 with 
songs aimed at the dance floor and flirting with cumbia and digital folklore. 
The second was published in 2012 with 12 songs in pop experimental plan, both were edited by Peatón Discográfica.
Since 2010 he also runs the tapes label “Spit On BPM”.
On her upcoming EP (“Trio”) he plays with Andy Menutti in electronic percussion and Jesica Ojeda on bass, 
and the records is simply called "Trio”; 4 songs where electronics and rock dialogue with complete fluency creating 
climates of intensity and calm, it is Aldo’s debut on  the label Geiser Discos.

Colores del Mar Argentino

Aldo Benítez

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