Embodydance Thursday 11/02/‘23 To the Ancestors

Red Cosmic Earth

Mistake of the ear

The Simplest Thing (feat. MC Yogi & Jah Youssouf)

Superstition

RamaRa

Opale

This song is in Quechua (the people’s language spoken mainly in the Andes region of South America). I first heard the language when learning about Shamanism from the Q’eros of Peru in 2012. This song uses words that the Shamans use when calling upon energies to open sacred spaces. They use animals to symbolise directions and chakras and call upon the snake (south), the jaguar (west), the hummingbird (north), the eagle (east), mother earth and father sky (masculine and feminine polarities). 
I wrote the melody staring at a fire one late night and then added the words later, inspired greatly by the wisdom of the ancient Inca knowledge.
In 2015 I had the great pleasure of travelling to Peru to work with the Shamans, record this video and learn more about the simple ways of this ancient science.

This song is tuned in 432Hz which therefore means that it is mathematically consistent with the universe. The ancient bells from Peru used in this track were already tuned to this frequency and so we therefore tuned all the other instruments to match the 432Hz tuning. Music that is tuned in 432Hz transmits healing energy because it is in exact mathematical frequency and vibration to the universe, as opposed to the 440Hz frequency tuning that is most commonly used today. Music therefore tuned in 432Hz frequency is known to be more relaxing, healing and softer for the human being. It is known therefore for it's healing qualities.

Esta canción es en quechua (la lengua que se habla en Perú, principalmente en la región andina de América del Sur). La escuché por primera vez cuando aprendía  chamanismo Q'eros en Perú en 2012. Esta canción usa palabras que los chamanes utilizan al convocar energías para abrir espacios sagrados. Ellos usan animales para simbolizar las direcciones, los chakras y el llamado a la serpiente (sur), el jaguar (oeste), el colibrí (norte), el águila (este), la madre tierra y el cielo padre (polaridades masculino y femenino).
Escribí la melodía mirando al fuego tarde en la noche y añadí la letra más tarde, muy inspirada en la antigua sabiduría inca.
En 2015 tuve el gran placer de viajar a Perú para trabajar con los chamanes, grabar este vídeo y aprender más acerca de las formas simples de esta antigua ciencia.


Esta canción está sintonizada a 432Hz. Esto significa que es matemáticamente consistente con el universo. Las antiguas campanas de Perú utilizadas en esta pista ya estaban sintonizadas a esta frecuencia, por lo cual sintonizamos todos los otros instrumentos para que coincidieran con la afinación en 432Hz. La música que se sintoniza a frecuencia transmite energía curativa, porque como vibra en una frecuencia matemática exacta, vibra con el universo, a diferencia de la sintonización en 440Hz, más comúnmente utilizada en la actualidad. Por lo tanto, la música  sintonizada en esta frequencia 432Hz parece ser más relajante, curativa y más suave para el ser humano; es conocida por sus cualidades sanadoras.

OEAHO

Leccion De Vuelo

La Doña Muerte

Balas y Chocolate

Viene la Muerte Echando Rasero

medicine song of the grandmother
in the photo: my grandma tsipora 104 years
lyrics- unknown
voc- sheffy oren bach 

this is a call & request to all women , for healing and balancing 
gaining the natural power again on earth
and by that to hold and balance the male energy
let our energies combine with love and compassion every day on this planet

lyrics:

i hear the voice of my grandmothercalling i hear the voice of my grandmothers song 
she say: stand in your power wemen stand in your power listen listen
 i hear the voice of my grandmother calling i hear the voice of my grandmothers song 
she say: give birth give life , mothers ,give birth give life listen listen
 i hear the voice of my grandmother calling i hear the voice of my grandmothers song 
she say: teach them , be wise , mothers , teach them be wise listen listen
 i hear the voice of my grandmother calling i hear the voice of my grandmothers song
she say: wake u wake up child wake up wake up listen listen
Recoded at beleza Pura , Ran Gerson

Grandmother Song-Sheffy Oren Bach

Buy on itunes

Sangare (Nickodemus Remix) by Vieux Farka Touré

Easter

Ghost Dance

Check out the video: https://www.youtube.com/watch?v=OG97xATPP-g
Music by Yopi (git), Lotta (violin), Joscha Oetz (bass), Michael Sapp (Water).
download the track or the whole album: https://yopilotta.bandcamp.com/album/best-of

Namasté Pachamama

Agua (Water)

The River Is Flowing

Ayahuasca Remixed is sonic alchemy from Brazilian-born artist Poranguí, translated through the lenses of visionary producers and DJs and born from a prayer to bridge worlds from the consciousness of the master plant medicine onto the dance floor. 

It came to life through a meeting and friendship with musician and producer Sahuna Love (aka Shamans Dream) and blossomed with the help of Amani Friend of Desert Dwellers / Desert Trax / Liquid Bloom. 

Each song weaves the medicine of the original, while beckoning listeners to explore and express their prayers or meditations through embodied movement. 

Allow yourself to be moved ~ para el bien de todos.
credits
released November 3, 2017
Desert Trax Records

All original music by Poranguí 


ASCAP ©℗ 2017 Sol Creation Publishing 
www.porangui.com
license
all rights reserved

Ayahuasca Remixed

Ancestors (Shamans Dream + Poranguí Remix)

A SONG GIFTED TO ME BY THE ANCIENTS OF THE GREAT SERPENT MOUND IN THE OHIO VALLEY. 7 Chakras sang 7 Times. IT'S ENERGY SERPENTINES EACH CHAKRA ACTIVATING YOU TO THE SERPENT MOUND. REMEMBER TO TAKE DEEP BREATHS. 
For more information about our Peace Summits & WHAT WE DO GO TO: alternateuniverserockshop.com and look at events.

Terri Sings with Ravens Rivera

Serpent Mound Chant (remix)

Galactic Caravan

Ana Ahebbak

Ship of Fools / Mountains of the Moon

Mountains of the Moon

A crew of us came together for a project called Tap the flow 24 to raise money for clean water for a Native tribe. We made a song and video all in 24 hours. We decided to re-release the song to raise more money for Natives affected by covid 19. You can donate at our bandcamp site or stream on spotify to support the project.
* Album art by Autumn Skye
  (autumnskyeart.com)

Grateful Within Our Hearts ft. Wakan Waci Blindman, RA-BE 333, Kat Factor & Gordon Hellegers

Ground-breaking percussive ambient recordings to induce altered states of consciousness through ecstatic dance. Gabrielle Roth & The Mirrors were a world unto themselves.

Despite featuring an extraordinary cast of musicians (with credits including Sun Ra, Pharoah Sanders, Miles Davis, Santana, Stevie Wonder, Milton Nascimento and much more) and selling hundreds of thousands of albums, the music of Gabrielle Roth & The Mirrors remains largely unheard beyond their sphere. Conceived as live, improvised soundtracks to Roth’s transcendental dance workshops, musical acclaim was never on the agenda.

Instead, for a passionate dancer and spiritual polyglot like Gabrielle Roth, movement was a means through which to channel a wide spectrum of teaching, from experimental psychology to psychedelic counter-culture. It was from this heady mix that she devised a movement meditation known as 5Rhythms, which came to define her life’s work.

As “guide and catalyst”, Roth would dance to inspire the percussion-led instrumentals that would in turn fuel her 5Rhythms workshops, stimulating a secular form of ecstatic dance with roots in Native American shamanic traditions, Afro-Brazilian Candomblé and Yoruba drumming.

Using anything from a Sioux pony drum to East African kihembe and Japanese Kabuki drums, Gabrielle’s lawyer-turned-drummer husband Robert Ansell set the foundational rhythms for The Mirrors’ recordings, each of which would then feature a rotating cast of friends and professional musicians.

“The secret of everything we’ve done is that we never told anybody what to play,” Robert shares. “Instead of our albums being a musical vision of one person like me or Gabrielle, they were the musical vision of a whole bunch of people.”

At times the recordings have a Middle Eastern flair, at others, West African and spiritual jazz modes come to the fore. Hints of kosmische musik, proto-house and electronic ambience are laced like LSD through the organic rhythmic structures. This was kaleidoscopic ambient music to stir the body and free the mind.

In practice, the task of synthesising these different elements fell to Scott Ansell, Robert’s son and a recording engineer whose credits now include Nile Rogers, Duran Duran, Grace Jones. With meticulous attention to detail he captured and translated the dynamic energy of each drum onto record. Their sessions became legendary, and with access to the best studios in the NYC, The Mirrors sparkled.

Despite being initially overlooked by the burgeoning ‘80s New Age market, which preferred pipes and gongs to The Mirrors’ heavy-grooving drums, Robert Ansell set up Raven Recording to self-release the music, creating a vast sonic archive of sixteen albums over almost forty years.

The breadth of Raven’s catalogue is such that curator Pol Valls had to cut an initial selection of sixty-six tracks down to the eleven featured here. What crystallises is a stunning, mind-altering collection which spans, in Pol’s words, “a variety of genres, styles, and vibes within their catalogue, whether it is emotional, esoteric, spiritual, melancholic, hypnotic, dark, or at times a combination of these elements together.”

Music for immersive and intimate environments, Gabrielle Roth & The Mirrors were born from the dance. In the hands of the right DJ, at the right time, in the right place, they might just return there.

Selected Works 1985 - 2005

Dancing Path Chaos

Scorch

Embodydance Thursday 11/02/‘23 To the Ancestors

Alec Walling