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Taaravaras

Sum 41 - Some Say

Tantrum Desire – Diversified LP -OUT NOW 
Beatport Exclusive: http://bit.ly/DiversifiedBeatport

Released: Sun 28th June 2015

Let's not beat around the bush. Anyone who knows anything knows that this album is going to be big. It's absolutely clear Jay and Dev have put the graft in over the last decade to claim and maintain their D&B-elite status. For one thing, production mastermind Jay has put in the studio hours to hone that distinctive, arena-sized Tantrum Desire sound. And, as DJs, they've proven their ability to take that sound into the real world and make it connect with the biggest crowds bass-heavy music has to offer. There are a handful of acts that can simultaneously kill it in the underground and the mainstream, and we're about to find out why Tantrum Desire is one of them.

So, time to break this down.

Obviously, this album contains more than its fair share of showstopping anthems. “Oblivion”, for example, seduces us with the uplifting innocence of Solah's vocal style, before moving the sound effortlessly from naïve purity to gritty toughness. This, all woven together with stomping bass, jungle drum fills and a stripped-back piano-led breakdown, means that it's going to connect with listeners' emotions as much as ravers' dancing shoes. Some tunes, like the Laura Bayston-laced “Underground” and the syncopated madness of “Genesis”, have already been making waves for a while among those who keep their finger on the pulse. And the aggressively percussive US-influenced “Pump” is currently a key weapon of choice among DJs when it's time to turn up the hype levels.

Then there are a couple of almighty supergroup collaborations. For one, Drumsound and Bassline Smith join the party on “I Need You Here”. This takes the big-room build-up to Empire State proportions. Gentle synths build to a soaring sing-along vocal hook, which in turn give way to huge polyphonic chords. Then the drop is a virtuoso display of drum programming, with a heavy bed of half-speed kicks and snares supporting subtly-switched up samples. But then just when you think you've reached the limit of what the track has to offer, there's a breakdown and another build into a full-speed, full-power drop that's going to hit like a tactical nuke in any rave. Matrix and Futurebound pass through too, to bless “The Shadows” with their skills. Elegant harmonies melt into a sinister dialogue sample and the dark funk of a pizzicato riff in the low registers. The track builds into straight up modernist techstep, taking the classic paradigm and applying contemporary sensibilities of energy control.

But this album isn't all about the big ticket items. It's not just a collection of singles, but a cohesive vision, a journey mapped by a pair of DJs and producers immersed in the music. This is made clear right from the beginning, with the drumless title track setting out the template of movement between vibes and styles. Delving deep, there's “Goddess of Love”, with its unapologetically constant level of tension, reiterated and reinforced by ever-changing sample-manipulation. And there's “Back for Love”, featuring Julie Gordon and Smokesta, an almost lo-fi excursion, which takes tropes from trip-hop and the Bristol Sound to create something that's sure to strike a chord with old skool junglists.

Let's be clear, though. These are just some of the things “Diversified” has to offer. There are sixteen tracks here which, together, crystallise the multiple, complex layers of Tantrum Desire's take on bass-led electronic dance music in 2015. The joy for DJs, ravers and listeners alike is going to be discovering those layers for themselves. So go discover.

Tantrum Desire - Oblivion Feat. Solah ( Club VIP Mix )

All Killer, No Filler

In Too Deep

Buy: http://bit.ly/2bmY57S

Legion & Logam, a trio who've cemented themselves as an international crossover act whilst pedestalling US drum & bass within the Ram roster. After the breakaway success of their first single on the Program imprint, 'House of Cards', as well as a host of fresh cuts of the Ram Records compilation series, they're returning with a single to cement themselves yet again within the genre's fabric. Having become a staple of festival stages globally, it's no surprise they've piqued such interest across the scene.

'To Be Alone' features Micah Freeman on vocals, making another appearance since 'Holding On' and adding his signature twist between carefully constructed layers of noise. Freeman's voice stretches to its furthest heights, dropping down musical crescendos and over kicking drum patterns. Snapping percussion washes over each train of sound with distorted guitar underpinning each segment. Piano notes filter through the mix, creating an emotional composition that pedestals the style Legion & Logam reign over.

Once again, it's time to get with the Program… One that celebrates diversity whilst distributing acts like Legion & Logam onto an unsuspecting audience since its inception.

https://soundcloud.com/the-legion
https://www.facebook.com/legionandlogam

https://soundcloud.com/ramrecords
https://www.facebook.com/RAMrecordsltd

Follow on Spotify

Legion & Logam - To Be Alone

Noizmakaz ft. Põhjamaade, Jiljo ja Skazo Tänavate sümfoonia pt.II

SOME MEN JUST WANT TO WATCH THE WORLD BURN

KORN - SHOOTS AND LADDERS
STATIC X - PUSH IT X SOULJA BOY TELL'EM - CRANK THAT (SOULJA BOY)
LINKIN PARK - ONE STEP CLOSER X LEN - STEAL MY SUNSHINE
LIMP BIZKIT - NOOKIE X DILLON FRANCIS & DJ SNAKE - GET LOW
ROB ZOMBIE - DRAGULA X APHEX TWIN - WINDOWLICKER
MARILYN MANSON - THE BEAUTIFUL PEOPLE X LIL YACHTY - MINNESOTA
KORN - BLIND
KORN - TWIST X LIL WAYNE - A MILLI
SYSTEM OF A DOWN - CHOP SUEY X THE PSYCHEDELIC FURS - LOVE MY WAY
DROWNING POOL - BODIES X KENDRICK LAMAR - HUMBLE.
DEFTONES - SHOVE IT X GENUIWINE - PONY
LINKIN PARK - IN THE END (MIDI VERSION)

MP3 VERSION: http://jacobsafari.rip/Jacob-Safari-S-M-J-W-T-W-T-W-B.ZIP

S.M.J.W.T.W.T.W.B.

Sum 41's Fat Lip this is re recorded with all guitar parts done by me like my Metallica The Memory Remains cover and Monkey Wrench Cover by Foo Fighters

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Aleksandr Sass