NEC Chamber Orchestra performs Haydn's Symphony No. 45in F sharp minor. Recorded live in Jordan Hall, Boston October 15, 2014.

Haydn: Symphony no 45 in F sharp minor Menuet & trio: Allegretto

Johann Sebastian Bach, orchestrated by Dmitry Sitkovetsky
Goldberg Variations

Britten Sinfonia, directed by Thomas Gould

Harmonia Mundi, 2015

Download on iTunes

14 Johann Sebastian Bach  Goldberg Variations - Variation 13

Johann Sebastian BACH (1685-1750)
Sonata BWV 1031
Sicilienne

DUO CORD'EOLE
Fanny MAYNE, Querflöte
Nicolas FAURE, Violoncello
www.duocordeole.com

Johann Sebastian BACH (1685-1750)- Sicilienne BWV 1031

Etudes

Etude No. 5 in E minor

Variações de uma música, Erudita contemporânea, Eletrônica, Ambiente, Instrumental, Clássica, Avant Garde.

WANDA  Piano Oboe C4 N8

Classical Collections The Masters, Vol. 5

Suite No.4 In D Major BWV 1096

[Piano] Mozart Sonate n°14 K.457 2ème mouvement

Guest conductor, Marcelo Lehninger, leads the New England Conservatory Philharmonia in a performance of Haydn's Symphony No. 88. Recorded live October 26, 2011 in NEC's Jordan Hall.

Haydn: Symphony No 88 in G major- Adagio - Allegro

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

Expressions: Haydn, Szymanowski, Chopin

Sonata in A-Flat Major, Hob. XVI/46 - II. Adagio

Haydn - Sonata in A-flat major Hob. XVI: 46 - II. Adagio

Johannes Brahms, String Quartet in A minor Op. 51 No. 2, Allegro non troppo

‪Sonata in D K.535 - ‪Domenico Scarlatti‬ (1685 – 1757)

Pianist: Ryo Fukaura, UCL medical student, playing the piece from memory, in the Peter Samuel Hall at the Royal Free Hospital.

We'll be releasing more recordings with Ryo regularly over the next couple weeks:
soundcloud.com/uclsound/sets/ryo-fukaura-piano

UCL is consistently ranked as one of the world's top universities. Across all disciplines our faculties are known for their research-intensive approaches, academic excellence and engagement with global challenges. This is the basis of our world-renowned degree programmes. Visit us at http://ucl.ac.uk.

Ryo Fukaura: Scarlatti - Sonata in D K.535

While all these statements describe Aleksandra Mikulska’s playing, her art is perhaps best encapsulated by the phrase: sincerity and intimacy. In her concerts, the charismatic pianist lifts the curtain on new and unfamiliar worlds and aims to move her listeners – whether with the works of Johann Sebastian Bach, Joseph Haydn, Franz Liszt or her compatriot Frédéric Chopin, with whom she feels a particularly strong connection – through her utter absorption in the music.

Growing up in Warsaw, Chopin’s home city, Aleksandra Mikulska developed an intense love of the composer’s piano music while still a child. Having, in her early years, followed the International Chopin Piano Competition on television, with scarcely room for a piano in the family’s tenth-floor apartment in a prefabricated block, she went on to win the “Best Polish Pianist” prize in the 2005 contest. 

Seeking freedom and new interpretative stimuli, Aleksandra Mikulska was drawn for her musical training initially to Mannheim and from there to Karlsruhe (where she studied for her degree under Peter Eicher), Imola in Italy (Lazar Berman, Michel Dalberto) and back to Hanover in Germany (Arie Vardi). She also drew significant inspiration from masterclasses with Diane Andersen, Kevin Kenner, Andrzej Jasinski and Lev Natochenny. Aleksandra Mikulska describes giving concerts as her passion. She has appeared with renowned orchestras under the batons of Michael Sanderling, Pawel Przytocki, Kaspar Zehnder, Johannes Schlaefli, Stefan Fraas, Philippe Bach and other well-known conductors – notably at the Musikverein in Vienna, the Brucknerhaus in Linz and the Tonhalle in Zurich. She is also a regular guest at international festivals such as the MDR Musiksommer, the Liszt Festival Raiding, the Bodenseefestival, the Usedom Music Festival and the Styriarte.

An issue particularly close to Aleksandra Mikulska’s heart is German-Polish cooperation. As President of the Chopin Society in Darmstadt, she is committed to fostering the up-and-coming generation of musicians and to promoting the rediscovery of less-well-known composers from her home country. She also brings her polish roots to bear by performing the music of composers such as Julian Fontana, Miłosz Magin, Artur Malawski and Karol Szymanowski, which is rarely played in Germany.

In addition to the solo repertoire to which she is first and foremost devoted, Aleksandra Mikulska also, at a young age, discovered an interest in chamber music – including Johannes Brahms’s violin and cellos sonatas and the piano concertos of Mozart, Beethoven and Chopin, which she enjoys approaching in experimental arrangements for smaller ensembles. She also has a strong interest in Polish and German Romantic lieder. 

On her latest album, Reflections, released by GENUIN classics, Aleksandra Mikulska brings together two key works of the Romantic repertoire for piano: the B minor sonatas of Frédéric Chopin and Franz Liszt. During the 2020/21 season, she will be giving a wide range of concerts with personally presented programmes featuring works by Scarlatti, Haydn, Schumann, Beethoven, Fontana and Szymanowski.

Haydn - Sonata in A-flat major Hob. XVI: 46 - II. Adagio

Aleksandra Mikulska

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