Haydn

Hugh Wolff conducts the New England Conservatory Philharmonia in a performance of Schubert's Symphony No. 9 in C Major. Recorded live in Jordan Hall November 5, 2014.

Schubert: Symphony no 9 in C major Andante - Allegro ma non troppo

THOMAS GOULD Live in Riga
Sinfonietta Riga

1-3. Violin Concerto in D, Op. 61 - Ludwig van Beethoven
	I. Allegro ma non troppo
	II. Larghetto
	III. Rondo (Allegro)

4. The Lark Ascending - Ralph Vaughan Williams  

Produced by Raphaël Mouterde
Executive producer Dave Stapleton

‘Live in Riga’ is the major new album from the celebrated 31 year old British violinist Thomas Gould.  Recorded live in concert with Sinfonietta Riga on April 11th 2014 at the Great Guild Hall in Riga, Latvia, it confirms Gould’s enormous potential as one of the most inventive and colourful instrumentalists of his generation.  Gould is no ordinary classical musician but one of a new generation who refuse to be defined by a single genre.  He has developed impressive jazz credentials, but it is in this environment as soloist/director of classical repertoire where he really excels.  The Times recently described Gould as “intent on becoming the Nigel Kennedy of his generation”.  Gould, however, is incomparably his own musician.  Bold and courageous enough to forge his own path and follow his singular vision, he steps outside the footsteps of the greats.

‘Live in Riga’ is a defining album for Gould, his first disc of a three-album deal with forward-thinking British jazz and classical record label Edition Classics.  Over the last decade he has been in demand as a soloist with major orchestras worldwide, including the Royal Philharmonic Orchestra, City of Birmingham Symphony Orchestra, Hallé Orchestra and LA Phil New Music Group.  He is also much in demand as a leader/director, working with Britten Sinfonia, Aurora Orchestra, Mahler Chamber Orchestra and the Australian Chamber Orchestra’s ACO2, but it’s when he brings these disciplines together that the magic happens.  As Gould explains, “It means that everyone plays in a more engaged way. There is a group commitment to making it work, so the process is much more collaborative than when working with conductor.”

Sinfonietta Riga is an orchestra with a story to tell.  Formed in 2006, their vision is as bold as Gould’s.  Equally happy to play in concert dress or T-shirts they are intent on building new audiences for the music while reaching for the highest artistic standards.  Their collaboration is a perfect match and a unique experience for both the orchestra and for Gould.  This live concert recording bears witness to this special musical symbiosis.

To release an album featuring Beethoven’s Violin Concerto and Vaughan Williams’s The Lark Ascending is a bold decision.  As two cornerstones of the violin repertoire, there are plenty of performances to compare, but Gould’s versions demonstrate a brilliance of tone and colour that demands attention.  His flexibility and breadth of musical interests is fully evident.  Gould’s playing has the clarity you would expect from any major performer but radiates a freedom in its expression as though improvised with an immediate elegance and poise.

For Gould it’s all about achieving the right balance.  Whether it’s jazz or classical, written or improvised, as soloist or director, Gould is right in the eye of the storm.  If the dark clouds gathering in the wider music world imply that the days of the single-minded virtuoso are coming to an end; if to succeed in that brave new world we need to attract more diversity and brighter colours, then in Thomas Gould we may have found the lightning conductor to spark a new generation.


THOMAS GOULD Beethoven - Violin Concerto In D, Op.61 - II. Larghetto

47.3  Octave E piano 20250814-3

Composed by James Uhart

Piano and Vocals - James Uhart

Artless

Another (slower) version of the first movement of Albinoni's Sonata in A minor, Op. 6, No. 6, featuring harp (Garritan) and flute (Samplemodeling). Originally scored for violin and continuo.

Albinoni: Sonata in A Minor for flute and harp, Op.6, No.6 - 1. Grave (2016.01.10)

The Brussels Virtuosi Orchestra:
Concertos Virtuoses et airs d'opéra
Historical venue of St Paul’s Anglican Church, Athens
Tuesday 1st December 2015

Vivaldi | Orlando Furioso 
"Sol da te mio dolce amore" 

Brussels Virtuosi Orchestra
http://www.naxos.com/person/Brussels_Virtuosi/89728.htm

Marc Grauwels, flute
http://www.marcgrauwels.be/

Nikos Spanatis, countertenor
http://www.nikosspanatis.com/en

The Brussels Virtuosi, a music ensemble of exceptional virtuosity, which was founded by internationally awarded Belgian flutist Marc Grauwels, in a unique concert in Athens, within the frame of their tour in Greece, will present a program with works by Mozart, Vivaldi, Cimarosa, Doppler, Rachmaninoff and Delibes, on Tuesday 1st December, at 20:30, at St Paul’s atmospheric church.
The renowned orchestra Brussels Virtuosi joins their creator and flutist Marc Grauwels, soprano and protagonist of National Opera, Vassiliki Karagianni and established countertenor Nikos Spanatis.

Organization and Communicating: spes 'n' arts
Arte Atene

Media Sponsor: MEGA 

Sound Recording: MetaDeftero (web radio)
Mastering by Costas Bokos (st19)

Vivaldi | Orlando furioso "Sol da te mio dolce amore" | M. Grauwels, N. Spanatis & Brussels Virtuosi

Vivaldi: Concerto For Two Violin And Two Cellos In D Major - Allegro (Juilliard415)

Kristina Mirkovic violin
Luca Buratto piano

Felix Mendelssohn - Violin Concerto in E minor op.64, 1st movement

01 joseph haydn

New England Conservatory Chamber Orchestra, coached by Donald Palma performs the first movement of Joseph Hadyn's Symphony No. 49 In F Minor, "La Passione". Recorded live in 2005 in NEC's Jordan Hall.

Joseph Haydn: Symphony No. 49 In F Minor - Allegro Di Molto

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

Expressions: Haydn, Szymanowski, Chopin

Sonata in A-Flat Major, Hob. XVI/46 - I. Allegro moderato

Haydn - Sonata in A-flat major Hob. XVI: 46 - I. Allegro moderato

Sonata in A-Flat Major, Hob. XVI/46 - II. Adagio

Haydn - Sonata in A-flat major Hob. XVI: 46 - II. Adagio

Sonata in A-Flat Major, Hob. XVI/46 - III. Finale - Presto

Haydn - Sonata in A-flat major Hob. XVI: 46 - III. Finale. Presto

New England Conservatory students Zenas Hsu, Yina Tong, Livan perform Tchaikovsky's Trio for Piano and Strings in A minor, Op. 50. Recroded live in Jordan Hall, Boston, February 14, 2013

Tchaikovsky: Trio for Piano and Strings in A minor - Variazione VI  Tempo di valse

While all these statements describe Aleksandra Mikulska’s playing, her art is perhaps best encapsulated by the phrase: sincerity and intimacy. In her concerts, the charismatic pianist lifts the curtain on new and unfamiliar worlds and aims to move her listeners – whether with the works of Johann Sebastian Bach, Joseph Haydn, Franz Liszt or her compatriot Frédéric Chopin, with whom she feels a particularly strong connection – through her utter absorption in the music.

Growing up in Warsaw, Chopin’s home city, Aleksandra Mikulska developed an intense love of the composer’s piano music while still a child. Having, in her early years, followed the International Chopin Piano Competition on television, with scarcely room for a piano in the family’s tenth-floor apartment in a prefabricated block, she went on to win the “Best Polish Pianist” prize in the 2005 contest. 

Seeking freedom and new interpretative stimuli, Aleksandra Mikulska was drawn for her musical training initially to Mannheim and from there to Karlsruhe (where she studied for her degree under Peter Eicher), Imola in Italy (Lazar Berman, Michel Dalberto) and back to Hanover in Germany (Arie Vardi). She also drew significant inspiration from masterclasses with Diane Andersen, Kevin Kenner, Andrzej Jasinski and Lev Natochenny. Aleksandra Mikulska describes giving concerts as her passion. She has appeared with renowned orchestras under the batons of Michael Sanderling, Pawel Przytocki, Kaspar Zehnder, Johannes Schlaefli, Stefan Fraas, Philippe Bach and other well-known conductors – notably at the Musikverein in Vienna, the Brucknerhaus in Linz and the Tonhalle in Zurich. She is also a regular guest at international festivals such as the MDR Musiksommer, the Liszt Festival Raiding, the Bodenseefestival, the Usedom Music Festival and the Styriarte.

An issue particularly close to Aleksandra Mikulska’s heart is German-Polish cooperation. As President of the Chopin Society in Darmstadt, she is committed to fostering the up-and-coming generation of musicians and to promoting the rediscovery of less-well-known composers from her home country. She also brings her polish roots to bear by performing the music of composers such as Julian Fontana, Miłosz Magin, Artur Malawski and Karol Szymanowski, which is rarely played in Germany.

In addition to the solo repertoire to which she is first and foremost devoted, Aleksandra Mikulska also, at a young age, discovered an interest in chamber music – including Johannes Brahms’s violin and cellos sonatas and the piano concertos of Mozart, Beethoven and Chopin, which she enjoys approaching in experimental arrangements for smaller ensembles. She also has a strong interest in Polish and German Romantic lieder. 

On her latest album, Reflections, released by GENUIN classics, Aleksandra Mikulska brings together two key works of the Romantic repertoire for piano: the B minor sonatas of Frédéric Chopin and Franz Liszt. During the 2020/21 season, she will be giving a wide range of concerts with personally presented programmes featuring works by Scarlatti, Haydn, Schumann, Beethoven, Fontana and Szymanowski.

Haydn - Sonata in A-flat major Hob. XVI: 46 - II. Adagio

Aleksandra Mikulska

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