Clássicas 002

French Suites 1, 2 & 3

French Suite No. 3 in B minor, BWV 814: V. Menuet

French Suite No. 2 in C minor, BWV 813: II. Courante

Princess Galyani Vadhana Institute of Music Youth Orchestra (PYO)

Live recorded at 'Symphonies in Dialogue: Haydn to Shostakovich'
23rd March 2014
Jason Lai, Conductor
Sangita Vadhana Hall, PGVIM
Bangkok, Thailand

Joseph Haydn : Symphony No.94 in G Major, Hob.1/94 "Surprise" : Second Movement

Prelude No. 1 In C Major, BWV 846, From The Well - Tempered Clavier By Johann Sebastian Bach.

The String Quartet No. 16 in E flat major, K. 428/421b, was composed by Wolfgang Amadeus Mozart. This is the third of the Haydn Quartets, a set of six string quartets he wrote during his first few years in Vienna and later dedicated to Joseph Haydn.

It is in four movements:

I. Allegro non troppo
II. Andante con moto
III. Menuetto & Trio
IV. Allegro vivace

The first movement is highly chromatic, with the chromaticized bridge theme in the exposition being one of several examples, the end of the exposition being another.

The slow movement "invokes ... the slow movement of Haydn's Op. 20 No. 1. The ostentatious dissonances of its opening almost have an antique flavour, caused by the collision of semitonal ascents and descents, and this strongly suggests the opening subject of the first movement, so surprisingly isolated there."Other commentators hear it as pointing forward to Johannes Brahms.

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http://www.rhapsody.com/artist/mozart-2/album/mozart-symphonies-sonatas-serenades-concertos-and-overtu

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Mozart - The Essential Collection

Napster

Quartet No. 16 in E-Flat Major, K. 428: II. Andante con Moto

Another track to which when I listen to, I can't but think of us conversing.
[Performed by the Advent Chamber Orchestra with David Perry and Roxana Pavel Goldstein (violins)]

Johann Sebastian Bach - Concerto For Two Violins In D Minor - 2. Largo Ma Non Tanto

Epic Orchestra

1812 Overture Op. 49

[LIVE] Franz Schubert - 'Erlkönig', D. 328 with Michał Biel

by Cenk Akiz

Felix Mendelssohn: Lieder Ohne Worthe(Songs Without Words), Book 2, Op.30, No.12 in F-Sharp minor

Collins Classics is proud to present ‘Beethoven and Chill’.
Sit down and unwind with a collection of the great German composer’s most relaxing, reposing and renowned works in the first of our carefully curated ‘Chill Series’ - https://CollinsClassics.lnk.to/BeethovenandChill

Beethoven and Chill

"Pastorale" Symphony No.6 in F Major, Op.68: I. Allegro ma non troppo

All recording credit goes to Harrison Digital Productions

Franz Joseph Haydn - String Quartet in D Major, Op. 20 No. 4 - Allegro di Molto

New England Conservatory Chamber Orchestra, coached by Donald Palma performs the first movement of Joseph Hadyn's Symphony No. 49 In F Minor, "La Passione". Recorded live in 2005 in NEC's Jordan Hall.

Joseph Haydn: Symphony No. 49 In F Minor - Allegro Di Molto

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

Expressions: Haydn, Szymanowski, Chopin

Sonata in A-Flat Major, Hob. XVI/46 - II. Adagio

Haydn - Sonata in A-flat major Hob. XVI: 46 - II. Adagio

Sonata in A-Flat Major, Hob. XVI/46 - III. Finale - Presto

Haydn - Sonata in A-flat major Hob. XVI: 46 - III. Finale. Presto

Hugh Wolff conducts the New England Conservatory Philharmonia in a performance of Haydn's Symphony no 82 in C major, H 1 no 82 "The Bear". Recorded live in Jordan Hall March 11, 2013.

Haydn: Symphony no 82 in C major- Allegretto

While all these statements describe Aleksandra Mikulska’s playing, her art is perhaps best encapsulated by the phrase: sincerity and intimacy. In her concerts, the charismatic pianist lifts the curtain on new and unfamiliar worlds and aims to move her listeners – whether with the works of Johann Sebastian Bach, Joseph Haydn, Franz Liszt or her compatriot Frédéric Chopin, with whom she feels a particularly strong connection – through her utter absorption in the music.

Growing up in Warsaw, Chopin’s home city, Aleksandra Mikulska developed an intense love of the composer’s piano music while still a child. Having, in her early years, followed the International Chopin Piano Competition on television, with scarcely room for a piano in the family’s tenth-floor apartment in a prefabricated block, she went on to win the “Best Polish Pianist” prize in the 2005 contest. 

Seeking freedom and new interpretative stimuli, Aleksandra Mikulska was drawn for her musical training initially to Mannheim and from there to Karlsruhe (where she studied for her degree under Peter Eicher), Imola in Italy (Lazar Berman, Michel Dalberto) and back to Hanover in Germany (Arie Vardi). She also drew significant inspiration from masterclasses with Diane Andersen, Kevin Kenner, Andrzej Jasinski and Lev Natochenny. Aleksandra Mikulska describes giving concerts as her passion. She has appeared with renowned orchestras under the batons of Michael Sanderling, Pawel Przytocki, Kaspar Zehnder, Johannes Schlaefli, Stefan Fraas, Philippe Bach and other well-known conductors – notably at the Musikverein in Vienna, the Brucknerhaus in Linz and the Tonhalle in Zurich. She is also a regular guest at international festivals such as the MDR Musiksommer, the Liszt Festival Raiding, the Bodenseefestival, the Usedom Music Festival and the Styriarte.

An issue particularly close to Aleksandra Mikulska’s heart is German-Polish cooperation. As President of the Chopin Society in Darmstadt, she is committed to fostering the up-and-coming generation of musicians and to promoting the rediscovery of less-well-known composers from her home country. She also brings her polish roots to bear by performing the music of composers such as Julian Fontana, Miłosz Magin, Artur Malawski and Karol Szymanowski, which is rarely played in Germany.

In addition to the solo repertoire to which she is first and foremost devoted, Aleksandra Mikulska also, at a young age, discovered an interest in chamber music – including Johannes Brahms’s violin and cellos sonatas and the piano concertos of Mozart, Beethoven and Chopin, which she enjoys approaching in experimental arrangements for smaller ensembles. She also has a strong interest in Polish and German Romantic lieder. 

On her latest album, Reflections, released by GENUIN classics, Aleksandra Mikulska brings together two key works of the Romantic repertoire for piano: the B minor sonatas of Frédéric Chopin and Franz Liszt. During the 2020/21 season, she will be giving a wide range of concerts with personally presented programmes featuring works by Scarlatti, Haydn, Schumann, Beethoven, Fontana and Szymanowski.

Haydn - Sonata in A-flat major Hob. XVI: 46 - III. Finale. Presto

Aleksandra Mikulska

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