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Chopin Heroic Polonaise Op.53 A Flat Major - Played by Valentina Lisitsa

Tchaikovsky   Piano Concerto No 1, B Flat Minor, Op 23 Open   Best Of Classical Music

Variações de uma música, Erudita contemporânea, Eletrônica, Ambiente, Instrumental

TORITORY Dissonant Piano C12 - N9

Classical -- Chopin: "Revolutionary Etude, Op. 10, No. 12"

LAKEY INSPIRED - Chill Day

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Chill Day

New England Conservatory Chamber Orchestra coached by Donald Palma performs Tchaikovsky's Serenade for Strings. Recorded live October 14, 2011 at NEC's Jordan Hall.
For more information: http://necmusic.edu

Tchaikovsky: Serenade for Strings in C major, Op. 48 -  Waltzer

LAKEY INSPIRED - Better Days



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Better Days

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Ryan Little - Lucy's Song

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Lucy's Song

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LAKEY INSPIRED - Days Like These

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Days Like These

My attempt at this challenging piano piece by Chopin! By no means perfect, but I hope you enjoy this anyway! :)

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Originally practised for the <a href="http://soundcloud.com/groups/classical-challenge/tracks">Classical Challenge</a> (Fantasie Impromptu Challenge) created by <a href="http://soundcloud.com/the-awakened-soul">Apo Malo</a>  in <a href="https://www.facebook.com/groups/pianocloud/">The Piano Cloud</a> Facebook group that is hosted by <a href="http://soundcloud.com/keyquest-music">Andrew Eales</a> (Wow that was a mouth full!) :P

Performed on my Roland FP-7F digital piano
Recorded using Audacity

Chopin's Fantasie Impromptu - Luke Freeman

Frederic Chopin: Ballade No. 1, Op. 23

I produced this track using midi and EW Gold Pianos in order to perfection the performance as I imagine it.

Franz Liszt - La Campanella

Franz Liszt - Liebestraum - Love Dream

Chopin - Etude Op. 25, No. 11, Winter Wind

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Chopin: Balladen

Ballade No. 1 in G Minor, Op. 23

Chopin - Ballade No. 1 in G Minor op. 23

While all these statements describe Aleksandra Mikulska’s playing, her art is perhaps best encapsulated by the phrase: sincerity and intimacy. In her concerts, the charismatic pianist lifts the curtain on new and unfamiliar worlds and aims to move her listeners – whether with the works of Johann Sebastian Bach, Joseph Haydn, Franz Liszt or her compatriot Frédéric Chopin, with whom she feels a particularly strong connection – through her utter absorption in the music.

Growing up in Warsaw, Chopin’s home city, Aleksandra Mikulska developed an intense love of the composer’s piano music while still a child. Having, in her early years, followed the International Chopin Piano Competition on television, with scarcely room for a piano in the family’s tenth-floor apartment in a prefabricated block, she went on to win the “Best Polish Pianist” prize in the 2005 contest. 

Seeking freedom and new interpretative stimuli, Aleksandra Mikulska was drawn for her musical training initially to Mannheim and from there to Karlsruhe (where she studied for her degree under Peter Eicher), Imola in Italy (Lazar Berman, Michel Dalberto) and back to Hanover in Germany (Arie Vardi). She also drew significant inspiration from masterclasses with Diane Andersen, Kevin Kenner, Andrzej Jasinski and Lev Natochenny. Aleksandra Mikulska describes giving concerts as her passion. She has appeared with renowned orchestras under the batons of Michael Sanderling, Pawel Przytocki, Kaspar Zehnder, Johannes Schlaefli, Stefan Fraas, Philippe Bach and other well-known conductors – notably at the Musikverein in Vienna, the Brucknerhaus in Linz and the Tonhalle in Zurich. She is also a regular guest at international festivals such as the MDR Musiksommer, the Liszt Festival Raiding, the Bodenseefestival, the Usedom Music Festival and the Styriarte.

An issue particularly close to Aleksandra Mikulska’s heart is German-Polish cooperation. As President of the Chopin Society in Darmstadt, she is committed to fostering the up-and-coming generation of musicians and to promoting the rediscovery of less-well-known composers from her home country. She also brings her polish roots to bear by performing the music of composers such as Julian Fontana, Miłosz Magin, Artur Malawski and Karol Szymanowski, which is rarely played in Germany.

In addition to the solo repertoire to which she is first and foremost devoted, Aleksandra Mikulska also, at a young age, discovered an interest in chamber music – including Johannes Brahms’s violin and cellos sonatas and the piano concertos of Mozart, Beethoven and Chopin, which she enjoys approaching in experimental arrangements for smaller ensembles. She also has a strong interest in Polish and German Romantic lieder. 

On her latest album, Reflections, released by GENUIN classics, Aleksandra Mikulska brings together two key works of the Romantic repertoire for piano: the B minor sonatas of Frédéric Chopin and Franz Liszt. During the 2020/21 season, she will be giving a wide range of concerts with personally presented programmes featuring works by Scarlatti, Haydn, Schumann, Beethoven, Fontana and Szymanowski.

Chopin - Ballade No. 1 in G Minor op. 23

Aleksandra Mikulska

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