中間部の安らいでいるつかの間、はっと問題に気付いて元に引き返すところも、とても美しく感じました。最初からショックで聞いていて、どんどん沢山の事に気付かされると思います｡それより何より、素晴らしい音楽ありがとうございます。

One of the best interpretation of this masterpiece I’ve ever heard…🎼🎼✨🎼🎼

no one left a comment here so imma leave one

🎹classical ahh🤌✨

Aram Khachaturian arr. Aleksey Krasavin - Sabre Dance

A recording of J.S. Bach's 'Preludie in C' played by Neil Balfour.

When J.S. Bach began working on his epic Well-Tempered Clavier in 1722, chances are he wasn't thinking that it would become one of the defining musical texts in keyboard history. But, somehow, it has - and the Prelude No. 1 in C Major is where it all starts.

The Well-Tempered Clavier (there are two volumes of it, each containing a prelude and a fugue in each musical key) kicks off in C Major, the most 'natural' musical key, so he obviously made sure that the first entry is a good one. Few pieces of keyboard music sound so delicate and fragile, but there's a very Bach-ian stability to it as well. 

It's a strikingly simple piece to begin with, gently phasing through different chords and registers, but it's one of those pieces that demands to be tinkered with. Consequently, you'll hear plenty of different interpretations of this much-loved work.

Prelude No. 1 In C Major | Bach

09 - Tomaso Albinoni - Concerto a 5 Op.9,8 g for Oboe 3 Allegro

Antonio Vivaldi - La Follia, Op. 1 N. 12 Sonata For 2 Violins & B.c. In D Minor

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

Chopin: Balladen

Nocturne in F Minor, Op. 55: No. 1

Chopin - Nocturne in F Minor op. 55  No. 1

VITTORIO MONTI ~ Csardas
(Performed by  the Budapest  Symphony Orchestra)

Csárdás (or Czardas) is the only famous composition of Vittorio Monti. A rhapsodical concert piece written in 1904, it is a well-known folk piece based on a Hungarian csárdás. It was originally composed for violin, mandolin or piano. Nowadays, it is usually played on the violin, but can also be played as a piano solo, saxophone solo, on the accordion, or as an orchestral arrangement. The duration of the piece is about four 

VITTORIO MONTI ~ Csardas

Live Piano Recording. A notable and well-known piano solo composition by virtuoso pianist Franz Liszt. 

Franz Liszt - Hungarian Rhapsody No. 2

illustration: James Abbott McNeill Whistler - 'Nocturne in black and gold - The Falling Rocket', 1872-1877, Detroit Institute of Arts, Detroit

Frédéric Chopin - Nocturne in C sharp minor no. 20 'Lento con gran espressione' op. posth.

"Tones sound, and roar and storm about me until I have set them down in notes."
-Ludwig van Beethoven



Ludwig Van Beethoven - Sonata No. 17 In D Minor For Piano, Op. 31 - 2 (The Tempest)- III. Allegretto

Chopin - Nocturne Op.9 No.2

Franz Liszt - Claude Debussy - Poissons d'Or, from Images II - 1901/1905
André Luz - Piano
Live recording - Auditorium of the Art Institute - Unicamp - April 28 2022
Illustration - Paul Klee - Fish Magic.




Claude Debussy - Poissons d'Or, from Images II - Campinas - 2025

Johann Sebastian Bach: Violin Concerto in A minor, BWV 1041

Thomas Gould, violin
Senesino Players

Johann Sebastian Bach: Violin Concerto in A minor: 3. Allegro assai

Ludwig van Beethoven - Piano Concerto No. 5 in E Flat Major, 'Emperor' - Adagio un poco mosso

Fantaisie-Impromtu in C Sharp Minor, Op. 66

Chopin - Fantaisie-Impromptu in C-sharp minor op. 66

Ballade No. 1 in G Minor, Op. 23

Chopin - Ballade No. 1 in G Minor op. 23

While all these statements describe Aleksandra Mikulska’s playing, her art is perhaps best encapsulated by the phrase: sincerity and intimacy. In her concerts, the charismatic pianist lifts the curtain on new and unfamiliar worlds and aims to move her listeners – whether with the works of Johann Sebastian Bach, Joseph Haydn, Franz Liszt or her compatriot Frédéric Chopin, with whom she feels a particularly strong connection – through her utter absorption in the music.

Growing up in Warsaw, Chopin’s home city, Aleksandra Mikulska developed an intense love of the composer’s piano music while still a child. Having, in her early years, followed the International Chopin Piano Competition on television, with scarcely room for a piano in the family’s tenth-floor apartment in a prefabricated block, she went on to win the “Best Polish Pianist” prize in the 2005 contest. 

Seeking freedom and new interpretative stimuli, Aleksandra Mikulska was drawn for her musical training initially to Mannheim and from there to Karlsruhe (where she studied for her degree under Peter Eicher), Imola in Italy (Lazar Berman, Michel Dalberto) and back to Hanover in Germany (Arie Vardi). She also drew significant inspiration from masterclasses with Diane Andersen, Kevin Kenner, Andrzej Jasinski and Lev Natochenny. Aleksandra Mikulska describes giving concerts as her passion. She has appeared with renowned orchestras under the batons of Michael Sanderling, Pawel Przytocki, Kaspar Zehnder, Johannes Schlaefli, Stefan Fraas, Philippe Bach and other well-known conductors – notably at the Musikverein in Vienna, the Brucknerhaus in Linz and the Tonhalle in Zurich. She is also a regular guest at international festivals such as the MDR Musiksommer, the Liszt Festival Raiding, the Bodenseefestival, the Usedom Music Festival and the Styriarte.

An issue particularly close to Aleksandra Mikulska’s heart is German-Polish cooperation. As President of the Chopin Society in Darmstadt, she is committed to fostering the up-and-coming generation of musicians and to promoting the rediscovery of less-well-known composers from her home country. She also brings her polish roots to bear by performing the music of composers such as Julian Fontana, Miłosz Magin, Artur Malawski and Karol Szymanowski, which is rarely played in Germany.

In addition to the solo repertoire to which she is first and foremost devoted, Aleksandra Mikulska also, at a young age, discovered an interest in chamber music – including Johannes Brahms’s violin and cellos sonatas and the piano concertos of Mozart, Beethoven and Chopin, which she enjoys approaching in experimental arrangements for smaller ensembles. She also has a strong interest in Polish and German Romantic lieder. 

On her latest album, Reflections, released by GENUIN classics, Aleksandra Mikulska brings together two key works of the Romantic repertoire for piano: the B minor sonatas of Frédéric Chopin and Franz Liszt. During the 2020/21 season, she will be giving a wide range of concerts with personally presented programmes featuring works by Scarlatti, Haydn, Schumann, Beethoven, Fontana and Szymanowski.

Chopin - Fantaisie-Impromptu in C-sharp minor op. 66

Aleksandra Mikulska

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