Schubert: Moment Musicaux No. 2

Schubert: Moment Musicaux No. 2 Andantino in A-flat major

Schubert: Impromptu Eb major

ARCADIA 2 (2016) for piano

THE RELUCTANT CARNIE is a quirky, vintage-style miniature for solo piano, originally composed in 2017 to accompany various selections of background music for use in a bingo game app. Pianist Randall Hodgkinson has said that the work “is charming, a little Satie sensibility set in the wild west.” While perhaps simple and straightforward in scope, The Reluctant Carnie nevertheless maintains an evocative charm with its sad swagger and temperamental moodiness.

Stream

The Reluctant Carnie

one famous valse composed by P. I. Tschaikowsky
from my serie "romantic piano II"
played on a Steinway B-211 piano

Peter Iljitsch Tschaikowsky - Valse sentimentale Opus 51 Nr 6  Steinway B-211 piano

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

European Melodies

GBMJG1511712

Chopin - Fantaisie-Impromptu in C-sharp minor, Op. 66 (Live)

Mazurka in B-Flat Minor, Op. 24, No. 4

Chopin - Mazurka in B-flat minor, Op. 24, No. 4 (Live)

Johannes Brahms:
Two Intermezzi from Klavierstucke Op. 119, in b minor and e minor

Johannes Brahms

Chopin's G minor Ballade is one of those pieces that is played a great deal and often rather mangled by exaggerated rubato and mannered interpretation. I love to reveal the unvarnished truth about music, to reveal its natural patterns and structure. For me, allowing the rhythm and melodic lines to flow with natural flexibility only adds to the extraordinary cathartic beauty of Chopin's refined yet emotional and virtuoso composition.

You can also follow me on Spotify at spoti.fi/2MRR1lV and stream the albums I have released there.

Ballade in G minor op. 23 - Chopin

Chopin: Sonata No. 3 in B minor op. 58

Four Mazurkas, Op. 30: No. 1 in C Minor, Allegretto non tanto

Chopin - Four Mazurkas, Op. 30 - Mazurka in C minor - Allegretto non tanto (No. 1)

While all these statements describe Aleksandra Mikulska’s playing, her art is perhaps best encapsulated by the phrase: sincerity and intimacy. In her concerts, the charismatic pianist lifts the curtain on new and unfamiliar worlds and aims to move her listeners – whether with the works of Johann Sebastian Bach, Joseph Haydn, Franz Liszt or her compatriot Frédéric Chopin, with whom she feels a particularly strong connection – through her utter absorption in the music.

Growing up in Warsaw, Chopin’s home city, Aleksandra Mikulska developed an intense love of the composer’s piano music while still a child. Having, in her early years, followed the International Chopin Piano Competition on television, with scarcely room for a piano in the family’s tenth-floor apartment in a prefabricated block, she went on to win the “Best Polish Pianist” prize in the 2005 contest. 

Seeking freedom and new interpretative stimuli, Aleksandra Mikulska was drawn for her musical training initially to Mannheim and from there to Karlsruhe (where she studied for her degree under Peter Eicher), Imola in Italy (Lazar Berman, Michel Dalberto) and back to Hanover in Germany (Arie Vardi). She also drew significant inspiration from masterclasses with Diane Andersen, Kevin Kenner, Andrzej Jasinski and Lev Natochenny. Aleksandra Mikulska describes giving concerts as her passion. She has appeared with renowned orchestras under the batons of Michael Sanderling, Pawel Przytocki, Kaspar Zehnder, Johannes Schlaefli, Stefan Fraas, Philippe Bach and other well-known conductors – notably at the Musikverein in Vienna, the Brucknerhaus in Linz and the Tonhalle in Zurich. She is also a regular guest at international festivals such as the MDR Musiksommer, the Liszt Festival Raiding, the Bodenseefestival, the Usedom Music Festival and the Styriarte.

An issue particularly close to Aleksandra Mikulska’s heart is German-Polish cooperation. As President of the Chopin Society in Darmstadt, she is committed to fostering the up-and-coming generation of musicians and to promoting the rediscovery of less-well-known composers from her home country. She also brings her polish roots to bear by performing the music of composers such as Julian Fontana, Miłosz Magin, Artur Malawski and Karol Szymanowski, which is rarely played in Germany.

In addition to the solo repertoire to which she is first and foremost devoted, Aleksandra Mikulska also, at a young age, discovered an interest in chamber music – including Johannes Brahms’s violin and cellos sonatas and the piano concertos of Mozart, Beethoven and Chopin, which she enjoys approaching in experimental arrangements for smaller ensembles. She also has a strong interest in Polish and German Romantic lieder. 

On her latest album, Reflections, released by GENUIN classics, Aleksandra Mikulska brings together two key works of the Romantic repertoire for piano: the B minor sonatas of Frédéric Chopin and Franz Liszt. During the 2020/21 season, she will be giving a wide range of concerts with personally presented programmes featuring works by Scarlatti, Haydn, Schumann, Beethoven, Fontana and Szymanowski.

Chopin - Mazurka in B-flat minor, Op. 24, No. 4 (Live)

Aleksandra Mikulska

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