c sharp minor

Chopin - Nocturne for violin

Waltz in F Major, Op. 34 No. 3 (Choir Rendition)

00:00 Largo
01:19 Allegro
04:52 Largetto
07:51 Gigue

George Frideric Handel: Concerto Grosso in F Major (Op 6 No 9)

Digital Piano: KAWAI CA9500GP. 442hz, Loudness
Home Recording: ZOOM h1nvp 48k 16bit wav

Link
No. 1. Aubade
https://soundcloud.com/pulchraflow/louis-vierne-aubade-suite-bourguignonne-op17-no-1   
No. 2. Idylle 
https://soundcloud.com/pulchraflow/louis-vierne-idylle-suite-bourguignonne-op17-no-2
No.3  Divertissement
https://soundcloud.com/pulchraflow/louis-vierne-divertissement-suite-bourguignonne-op17-no3
No.4  Légende bourguignonne
https://soundcloud.com/pulchraflow/louis-vierne-legende-bourguignonne-suite-bourguignonne-op17-no4
No.5  A l'Angelus du Soir
https://soundcloud.com/pulchraflow/louis-vierne-a-langelus-du-soir-suite-bourguignonne-op17-no5
No. 6. Danse rustique 
https://soundcloud.com/pulchraflow/louis-vierne-danse-rustique-suite-bourguignonne-op17-no-6
No. 7. Clair de Lune 
https://soundcloud.com/pulchraflow/louis-vierne-clair-de-lune-suite-bourguignonne-op17-no-7


blog link
https://pulchraflow.blogspot.com/2025/11/louis-vierne-suite-bourguignonne-op17.html
artwork
https://pixabay.com/photos/leaves-stream-water-rocks-stones-5353592/

Louis Vierne: Divertissement, Suite bourguignonne, Op.17 No.3, ルイ・ヴィエルヌ ブルゴーニュ組曲 ディヴェルティメント

Listopad.aac

Buy / Stream

Sakura Radiance

Chopin - Nocturne in C sharp minor by Nana Peradze  
The Chopin nocturnes constitute 21 short pieces for solo piano written by Frédéric Chopin between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire.

Nana Peradze plays CHOPIN, Nocturne in C sharp minor

Chopin Nocturne In C Sharp Minor For Violin And Piano

Franz Schubert
Piano Sonata No. 21 in B-flat major, D. 960
1. Molto moderato

Piano: Clara Haskil
rec. date: 1957 August 8

--

슈베르트 피아노 소나타 21번, D960
1악장: Molto moderato
클라라 하스킬 연주

Schubert Piano Sonata No. 21 - 1. Molto moderato - Clara Haskil

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

European Melodies

Mazurka in C-Sharp Minor, Op. 63, No. 3

Chopin - Mazurka in C-sharp minor, Op. 63, No. 3 (Live)

Felix MENDELSSOHN BARTHOLDY (1809-1847)
Lieder ohne Worte Op. 62
Nr. 1 Mailüfte

DUO CORD'EOLE
Fanny MAYNE, Querflöte
Nicolas FAURE, Violoncello
www.duocordeole.com

Felix MENDELSSOHN BARTHOLDY (1809-1847) - Lieder ohne Worte Op. 62 - Nr. 1 Mailüfte

Jan Dismas Zelenka: Miserere in C minor ZWV 57

Domenico Scarlatti - Keyboard Sonata K380

Ludwig van Beethoven - Piano Concerto No. 5 in E Flat Major, 'Emperor' - Adagio un poco mosso

Chopin: Balladen

Fantaisie-Impromtu in C Sharp Minor, Op. 66

Chopin - Fantaisie-Impromptu in C-sharp minor op. 66

While all these statements describe Aleksandra Mikulska’s playing, her art is perhaps best encapsulated by the phrase: sincerity and intimacy. In her concerts, the charismatic pianist lifts the curtain on new and unfamiliar worlds and aims to move her listeners – whether with the works of Johann Sebastian Bach, Joseph Haydn, Franz Liszt or her compatriot Frédéric Chopin, with whom she feels a particularly strong connection – through her utter absorption in the music.

Growing up in Warsaw, Chopin’s home city, Aleksandra Mikulska developed an intense love of the composer’s piano music while still a child. Having, in her early years, followed the International Chopin Piano Competition on television, with scarcely room for a piano in the family’s tenth-floor apartment in a prefabricated block, she went on to win the “Best Polish Pianist” prize in the 2005 contest. 

Seeking freedom and new interpretative stimuli, Aleksandra Mikulska was drawn for her musical training initially to Mannheim and from there to Karlsruhe (where she studied for her degree under Peter Eicher), Imola in Italy (Lazar Berman, Michel Dalberto) and back to Hanover in Germany (Arie Vardi). She also drew significant inspiration from masterclasses with Diane Andersen, Kevin Kenner, Andrzej Jasinski and Lev Natochenny. Aleksandra Mikulska describes giving concerts as her passion. She has appeared with renowned orchestras under the batons of Michael Sanderling, Pawel Przytocki, Kaspar Zehnder, Johannes Schlaefli, Stefan Fraas, Philippe Bach and other well-known conductors – notably at the Musikverein in Vienna, the Brucknerhaus in Linz and the Tonhalle in Zurich. She is also a regular guest at international festivals such as the MDR Musiksommer, the Liszt Festival Raiding, the Bodenseefestival, the Usedom Music Festival and the Styriarte.

An issue particularly close to Aleksandra Mikulska’s heart is German-Polish cooperation. As President of the Chopin Society in Darmstadt, she is committed to fostering the up-and-coming generation of musicians and to promoting the rediscovery of less-well-known composers from her home country. She also brings her polish roots to bear by performing the music of composers such as Julian Fontana, Miłosz Magin, Artur Malawski and Karol Szymanowski, which is rarely played in Germany.

In addition to the solo repertoire to which she is first and foremost devoted, Aleksandra Mikulska also, at a young age, discovered an interest in chamber music – including Johannes Brahms’s violin and cellos sonatas and the piano concertos of Mozart, Beethoven and Chopin, which she enjoys approaching in experimental arrangements for smaller ensembles. She also has a strong interest in Polish and German Romantic lieder. 

On her latest album, Reflections, released by GENUIN classics, Aleksandra Mikulska brings together two key works of the Romantic repertoire for piano: the B minor sonatas of Frédéric Chopin and Franz Liszt. During the 2020/21 season, she will be giving a wide range of concerts with personally presented programmes featuring works by Scarlatti, Haydn, Schumann, Beethoven, Fontana and Szymanowski.

Chopin - Mazurka in C-sharp minor, Op. 63, No. 3 (Live)

Aleksandra Mikulska

Related tracks