I composed this for my young daughter who had just started ballet dance lessons. Waltz for full orchestra.

Chloe's Ballet (by Jean Paul Zoghbi)

Hey 👋 Making classical music is thirsty work, I could sure use a beer right now! Buy me a pint if you can! Cheers!

https://buymeacoffee.com/classical

🍺 Buy me a Beer! 🍺

🍺 Buy me a Beer! 🍺

Audius

Quartet No. 19 in C Major, K. 465 "Dissonant": I. II. III. & IV

https://www.youtube.com/watch?v=E7Io7mQseaw

oh, improvisation_041f is wel heel mooi maar die wordt niet meegenomen met de algoritmes. doei.

Improvisation_041d

World Premiered by Katherine Cheng	(violin) and Jeongmin Oak (piano) Kilbourn	Hall,	Eastman	School of Music Rochester,	NY | 
Friday, November	22,	2024

Program Notes:

“Tea with Debussy & Pärt in Casablanca” is a musical dream born from a vacation in Havana, Cuba. This piece imagines an encounter with the esteemed composers Arvo Pärt and Claude Debussy in the vibrant city of Casablanca, over Moroccan tea. It is not an imitation of their styles but rather a heartfelt conversation between us, infused with elements of both composers’ musical languages. Originally commissioned by Vincent Delorme for viola and piano, the piece was premiered in Montreal. The clarinet version, performed by double Grammy-nominated clarinetist Tasha Warren and pianist Yun Hao, premiered at the Mostly Modern Festival in Saratoga Springs, NY, in June 2024. Katherine Cheng, inspired by both the clarinet version and her experience performing in the sextet premiere of the first movement of my Suite “Moroccan Dances,” felt a strong connection to my compositional style. Her expressive playing and nuanced interpretation are well-suited to the music’s blend of minimalist and impressionistic elements. Katherine’s excitement about this collaboration led to the creation of this violin and piano version, marking the beginning of our artistic partnership. The piece begins with minimalist touches, a nod to Pärt’s recent works, where the piano introduces serene arpeggios that intertwine with expressive violin melodies. As the music progresses, it incorporates Debussy’s harmonic richness, weaving a tapestry of sound that captures the essence of typical Moroccan conversations—dynamic, lively, and filled with unexpected turns.

Tea with Debussy and Pärt in Casablanca for Violin and Piano - World Premiere

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

European Melodies

Scherzo No. 2 in B-Flat Minor, Op. 31

Chopin - Scherzo No. 2 in B-flat minor, Op. 31 (Live)

Ballet Class Music – Ultimate Ballet Music & Piano Classics for Dance Lessons, Ballet Barre, Modern Ballet & Coreography

Contemporary Dance

Live Recital Recording at Texas Tech University-2017

N. Paganini Caprice No.6 in G Minor

You've Got A Friend In Me (Jazz Piano Improvisation) - Franz Gregor Guzman

One of Rachmaninoff's most exquisite songs, compare this to the solo piano version, which I have also recorded.

Rachmaninoff The Lilacs, for Soprano/Piano  Tiffany Renee Jackson, Voice, David DeLucia , piano

Just like me, they long to be close to you...

Carpenters Medley (Piano) - F.G. Guzman

An All-Chopin Program

Chopin: Polonaise in A Major, Op. 40, No. 1 ("Military")

While all these statements describe Aleksandra Mikulska’s playing, her art is perhaps best encapsulated by the phrase: sincerity and intimacy. In her concerts, the charismatic pianist lifts the curtain on new and unfamiliar worlds and aims to move her listeners – whether with the works of Johann Sebastian Bach, Joseph Haydn, Franz Liszt or her compatriot Frédéric Chopin, with whom she feels a particularly strong connection – through her utter absorption in the music.

Growing up in Warsaw, Chopin’s home city, Aleksandra Mikulska developed an intense love of the composer’s piano music while still a child. Having, in her early years, followed the International Chopin Piano Competition on television, with scarcely room for a piano in the family’s tenth-floor apartment in a prefabricated block, she went on to win the “Best Polish Pianist” prize in the 2005 contest. 

Seeking freedom and new interpretative stimuli, Aleksandra Mikulska was drawn for her musical training initially to Mannheim and from there to Karlsruhe (where she studied for her degree under Peter Eicher), Imola in Italy (Lazar Berman, Michel Dalberto) and back to Hanover in Germany (Arie Vardi). She also drew significant inspiration from masterclasses with Diane Andersen, Kevin Kenner, Andrzej Jasinski and Lev Natochenny. Aleksandra Mikulska describes giving concerts as her passion. She has appeared with renowned orchestras under the batons of Michael Sanderling, Pawel Przytocki, Kaspar Zehnder, Johannes Schlaefli, Stefan Fraas, Philippe Bach and other well-known conductors – notably at the Musikverein in Vienna, the Brucknerhaus in Linz and the Tonhalle in Zurich. She is also a regular guest at international festivals such as the MDR Musiksommer, the Liszt Festival Raiding, the Bodenseefestival, the Usedom Music Festival and the Styriarte.

An issue particularly close to Aleksandra Mikulska’s heart is German-Polish cooperation. As President of the Chopin Society in Darmstadt, she is committed to fostering the up-and-coming generation of musicians and to promoting the rediscovery of less-well-known composers from her home country. She also brings her polish roots to bear by performing the music of composers such as Julian Fontana, Miłosz Magin, Artur Malawski and Karol Szymanowski, which is rarely played in Germany.

In addition to the solo repertoire to which she is first and foremost devoted, Aleksandra Mikulska also, at a young age, discovered an interest in chamber music – including Johannes Brahms’s violin and cellos sonatas and the piano concertos of Mozart, Beethoven and Chopin, which she enjoys approaching in experimental arrangements for smaller ensembles. She also has a strong interest in Polish and German Romantic lieder. 

On her latest album, Reflections, released by GENUIN classics, Aleksandra Mikulska brings together two key works of the Romantic repertoire for piano: the B minor sonatas of Frédéric Chopin and Franz Liszt. During the 2020/21 season, she will be giving a wide range of concerts with personally presented programmes featuring works by Scarlatti, Haydn, Schumann, Beethoven, Fontana and Szymanowski.

Chopin - Scherzo No. 2 in B-flat minor, Op. 31 (Live)

Aleksandra Mikulska

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mahdi khanzadi

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