song by sergio perere_ album sempreviva - 2003_ label Circus

08 Onde Qué_sergio perere

07-Gira de Meninos _ ceumar & sérgio pererê

Com 09 anos de trajetória o coletivo musical Tirinete Tracuá divulga o Coco e suas vertentes musicais do Bambelô (Estilo de Coco em extinção poucos mestres que conhecem essa vertente no nordeste), Coco de Roda,Coco de Ganzá, Samba de Coco e do Boi de Reis, Loas e música de Rabeca... Música do mundo... Mostrar a cultura popular é nosso objetivo através de Aulas-espetáculos, Shows, Oficinas e Palestras. O objetivo do percussionista e produtor musical Cacau Arcoverde e criar junto com Mestres tradicionais um coletivo de Cultura Popular valorizando a tradição. Em Arcoverde Sertão de Pernambuco temos o Samba de Coco que representa um dos ritmos e estilos tradicionais e apresentando outros estilos de coco: Bambelô, Coco de Roda, Coco de Ganzá, Boi de Reis e Rabeca. Evidenciar as possibilidades estéticas desses ritmos, ancorado num processo de respeito à diversidade e conhecimento da tradição ancestral de cada Mestre. Pois é o encontro com os mestres em meados de 2006 deu origem ao grupo Tirinete Tracuá. Coletivo, convivência, solidariedade, transformação, continuidade, memória e tradição - no sentido de referência – constituem o significado desse Coletivo. A união rendeu um belo espetáculo que foi apresentado na SBPC Cultural na UFRN no ano de 2006. Atualmente o coletivo está em fase de pré-produção do 1º Cd do Coletivo do Tirinete Tracuá. 

COCO DE RABECA-CAMINHANDO PELA MATA_CANINDÉ GUARA-CACAU ARCOVERDE

Cd ADIEL LUNA E COCO CAMARÁ do poeta Adiel Luna.

Cacique Luna

J.B. de Carvalho
Ê RERÊ (CABOCLO 7 FLEXAS)
(J.B. de Carvalho & Rossini Pacheco)
1953

J.B. de Carvalho - Ê rerê (Caboclo 7 flexas) (1953)

Quilombo do Futuro dives deep into afro-brazilian rhythms and sound system culture.  It's the roots of the terreiro growing and overtaking the asfalto.  Crumbling it bit by bit.  Life that springs from urban decay.  Coco, maculelê, samba, jongo and capoeira meet ragga and dub, hip hop and kuduro, grime and dubstep. Organic elements combined with electronic production to bring the punch and power for big sound systems, this is serious batucada and bass, mids, treble. TUDO.

Maga Bo has performed and worked in over 40 different countries - from Delhi to Sydney, Berlin to Addis Ababa, New York City to Brasília, all the while keeping his feet (and ears) firmly planted in the sonic axis RJ/SP/BA - Rio de Janeiro, São Paulo, Salvador.  Inspired as much by his experiences touring internationally in the global beats and bass world as his time spent in the traditional Afro-Brazilian roots scene in Rio de Janeiro, Quilombo do Futuro offers a careful juxtaposition of raw, heavy bass with organic, instrumental and vocal subtlety.  Far from relying on pre-made loops of "Brazilian" drums or other shallow cultural signifiers, this album was recorded with some of the most original and brightest musicians in Brazil today. 

Working with celebrated Brazilian musicians, BNegão, Gaspar, Lucas Santtana and Marcelo Yuka, the record also brings in new talents, Funkero, Biguli and one of the most innovative groups in Brazilian music today, BaianaSystem.  Bo's mestre of capoeira angola, Mestre Camaleão, brings the berimbau while Rosângela Macedo's vocals hold down tradition.  Guyanese Brooklynite, Jahdan Blakkamoore, and Panamanian Chicagoite, MC Zulu, bring the dancehall vibe to riddims that most don't even try to touch.  All percussion was tracked and produced by Maga Bo and his long time partner in riddim, percussionist and fellow carioca, João Hermeto. 

A quilombo was an autonomous, fugitive settlement founded by ex-slaves and others in colonial brazil.  The Quilombo do Futuro is more than a possible physical space.  It is a potential world-wide agglomeration of cultural resistance.  After centuries of wealth generated by an economy built on slavery (and the subsequent post-abolition adaptations), the Quilombo do Futuro is a break from this legacy.  Fortified by an international community based on plurality, inclusive democracy and direct communication, cultural resistance is paramount in creating a sustainable, healthy existence in the face of world-wide corporate domination.  

Born in the United States and based in Rio de Janeiro since 1999, Maga Bo has collaborated with Mulatu Astatke, Issa Bagayogo, Bollywood star Shilpa Rao, BaianaSystem as well as releasing critically acclaimed remixes for Poirier, Luisa Maita, Filastine, Blick Bassy and Bomba Estéreo.  His music and remixes have also been released on Tru-Thoughts, Ninja Tune, Cumbancha, Dutty Artz, World Connection and many others.  Among his many international tours, he has performed at the Sydney Festival, WOMEX, Club Transmediale and Mundial.

Eu Vim de Longe feat. Rosângela Macedo - Letras por Rosângela Macedo

eu vim de longe
vim na beira do caminho
saravá papai bendito
eu num quero andá sozinho
(nós não vâmo andá sozinho)
 
refrão:
ilaiê lalaiê ilaiê
lalaiê ilaiê
lalaiê ilaiê ô



I came from afar
I came on the edge of the way
bless pope Benedito
I don't want to walk alone
We're not going to walk alone

chorus:
ilaiê lalaiê ilaiê
lalaiê ilaiê
lalaiê ilaiê ô

12  Eu Vim de Longe feat. Rosângela Macedo

Faixa do álbum "Segura o Cordão" de Tiné, gravado em 2004

Tiné - Vento corredor

“Macumbadaboa” unites the ancestral sounds of Grupo Bongar from Pernambuco, Brazil with the electronic and dub elements of Maga Bo, the American/Brazilian DJ/producer based in Rio de Janeiro.  The project includes the participation of various well known Pernambuco artists - Isaar, Cláudio Rabeca, Lia de Itamaracá e as Filhas do Baracho, Lu do Coco do Pneu, members from the Xambá terreiro, children from the local community as well as the Malian kora player Adama Keita.  The album explores many northeastern Brazilian rhythms such as coco, afoxé and maculelê as well as subtle elements of electronic and dub music.

The songs were recorded in an improvised studio set up by Maga Bo in the Memorial Severina Paraíso da Silva - Mãe Biu, in the terreiro of Xambá in Olinda.  The intention was to bring Grupo Bongar into a familiar atmosphere where Guitinho could compose music and lyrics on the spot, inspired by the history of the Xambá community which was represented by all of the photos, antiques and relics that surrounded them in the Memorial.  

“The lyrics emerged from observing the pieces that make up the Memorial.  The old photos, the utensiles used in the terreiro in the time of Mãe Biu, the old percussion instruments, the maps of Nigeria and Cameroon (where the Xambá folk originated) and the articles of clothing from that time.  Finally, everything that reminds us of our history and the history of our people,” explains Guitinho.  “The repertoire of this album brings traditional songs for the orixás and the entitiies of Jurema.  The original lyrics emerged in the moment, through my observation of the pieces in the Memorial, during the recording.” - Marileide Alves

Release Date:  October 1, 2019
Format:  Digital/CD
Label:  Kaxambu Records
Catalog #: KAX014
Produced, recorded and mixed by Maga Bo
Musical direction by Guitinho da Xambá
Executive production for Bongar by Marileide Alves
Mastering by Krishnin at Blissonance
Artwork by Andrianna Moulinos
www.kaxamburecords.com

Macumbadaboa

Ogum Beira Mar - Grupo Bongar + Maga Bo

03 – Crochê
para vovó Bessinha
Música e letra: Alessandra Leão
Arranjo de Percussão: Alessandra Leão
Arranjo de Cordas: Cláudio Rabeca

Acende o meu olhar
Saí do escuro
Abri uma janela
Clareia a luz da vela

Eu ando na linha
Eu sigo o modelo
Amarro o cabelo
Pra não olhar

Um tombo do alto
Um tombo de baixo
Um tombo de lado
Me fez chorar

Escutei o que me diz
Não deixo o mal feito, feito
Se errar, desmanche e puxe a linha

voz, bombo, ganzá - Alessandra Leão 
rabeca – Cláudio Rabeca

Crochê

Faixa do cd Na Eira do grupo Ponto br formado por Zezé Menezes, Mestre Walter França, Mestre Humberto de Maracanã, Éder “O” Rocha, Henrique Menezes, Thomas Rohrer e Renata Amaral.

Bombo - Quando eu morrer

CD com músicas autorais lançado em 2008 pela Cooperativa de Música/Tratore. Jonathan Silva (voz e violão) é acompanhado por Filpo Ribeiro (violão, viola, rabeca e voz) e Dani Zulu (percussão e voz). Participações especiais de Juçara Marçal, Kiko Dinucci e Isla Jai, entre outros.

Crochê

alessandraleao

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