Whoa! I haven't heard this version before .. so good! Both are excellent, but this one is an entire other dimension .. !

best song ever, this emotion is unbelievable

Coming April 16th! Master craftsman James Welburn’s new LP, "Sleeper in the Void", marks the 50th Miasmah release. The six years after his monumental debut have bred six tracks Welburn brings to fruition with the help of past co-conspirators from the Norwegian underground scene - Tomas Järmyr (Motorpsycho, Zu, Barchan), Hilde Marie Holsen (Hubro Records), and vocal artist Juliana Venter (W/V, Phil Winter)..

300xLP

“In and out of blue” features Tomas Järmyr (drums) and Juliana Venter (voices)

Sleeper in the void

James Welburn - In and out of blue

This track has been released on vinyl on the 20th april 2015 by Emotional Response and it is available from:
http://www.juno.co.uk/products/abul-mogard-harmionius-thelonious-schleissen-1/555224-01/

Digital download available from: https://goo.gl/033W7A

Dizziness that shakes rivers and mountains

Track from NE15 Född Död - Studie I Närhet, Längtan Och Besvikelse LP

Order here: http://northernelectronics.bandcamp.com
https://clone.nl/item34101.html

Född Död - Utan skugga

out now on Hospital Records. 

Reviews:

http://www.spin.com/2015/07/review-alessandro-cortini-risveglio/
http://pitchfork.com/reviews/albums/20802-risveglio/



11 La Sveglia (Drum Version)

'We Stay Together' is a brand new doublepack from Andy Stott, a companion piece of sorts to the radical inversions of the 'Passed Me By' EP released earlier this year. Its predecessor left many heads dazed upon impact - in the best possible sense - and these six tracks, produced in its wake, amp the pressure to throttling degrees. Entering the digital compression chamber of 'Submission' you become a willing participant, before the lights are cut and you're forced to adjust to the humid atmosphere and bruising, muscle-contracting darkroom throb of 'Posers'. Suitably initiated, the EP's fearless centrepiece 'Bad Wires' plunges into full on mud-party mode, dropping the tempo while intensifying the kinaesthetic funk with slow, clusterf*cked syncopation until you're drowning in synthesized oil and crushed-glass textures. Fully submerged by 'We Stay Together (Part One)' time becomes elasticated like worn VHS tape, calling to mind Jamal Moss and James Ferraro soundtracking a rave in a sodden, flooded sauna, before inescapably tumbling into the sheer black hole of 'Cherry Eye' and left to the slompy jack of 'Cracked'. Blatantly, we rate this record massively, and although it's not for everyone, those looking for a more visceral, intense form of dancefloor pressure would do very well to check in

We Stay Together (Part One)

A reworked version of one of the tracks used in the soundtrack to Surface Area Dance Theatre's production, 'Auricular'.

Auricular was performed in April 2017 at CCA, Glasgow (16 April), Gymnasium Gallery, Berwick-upon-Tweed (22 April)and at Turner Contemporary, Margate (29 April),

http://www.surfacearea.org.uk/auricular/

GB 2 Re/r/ed

Music composed and produced by Caterina Barbieri between September 2015 and January 2016. Mixed at Elektronmusikstudion in
Stockholm (SE). Composed with an ER-101 Indexed Quad 
Sequencer and a Verbos Harmonic Oscillator. 
Images by Giovanni Brunetto 
Photography by Angelo Jaroszuk Bogasz 
Mastered by Giuseppe Ielasi 
First edition pressing of 500 double LPs packaged in a gatefold jacket. An edition of 200 sets on transparent blue vinyl is available for Important mailorder customers: http://importantrecords.com/imprec/imprec449
Bandcamp: https://caterinabarbieri.bandcamp.com/album/patterns-of-consciousness
"...has an imperial, exacting beauty." (The Wire)
“…few albums have hit us as hard as Caterina Barbieri’s 70-minute opus, Patterns Of Consciousness. On her debut full-length, Barbieri commands tsunami-height waves of arpeggiated analog synths." (Fact Mag)
"Patterns Of Consciousness finds Caterina Barbieri at her best, elegantly moving between melodically pleasant yet twisted sequences and comforting, reassuring sonic spaces. Every piece, while given a singular identity, is part of the bigger picture: a work of art that will push you, pull you, and then eventually leave you with your back against the wall once you get to the last track. " Alessandro Cortini (Nine Inch Nails)

Gravity that Binds

"Those not familiar with Jones’ style, will listen slack-jawed at the shear anticipatory nature of his sound collage. The five lengthy tracks are based on hypnotic and somewhat menacing grooves: a repetitive dub bass beat, waves of Middle Eastern strings and voices, layers of building hand percussion. Each track is respective but the washes of sound/percussion come and go often creating a sense of motion and change. All of the tracks are similar and even share elements. Mid-East tension is so accurately captured through the use of the regions instrumentation (especially percussion), sinister electronics, samples of men chanting, women crying, sounds culled from the horrors of war, and occasional angry distortion that the listener’s listener will be transported to the belly of the beast.
‘Mullah Said’ displays two aspects of the work of Muslimgauze. Firstly, musically, it is in the delightful drifting ambient vein. The percussion is mainly acoustic hand drums - providing a rhythm of aural features - the trademark shimmering string sound heard on a number of releases is much in evidence, rhythms are generally slower, there are lots of samples of people speaking in conversation, markets wherever. ‘Mullah said’ opens the disc with the lovely mix of these sounds. ‘Every grain of Palestine sand’ continues the mood, with a slightly faster tempo, and more emphasis on the beat. But it soon locks into a mesmeric lassitude as various effects echo or smear the sounds, drums come in for short moments, different string sounds enjoin the play. ‘Muslims die India’ follows the mood though the voices seem darker, sadder, and then comes ‘Every grain of Palestinian sand’ followed by ‘Muslims die India’. Yes - not a typo, these tracks are repeated. Muslimgauze trend - to remix himself.  Prime Muslimgauze middle eastern ambience - if you like that side you will love this album. The final track is short and different, a crackling ground over which a singer chants a song interrupted by machine-gun percussive bursts - ‘An end’."

Engineered by John Delf.
Recorded at the Abraham Mosque, Manchester.
Originally released in 1998 as Muslimlim 018.

C4. Muslimgauze "Mullah Said": Muslims Die India

Taken from Stroboscopic Artefacts' first compilation, Flowers From The Ashes: Contemporary Italian Electronic Music, out April 13th, 2018 on 2x12" / CD / Digital.

Order: https://stroboscopicartefacts.com/shop/flowers-from-the-ashes-salp006-sacd009/



Flowers From The Ashes is the latest multi-artist project to bear the acclaimed Stroboscopic Artefacts imprimatur. There is a sensibility of decadence and corroded grandeur etched within its four album sides, reminding us that historically “decadent” times have nonetheless resulted in some of the boldest acts of individual and collective creativity. Like the "floral" theme that has remained a consistent feature of S.A.’s graphic presentation, the music here equally presents fragility and intensity in a way that really drives home this visual metaphor for good, while still holding out the promise that similar creations will be seeded in the near future.

Though many of the artists involved have set of residence outside of their native Italy, all contribute here to make a captivating portrait of a shared spirit and cultural memory. The album opens with 'Errori', deceptively fragile sonic ornaments crafted and suspended in space by Blackest Ever Black artist Silvia Kastel. This is followed closely by the mellifluous, warming glow of percussionist Andrea Belfi’s 'Spitting & Skytouching', and then by the resolute electric bass patterns and luminous fog of 'Lux et Sonus', from Eeri label head Marco Shuttle. Hospital Productions alumnus Ninos du Brasil open the B-side with a similarly dense, amorphous construction built from tribalistic chants and rhythmic patterns, to be followed by Mannequin label boss Alessandro Adriani’s 'You Will Not Be There For The End', showcasing his distinctive take on the "paranoiac breakdance" aesthetic of classic EBM. S.A. veteran Chevel rounds out the first record in the program by interlacing several percolating synth lines together into a richly conversational piece.

The journey continues with 'Starving The Mind', an undulating mini-epic from S.A. founder Lucy that is animated by his signature balance of seductiveness and concentration. The bright, biting acid synth tones of 'PRV-HH3-X', by Lory D, then takes a sharp right turn into an invisible metropolis ruled by reflective high fashion and hidden intrigue. The imposing architecture of 'Virgo Rebellion', designed by modular synth futurist Caterina Barbieri, acts as an excellent companion piece, and sets up the closing '4G' from Spazio Disponibile co-founder Neel - a crepuscular serenade that accurately sums up much of the foregoing activity.


All tracks (w)&(p) by Silvia Kastel, Andrea Belfi, Marco Shuttle, Ninos Du Brasil, Alessandro Adriani, Chevel, Lucy, Lory D, Caterina Barbieri & Neel.
Graphic concept by Ignazio Mortellaro [OA].
℗ & © Stroboscopic Artefacts 2018.
Cat. No SALP006 / SACD009 - all rights reserved.
www.stroboscopicartefacts.com
info@stroboscopicartefacts.com

Order

D1 - Caterina Barbieri - Virgo Rebellion [SALP006/SACD009]

Pre-order the album here: https://smarturl.it/volumemassimo

Amore Amaro is taken from the forthcoming studio album VOLUME MASSIMO. 
Released on Mute 27 September 2019.

Volume Massimo Live-AV tour includes:

30 August - Atonal, Berlin
8 September - Up to Date Festival, Białystok
14 September - Draaimolen, Tilburg
22 September - TBA, Japan
28 September - Sonica, Ljubljana
19 October - Barbican, London
20 October -  LEV Matadero, Madrid
21 October - St Paul`s Sessions, Athens
25 October - Semibreve, Braga
6 November - Slaktkyrkan, Stockholm
8 November - Mira Digital Arts Festival, Barcelona
30 November - KoncertKirken, Copenhagen
6 December - Monk, Rome
7 December - Argo 16, Venice
11 December - Bozar Electronic Series, Brussels
11 April -  Concertgebouw, Bruges

Facebook:  https://www.facebook.com/alessandrocortiniofficial/
Instagram: https://www.instagram.com/alehan/ 
Twitter: https://twitter.com/blindoldfreak 
Youtube: https://www.youtube.com/user/blindoldfreak

AMORE AMARO

No era sólida

Seca

support me directly on cortini.bandcamp.com

11 La Sveglia (Drum Version)

Alessandro Cortini

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