Thank you so much! Such a gorgeous sound 


Perfect audio exp for meditation 

YO! really nice music here. Just found you in internet :-) Great! Greetings from Poland!

Alessandro Cortini

from the Important Records release, Forse 1. Available on limited edition vinyl at www.importantrecords.com

Nebbia

Gloria

Never The Right Time

Never the right time (feat. Alison Skidmore)

Demord Enregistrement DMRD009
Ended - Sunrise ft Catherine Danger
Ended - Circadian
Out June 4th 2021

https://demordenregistrements.bandcamp.com/album/dmrd009-ended-cirdadian
https://www.instagram.com/ended_music/


"Ended is the performative project of Léo Campbell (https://soundcloud.com/technothriller) and Alban Mercier (https://soundcloud.com/criminalofficium). 
Mystic synths, world percussions and contemporary techniques, these two "têtes brulées" are definitely obsessed with a modern vision of trance, rituals definitely "mushrooms sunset-party"-ready. Now based in Marseille. "

This first album CIRCADIAN will be released in June on the label Demord Enregistrements in June 2021. He was recorded between Brussels and Marseille during a long period of forbidden parties, whether hidden in a forest, in a shed, in a cellar, or in collective places bravely braving the bans. Thanks to them.

________________

"Sunrise" is the sound of an alterated state at night, in the nature with strange and throbbing piece of
nocturnal birds (it could remember Coil and the presence of bird in their productions "Strange Birds", "Red Birds Will Fly Out Of The East And Destroy Paris In A Night" ...), dark dub sound accompanied by the suave and magical voice of Catherine Danger.


https://soundcloud.com/demordenregistrements
https://soundcloud.com/endedforlife

[PREMIERE] Ended - Sunrise (ft. Catherine Danger) [DMRD009]

PAN mainstay M.E.S.H. dons a new alias, evolving Diana Azzuz's original into a menacing, swaggering electro rhythm.

'Anastrophe' is out July 20th on Standard Deviation.

Pre-order: bit.ly/3hyNhmT

@m-e-s-h
@dianaazzuz
@standard-deviation

Anastrophe

Premiere: Diana Azzuz - Recursive Gesture (eea Remix) [Standard Deviation]

Taken from 'Fringe' LP/Download (E064, Ecstatic 03/09/2021)

A gorgeous swell of intimate soundscaping from Felisha Ledesma on this simmering stunner for Ecstatic, despatching two extended, richly absorbing pieces weft from everyday detritius; synths, strings, voicemail, found sounds - hitting a similar spot for us as Ulla’s diaristic 'inside means inside me’ but with a more defined play of sound-as-light that gently and memorably tugs at the earlobes and heartstrings. 

Exploring a music of presence and ultra subtle inference, ‘Fringe’ is the 2nd release by Ledesma, student of Berlin's estimable Universität der Künste, following from a debut for Enmossed x Psychic Liberation earlier this year. Using AMQR - a software synthesiser built by Ledesma together with Ess Mattisson - both pieces here shimmer with elusive timbres that occupy a realm that feels lost between worlds - neither electronic nor acoustic, but more a sort of observational sound that radiates togetherness and warmth. 

Operating at insightful levels of synaesthesia, Ledesma poetically turns ostensibly humdrum sources into clouds of smoke - emails, voicenotes, walking along the water, a poem attached to an email, walking alone in New York during lockdown, going for a swim at sunset in the desert - all turn into a smudge of memory. When ‘Beamsplitters’ opens with a tangible human presence - a voicemail from a friend - it startles with its earthly pull, eventually getting lost in a tangled spool of found sound leaving just a trace of iridescent, intimate reverie. 

On ‘Golden Mirror’ Felisha gently diffracts a lonesome guitar phrase into a humming thizz with a steeply uncanny ability to jog the memory in a similar way to how olfactory stimulus can conjure feelings of nostalgia. It’s a trick familiar from an emergent new realm of lower case composers creating something like submerged, small scale symphonies that work counter to notions of classical excess or anodyne ambient, instead focusing on microcosmic, highly peronalised sort of worldbuilding that’s impenetrable, yet somehow entirely open.

Felisha Ledesma - Golden Mirror [E064]

Azure

Bird Strike

"The theme of ‘Hear The Tongue Fork’ is duplicity. Of saying one thing and doing the other. Giving with one hand while stealing with the other."


"Throwing Snow" is Ross Tones, a British electronic musician and producer, recognised the world over for his innovative approach to electronic music, blending elements of ambient, techno, and experimental sounds.

Throwing Snow has released music on various labels and gained a reputation for his unique style and creative productions.

2024 will see Throwing Snow release his 5th long player on his home label, Houndstooth, and we cannot wait!

Hear The Tongue Fork

Throwing Snow - Hear The Tongue Fork

TTT SHOP

Rezzett – Twizzta

Sunny Dream

Rail Dynamics is a multi-movement work for string trio and fixed media inspired by a defunct rail  line outside of Santa Fe, New Mexico. Across its ten movements, Rail Dynamics explores the  soundscapes of the northern New Mexican landscape while navigating the cultural and environmental  impact of the rail in the Galisteo Basin, ultimately meditating on the slow deterioration of the  rail line and the surrounding landscape's gradual reclamation of its previously inhabited spaces.  Intertwined among these explorations are images surrounding a car accident I was in as a child that  involved a collision with a train. The accident had long faded into distant memory when I first  encountered the abandoned rail while exploring the desert, but it still haunted me on a daily basis  (survivor's guilt, nightmares, seemingly random associations). Being by the rail and in the deep quiet  that characterizes so much of northern New Mexico's landscapes, however, helped me to recontextualize  my experience and facilitated my recovery; the slow dissolution of the rail into the high desert soil seemed  to mirror the gradual vanishing of the scars on my face, and in a strange way I found a deep kinship with  the basin, what remained of the rail, and their deeply nuanced relationship.  This piece is dedicated to my father, who, for weeks following the accident, would fall asleep at the foot  of my hospital bed without mattress or pillow so I would not be there by myself.  ( Rail Dynamics takes its name from a ground-breaking set of mid-century field recordings of  locomotives in New York, championed today by the Smithsonian Folkways. The original Rail Dynamics  can be found here: https://folkways.si.edu/rail-dynamics/sounds/album/smithsonian as well as on Spotify  and YouTube).  This work was premiered at The TANK Center for the Sonic Arts on September 22, 2024. The TANK  is well known for its uniquely intense acoustic resonance, in which sounds can last up to 50 seconds  before fading away. More information about the TANK can be found here: https://tanksounds.org/

I. Petrichor

Encantada

Taken from the new doublepack 'Passion', out October 26th 2018.

Since the release of their album Wonderland a couple of years ago, Demdike Stare have been recording material for a new doublepack 'Passion'; an asymmetric re-imagining of UK club styles taking in frenzied drum trax, shortwave jungle, pinging dancehall and clipped, post punk riddims.

During this time they’ve been busy curating their DDS label (inc releases from Shinichi Atobe, Mica Levi, Robert Aiki Aubrey Lowe and Equiknoxx, among others) and have been commissioned by both the Groupe de Recherches Musicales (GRM) and the surviving members of Gruppo di Improvvisazione Nuova Consonanza to mine and rework their archives. Enlisting visual artist Michael England (Autechre, Gescom, Leila), they’ve created a cinematic accompaniment for their collaborative live shows, resulting in the image which adorns this cover - a hybrid/composite portrait exploring/questioning the current use of software in creating hyper reality and the manipulation of the self. The accompanying film Includes documentary footage filmed at a Voguing event in NYC, Blackpool promenade and a Newark, New Jersey roller rink, the end result smudgng the lines between live performance, documentary and sonic cinema.

It’s an idea that’s echoed on Passion, continuing a process Demdike began on their Testpressing series of dismantling lines between analogue and digital realms, between urban realism and fantasy, between experimental, pop and soundsystem cultures. An outlandish configuration of avant-garde and ultimately functional club weapons designed and honed for the weightiest bassbins, it’s also their most direct and fucked up record to date - a raucous, joyful 9-track smash that comes off like a night on a glamorous, neon-lit bender.

Passion

Demdike Stare - At It Again

Everything Ends Here - blindoldfreak

Paris 1

Alessandro Cortini is an Italian musician, producer, composer, and instrument builder. 

Cortini is one of the foremost figures of contemporary electronic music, best known for his haunting, atmospheric work. Alongside being a longstanding member of Nine Inch Nails, he is highly prolific and has released a steady stream of his own heady music on luminary labels including Mute, Hospital, and Important Records for the past decade. Throughout his shadowy rise to fame, he has collaborated with the likes of Lawrence English, Daniel Avery and Merzbow (to name a few). Balancing dark ambience with smokey, pulsing rhythms, his compositions are perfectly restrained, textured and mesmeric. 

Cortini was inducted into the Rock and Roll Hall of Fame in 2020 through his work with Nine Inch Nails, making history as the only Italian musician to have ever been honored with this recognition. 

In 2021, in collaboration with boutique synth builders Make Noise, Cortini released his own, custom-designed, semi-modular synth, “Strega” (Italian for ‘witch’). That same year, he used Strega to build his latest full length, Scuro Chiaro [Mute], which Pitchfork described as “pitched somewhere between purgatory and the planetarium ... consistently managing to thrill and surprise”. 

In addition to years of extensive worldwide touring, Cortini has also soundtracked fashion shows including Alexander McQueen, Dior, and several of Fendi’s presentations. In 2022, he exhibited a high-concept audio installation called “Nati Infiniti” for Sonar 2022 at Museu de Lisboa’s “Fábrica de Moagem.” A live version of “Nati Infiniti” is set to debut at Berlin Atonal in 2023.

Alessandro Cortini’s music has been licensed for use in television, film and documentaries, games, and commercials, including FX’s hit show The Bear, “Thank You Very Much” a documentary about Andy Kaufman, Samsung, BMW, Sony, and Netflix. Remixes have also been a part of Cortini’s identity – remixing the likes of Depeche Mode to Mogwai to Death Cab For Cutie, Yann Tiersen to Vatican Shadow, and more between and beyond.

Everything Ends Here - blindoldfreak

Alessandro Cortini

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