Name: Alessandro Cortini - live at Death By Audio, december 2011 by Alessandro Cortini in Spaceship Landing
Duration: 12 min 26 s
Description: Alessandro Cortini, live instrumental set at Death By Audio, NYC, December 11 2011. Performed on a Buchla Music Easel.

What is happening after 7:00 is truly mindblowing. Masterpiece!

la totale,  chaque fréquence tue,  ich werde damit für immer einschlafen.

esta peca me acompanha hà varios anos...obrigado

ye ever see those weird fish at the bottom of the sea with mad lights and ugly faces and that? disco fish. aye, them.

Spaceship Landing

Boiler Room x Dekmantel Festival: Day 1/ Laurent Garnier, Xosar (LIVE), Vakula, Juju & Jordash (LIVE), San Proper & Tom Trago

[Broadcasted on Friday 23rd August 2013]

Tracklist & video at boilerroom.tv

Xosar Live at Boiler Room x Dekmantel Festival

@0 EP1

Mt Baker

The Boy and The Tree

Grass, Tree and Stone

Loops of your heart - Cries (2012)

Boiler Room x Dekmantel 7th Anniversary w/ Untold (LIVE A/V), 2562 / A made up sound, Aybee (LIVE), Mark Du Mosch, Thomas Martojo, Magic Mountain High.

Broadcasted on 1st March 2014.

Tracklist and video at http://boilerroom.tv

Magic Mountain High LIVE at Boiler Room x Dekmantel

Walt McClements - "Cloud Prints"

Original illustration is by c_nastik (nastya 🦋☔️).

https://x.com/c_nastik/status/1877419042312454475/photo/1
https://nastyamain.carrd.co
https://vgen.co/c_nastik

.⊹(﹙˓˗ˏˋ🌟ˎˊ˗˒﹚)⊹₊ฅ≽(•⩊•マ≼
⭒₊⊹( NO AI🚫)⊹₊⭒
˖ ࣪☆⊹ ࣪ ˖ ࣪⊹ ࣪ ★ ⋆.˚ ⊹ ࣪
࣪ ˖⋆˚★ ₊ ⊹　 ࣪˖ ࣪ ₊ ࣪ ˖　
. ݁　⊹ ࣪ ˖　　　 ࣪ ˖
　　. ݁　　　 ݁
　　.

˗ˏˋ⚞⦒⦕⦑🌟⦒⦖⦑⚟ˎˊ˗

Suite #7: Rondo

From Beatrice Dillon's 'Can I Change My Mind?' 12" out now on Boomkat Editions.

Beatrice Dillon - Can I Change My Mind?

Alessandro Cortini, live instrumental set at Death By Audio, NYC, December 11 2011. Performed on a Buchla Music Easel.

Alessandro Cortini - live at Death By Audio, december 2011

Artist: ASUNA & Jan Jelinek
Album: Signals Bulletin
Label#: Faitiche18
 
Faitiche is delighted to announce the release of a new collaboration between the Japanese sound artist ASUNA and Jan Jelinek: the album Signals Bulletin brings together joint improvisations and compositions made over a period of three years in Berlin, Kyoto and Kanazawa. ASUNA’s meandering organ drones merge with Jelinek’s pulsating synthesizer and field recording loops to create dense superclusters that span broad harmonic arcs.

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Watching the Japanese sound artist ASUNA playing the organ, some people might be surprised. ASUNA is no virtuoso flying over the keyboard in a rage. Instead, with the calm gestures of an office worker, he cuts strips of adhesive tape to the correct length before sticking them onto the keys of his instrument. In this way, large clusters of keys are held down, creating a dense and sustained range of frequencies, while the sound artist continually prepares further sets of keys or removes tape again. I have rarely seen a more convincing performance concept, with such a power to fascinate.

I first met ASUNA when we both gave a concert at the 21st Century Museum of Contemporary Art in Kanazawa, his home city. He performed the organ drones as described above and I immediately knew I wanted to collaborate with him. Six years and five meetings later, we completed Signals Bulletin. The album includes both joint improvisations and compositions, recorded in Berlin, Kanazawa and Kyoto.

Whether using prepared organ, Casio keyboards or mechanical plastic toys, ASUNA creates rich textures of sound that barely change over long stretches of time. It is a music without breaks. For a while, I was unsure how my loops made using modular synthesizers and live sampling fitted here – until I realized the role I had to take in this duet: I would provide the rhythmically pulsating foundation over which his dense continuums could unfold.

The result is harmonically drifting superclusters that put us into a meditation-like state. It can perhaps be compared to Automatic Writing – a mode of creative expression floating somewhere between concentration and distraction. Both the structure of our pieces and our approach to our instruments allow a similar “absence”: we let the machines play and repeat themselves – while we, in a mild form of trance, adopt the role of observers, intervening only occasionally.

It is no coincidence that ASUNA owns a collection of Doodle Art – drawings jotted down during conversations or while talking on the phone. It is said that works made like this point to the unconscious and reveal pet motifs – because a doodler always inadvertently returns to his or her favourite themes. The artwork for Signals Bulletin features pictures from the collection, in this case sheets of paper from the pads provided in stationery shops to test out pens. The special quality of such doodles is that the jumble of drawings is the work of a collective whose individual members do not know each other. Layer by layer is added, by someone different each time – until it becomes a dense cluster of lines and symbols ...
Jan Jelinek, Berlin 2018

ASUNA & Jan Jelinek: Relief, Pt.1

Surrender

Exit

Just before 2020 comes to an end, Berlin-based artist @leozylberberg graces this crazy (!) year  with an oddball of a track: “Sheshells” is a total earworm and at the same time a bit off, maybe. It’s chill, it’s haunted, and it might be the most appropriate end to 2020 one can imagine. “Despite its imperfections, it feels like some sort of antidote to something,” as the Australian artist puts it herself.

Sheshells is published as a digital single. It features an artwork from Paris-based graphic designer and art director Olga Prader’s Ftantasy series. The track is Präsens Editionen’s fourth audio release in 2020, following music by Remo Helfenstein, @samuelreinhard , and @damexlove , that is ranging from gospel and dark ambient-informed lullabies to proper sad-boy-reggaeton-heat.

Zylberberg is a mainstay at @sameheads , Berlin’s most infamous pub / fashion store / club / art space / what not. In 2017, she came to attention with a split tape realized with the wonderful Belia Winnewisser. Earlier this year, the Australian artist published Greatestings on @noisekoelln , a label that came back to life just for this highly limited 10” after a four-year period of inactivity. Zylberberg is part of Balance Crew alongside partner in crime @dane-close .

Sheshells

Buy the Track

L.Zylberberg - Sheshells (PE-022)

Alessandro Cortini is an Italian musician, producer, composer, and instrument builder. 

Cortini is one of the foremost figures of contemporary electronic music, best known for his haunting, atmospheric work. Alongside being a longstanding member of Nine Inch Nails, he is highly prolific and has released a steady stream of his own heady music on luminary labels including Mute, Hospital, and Important Records for the past decade. Throughout his shadowy rise to fame, he has collaborated with the likes of Lawrence English, Daniel Avery and Merzbow (to name a few). Balancing dark ambience with smokey, pulsing rhythms, his compositions are perfectly restrained, textured and mesmeric. 

Cortini was inducted into the Rock and Roll Hall of Fame in 2020 through his work with Nine Inch Nails, making history as the only Italian musician to have ever been honored with this recognition. 

In 2021, in collaboration with boutique synth builders Make Noise, Cortini released his own, custom-designed, semi-modular synth, “Strega” (Italian for ‘witch’). That same year, he used Strega to build his latest full length, Scuro Chiaro [Mute], which Pitchfork described as “pitched somewhere between purgatory and the planetarium ... consistently managing to thrill and surprise”. 

In addition to years of extensive worldwide touring, Cortini has also soundtracked fashion shows including Alexander McQueen, Dior, and several of Fendi’s presentations. In 2022, he exhibited a high-concept audio installation called “Nati Infiniti” for Sonar 2022 at Museu de Lisboa’s “Fábrica de Moagem.” A live version of “Nati Infiniti” is set to debut at Berlin Atonal in 2023.

Alessandro Cortini’s music has been licensed for use in television, film and documentaries, games, and commercials, including FX’s hit show The Bear, “Thank You Very Much” a documentary about Andy Kaufman, Samsung, BMW, Sony, and Netflix. Remixes have also been a part of Cortini’s identity – remixing the likes of Depeche Mode to Mogwai to Death Cab For Cutie, Yann Tiersen to Vatican Shadow, and more between and beyond.

Alessandro Cortini - live at Death By Audio, december 2011

Alessandro Cortini

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